Tenor Zach Borichevsky is “equipped with a flexible, bright voice that already has made him one of the most sought-after singers of his generation.” Borichevsky is known as a “star-level tenor” with “precise, nuanced high-register singing and agile acting,” paired with a “magical sense of complete spontaneity that comes from being in total command of the instrument.” A series of significant debuts have established Borichevsky as one of the most thrilling vocal talents to appear on the international stage; he has created widely celebrated international performances in roles such as Rodolfo in La bohème with Finnish National Opera, Roméo in Roméo et Juliette for Teatro Municipal de Santiago in Chile, and Alfredo in La Traviata for the Glyndebourne Festival.

Last season, Borichevsky performed two last-minute jump-ins: as Edgardo in Lucia di Lammermoor with Opéra Nice Côte d’Azur and in the title role in Faust for Detroit Opera, having previously covered the role for the Lyric Opera of Chicago. Of the latter, OperaWire wrote “Borichevsky revealed himself to be a masterful and technically competent lyric tenor with an innate cut and ring … [he] delighted and captivated the audience with his presence.”

Other recent engagements have included Borichevsky’s first Narraboth in Salome with the Spoleto Festival, USA, Eisenstein in Die Fledermaus for Palm Beach Opera, a reprisal of Alfredo in La Traviata for Opera Grand Rapids and Seattle Opera, Cassio in Washington National Opera’s production of Otello, Rodolfo in La bohéme with Toledo Opera and English National Opera, Pinkerton in Madama Butterfly for Teatro Municipal de Santiago in Chile, and Anatol in Vanessa for Santa Fe Opera. He made his Metropolitan Opera debut as Edmondo in Manon Lescaut. In concert, Borichevsky performed the tenor solo in Verdi’s Requiem for the National Philharmonic at the Kennedy Center and recorded a virtual Messiah with New Choral Society.