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Daniela Hart
Sound Designer

Off-Broadway: Black Odyssey (Classic Stage). Bees & Honey (MTC); Regretfully So The Birds Are (Playwrights Horizons).

Regional: tiny father (Barrington Stage); BMLD (National Black Theatre); Avaaz (South Coast Rep); Singularity Play (HarvardTDM); Chicken & Biscuits (Asolo Rep); Espejos (Hartford Stage, Syracuse Stage); Which Way To The Stage (Signature DC); Ripple, The Wave...(Berkeley Rep/Goodman); Blues Clues and You! (Round Room Live) Happy Life (The Hearth); Queen (Long Wharf Theater/A.R.T.NY); Choir Boy (Yale Rep), Today is my Birthday (Yale Rep); Fires in the Mirror (Baltimore Center Stage/Long Wharf Theatre), already there (The REACH at the Kennedy Center) First Down (59E59); Sidewalk Echoes (En Garde Arts), How to Save the World in 90 Minutes (Cherry Lane); References to Salvador Dali...(ART, Harvard); Neighborhood 3 (Rattlestick Theater).

Audio Dramas: Complicity Island (Audible); Pleasure Machine (Colt Coeur), Nightwatch (Dorset Theatre Festival); The Masses are Asses (Wesleyan CFA).

Film: B-Boy Blues, Cram, The Snakes, Every Seven, Happy Thanksgiving

Education: MFA Sound Design Yale School of Drama