Beth Henson is committed to a career of collaboration and exploration, determined to ensure that audiences receive classical music with appreciation and excitement in the 21st century.
In 2024 she received her Bachelor’s degree in Harp Performance at the University of Michigan School of Music, Theatre and Dance, studying with Joan Holland. She is currently continuing her studies there in pursuit of Masters degrees in Harp Performance and Chamber Music.
 
Beth’s love of the symphonic repertoire began during her time playing with the University of Michigan’s Symphony Orchestra. This love has only grown with her subsequent orchestral engagements, notably as Guest Harp with the Louisville Orchestra, Midland Symphony Orchestra, Battle Creek Symphony Orchestra, and Orchestra Sono, among others. Beth has also had the honor of being the Harp Fellow for the Mostly Modern Festival in their 2024 season, and was a member of the 2023 Pierre Monteux Festival Orchestra and the 2022 Eastern Music Festival Orchestra.

Outside of symphonic playing, Beth maintains an active chamber music career. During her Undergraduate degree she founded the Holland Trio, which won the Gottlieb award for Excellence in the University’s Collage Concert, and was a finalist in the University of Michigan Briggs Chamber Music Competition. In addition to her work in this trio, Beth has been a member of several wind and harp duos, working to promote greater awareness of, and appreciation for, the harp as a chamber ensemble member.

In her solo accomplishments, Beth advanced to the final rounds of the University of Michigan’s 2023 Concerto competition and the 2023 Lewisville Lake International Concerto Competition. She also prepares and performs a recital program every year. As an advocate for accessible and engaging performances, these programs are curated to showcase the capabilities of the harp and to introduce an audience to the beauty of the instrument and the music. In keeping with the tradition of many harpists before her, Beth is also dedicated to expanding the instrument’s repertoire. She maintains several working relationships with composers to provide part editing, feedback, and commissions.