Noted for her “commanding and dramatic presence” (Opera News), mezzo-soprano Renée Tatum continues to garner recognition in the most demanding of operatic repertoire. In the 2022-23 season, Ms. Tatum returns to the Metropolitan Opera for Rigoletto, sings Suzuki in Madama Butterfly with Palm Beach Opera, debuts her first Verdi Requiem with the Harvard Radcliffe Orchestra and MIT, sings a recital with pianist Eileen Downey and the Needham Concert Society, Mozart’s Missa Brevis and Vesperae solennes de confessore with the Masterworks Chorale, Maddalena in Rigoletto with The Rochester Philharmonic and ends the season as the soloist in a world premiere with the Boston Youth Symphony Orchestra.  Future seasons include Flosshilde and Waltraute in Wagner’s Der Ring des Nibelungen in concert with The Dallas Symphony, Verdi’s Requiem, Dame Quickly in Verdi’s Falstaff and engagements with the Metropolitan Opera. Last season, Ms. Tatum made her Atlanta Opera debut as Cornelia in Giulio Cesare, followed by a recital with the Boston Artists Ensemble. Later in the season, she debuted Fricka in Das Rheingold with Nashville Opera and Margret in Wozzeck with the Boston Symphony Orchestra. She also continued her long relationship with The Metropolitan Opera in their new production of Rigoletto and Ariadne auf Naxos. Ms. Tatum’s relationship with The Met spans 11 years and has included nearly 100 performances including Fenena in Nabucco, 3rd Lady and 2nd Lady in The Magic Flute, Emilia in Otello, Inez in Il Trovatore, Adonella in Francesca da Rimini, and Waltraute and Flosshilde in Robert LePage’s Der Ring des Nibelungen.