Franz Liszt’s Hungarian Rhapsodies are among the most celebrated and recognizable works in the Romantic virtuoso tradition, and none more so than the second of the set, composed in 1847. Originally written for solo piano, this piece quickly became a favorite vehicle for pianists to display their technical prowess and dramatic flair. The orchestral version, arranged by flutist and composer Franz Doppler with Liszt’s supervision, transforms the rhapsody’s pianistic fireworks into a vivid orchestral showpiece, full of color and Hungarian character.

Liszt’s inspiration for the Hungarian Rhapsodies came from his lifelong fascination with the music of his homeland, particularly the improvisatory style and infectious rhythms of Roma (Gypsy) bands. While the melodies are often mistaken for authentic folk tunes, many are original or drawn from the popular urban music of 19th-century Hungary. The rhapsody’s structure follows the traditional pattern of the verbunkos-a recruiting dance-beginning with a slow, improvisatory introduction (lassú) before launching into a fast, exuberant dance (friss).

The opening is marked by dramatic contrasts: dark, brooding strings and woodwinds alternate with sudden bursts of energy from the brass and percussion. As the tempo quickens, the music grows increasingly animated, culminating in a whirlwind finale that demands both precision and abandon from the orchestra. Doppler’s orchestration adds new layers of brilliance, with sparkling runs in the winds, bold brass fanfares, and a kaleidoscope of orchestral color. The result is a work that captures the spirit of Hungarian music-by turns melancholy, playful, and wildly exuberant-and remains a perennial favorite in the concert hall.