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Five Folksongs in Counterpoint (1951)
Florence Price

Florence Beatrice Price was born in Little Rock, Arkansas, on April 9, 1887, and died in Chicago, Illinois, on June 3, 1953. Approximate performance time is eighteen minutes.

Born in Little Rock, Arkansas, Florence Beatrice Price studied at Boston’s New England Conservatory, where she earned an artist’s degree in organ and a teacher’s diploma in piano. After graduation, Price taught music at various institutions in Little Rock and Atlanta. In 1927, Price moved to Chicago. There, Price earned recognition for her talents as a composer and concert pianist. In 1933, Frederick Stock and the Chicago Symphony Orchestra performed Price’s Symphony in E minor. This was the first time a major American orchestra had performed an orchestral work by a female African-American composer. Numerous performances of Price’s music, both in the United States and abroad, soon followed.

For years, Price was best known for her art songs and arrangements of spirituals, performed by such artists as Marian Anderson and Leontyne Price. But Price’s more than 300 compositions span a wide variety of instrumental and vocal genres. After Price’s death in 1953, her daughter, Florence Price Robinson, took possession of her mother’s scores, most of them unpublished. When Robinson died in 1975, it seemed that the scores were lost, but in 2009 they were uncovered in an abandoned house by property renovators. The University of Arkansas at Fayetteville acquired the scores and eventually made them available to the public. In recent years, Price’s music has become a regular and welcome part of the concert repertoire.

Price’s work for string quartet, Five Folksongs in Counterpoint, uses popular melodies as the basis for imaginative and often complex writing. The Five Folksongs may also, as it is at this concert, be performed by string orchestra.

  1. Calvary. Adagio vigoroso
  2. Clementine. Tempo moderato
  3. Drink to me only with Thine eyes. Andante cantabile
  4. Shortnin’ Bread. Allegro
  5. Swing Low, Sweet Chariot. Andantino

 

program notes by Ken Meltzer