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CAROLE CLAPS
Concetta

Carole is thrilled to be back performing the role she created. Favorite roles: Sister Mary Hubert (Nunsense), Gooch (Mame), Housekeeper (Man of La Mancha), and Dolly (Hello, Dolly). Other roles she created: Louella Parsons (Marilyn and Joe), the wicked stepmother, Leona (After the Ball ), and an Italian maid (Ebenezer). She studied theatre at Herbert Berghof and voice with Colin Romoff in NYC. Directing credits include: The Music Man, The Man Who Came to Dinner, Man of La Mancha, Dixie Swim Club, South Pacific, La Cage Aux Folles, Mack and Mable, Waiting in the Wings, The Most Happy Fella, Follies, and Company. This season finds her teaching a scene study class for Curtain Call, and next month she is directing a staged reading of The 24 Days Before Christmas, at the Darien Arts Center. Come spring she will be directing the classic, Dial M for Murder at the Westport Community Theatre. Love to TLC and LML.

CAROLE CLAPS
Concetta

Carole is thrilled to be back performing the role she created. Favorite roles: Sister Mary Hubert (Nunsense), Gooch (Mame), Housekeeper (Man of La Mancha), and Dolly (Hello, Dolly). Other roles she created: Louella Parsons (Marilyn and Joe), the wicked stepmother, Leona (After the Ball ), and an Italian maid (Ebenezer). She studied theatre at Herbert Berghof and voice with Colin Romoff in NYC. Directing credits include: The Music Man, The Man Who Came to Dinner, Man of La Mancha, Dixie Swim Club, South Pacific, La Cage Aux Folles, Mack and Mable, Waiting in the Wings, The Most Happy Fella, Follies, and Company. This season finds her teaching a scene study class for Curtain Call, and next month she is directing a staged reading of The 24 Days Before Christmas, at the Darien Arts Center. Come spring she will be directing the classic, Dial M for Murder at the Westport Community Theatre. Love to TLC and LML.