CTC: first season. Off Broadway: Fannie (National Black Theatre). Regional: The Girl Who Became Legend (Kennedy Center, Zach Theater), The Elephant and the Light in Claire’s Suitcase (The Tank, Alaska World Arts Festival, National Academy of Television Arts & Sciences' Emmy OTT platform), The Inseparables (Pittsburgh Public), The Usses (The Playwrights’ Center), Bobby Robotowitz & Allison Portchnik (Palm Beach Dramaworks), The Cat in the Hat (Zach Theater), Deus Ex Machina (Fusebox Festival, Whirligig Productions, and Shrewd Productions), Life Sucks and Remote (Heartland Theatre Company), Measure for Measure (The Classic Theatre, San Antonio); Amadeus (Penfold Theatre and Central Texas Philharmonic), Anton Chekhov is a Tasty Snack, Ghost Quartet, and Henry V (Penfold Theatre), The Yeomen of the Guard (Gilbert & Sullivan Austin), Route (Wayward Sisters Theatre Ensemble), Bella Luna (National Women’s Theatre Festival), The Zoomy Desert and Zoom Tutorial: Leverage Your Home Into A Customer Touchpoint at Scriptworks (Austin); We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915and Constellations (Street Corner Arts), The Afterparty (Shrewd Productions), Vodka, Fucking, and Television (Breaking String Theater), Pierrot Lunaire (Opera San Antonio and UIW), Sow and Suckling(University of Texas at Austin); Isle of Noises (James Madison University); Hamlet (Mary Baldwin University), Bigg Dealz (University of Arkansas), Marisol (St. Edward’s University), Tartuffe (Southwestern University), Trojan Women/Hecuba, The Nina Variations, The Moors, Betrayal, The Taming of the Shrew, Silent Sky, Eurydice, The Lady of Larkspur Lotion, and Auto Da Fé (University of the Incarnate Word). Awards: FutureNow Directing Fellow, Princess Grace Award in Theatre, the SDC National Directing Award (Kennedy Center), Eugene O’Neill Theater Fellowship. Education: MFA Texas State University.