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Tazewell Thompson
Stage director

Tazewell Thompson is an internationally acclaimed director, playwright, librettist, teacher, and actor. His opera Blue, written with composer Jeanine Tesori, won the 2020 Music Critics Association of America Award for Best New Opera in North America. The New York Times listed Blue as Best in Classical Music for 2019. He has more than 150 directing credits, including 30 world and American premieres, in major opera houses and theaters across the USA, France, Spain, Italy, Africa, Japan, and Canada, including Glimmerglass, New York City Opera, Teatro Real, La Scala, L’Opera Bastille, Cape Town, Tokyo, Vancouver, and San Francisco Opera. His award–winning play, Constant Star, has had 16 national productions, garnering nine Barrymore Awards, five NAACP Awards, and three Carbonell Awards; Mary T & Lizzy K, commissioned and produced at Arena Stage, is the recipient of The Edgerton Foundation New American Play Award; author of Jam & Spice: The Music of Kurt Weill; an adaptation of A Christmas Carol; and a contributing writer to Our War, short plays for Washington DC. His a cappella musical Jubilee: Fisk Jubilee Singers had its world premiere spring of 2019 and played to SRO audiences at Arena Stage. He has play commissions from Lincoln Center Theatre, South Coast Rep, and People’s Light & Theatre Company. His production of Porgy and Bess, broadcast Live from Lincoln Center, received EMMY Award nominations for Best Director and Best Production: Classical Music. He holds the record for directing three productions: Appomattox/Philip Glass, Lost in the Stars/Kurt Weill, and his American premiere production from Glimmerglass Festival of Cato in Utica/Vivaldi all in the same season in three different theaters at The Kennedy Center. He was chosen to rewrite the libretto and direct the premiere staging of Aaron Copland’s The Second Hurricane as part of a New York State-wide celebration of Copland’s 85th birthday. A select list of operas directed: Dialogues of the Carmelites, Death in Venice, Xerxes, Carmen, Don Giovanni, The Tender Land, Street Scene, Pearl Fishers, Norma, Margaret Garner, A Midsummer’s Night Dream, Patience, Freedom Ride. He is commissioned by Seattle Opera to write a song cycle and his opera Blue is rescheduled for future productions at Washington National Opera, Chicago Lyric, Minnesota Opera, and Mostly Mozart Festival. At schools and conservatories, he has directed productions and held master classes at NYU, Juilliard, Yale, Dartmouth, Columbia, Tulane, Indiana/Bloomington, and Kansas/Lawrence. Chair of Theater Department: St. Ann’s School and Columbia Prep.

His national theatre directing credits include nearly every major theatre across the country including: the Public Theater/New York Shakespeare Festival, Roundabout Theatre, Manhattan Theatre Club, Arena Stage, the Goodman, Seattle Rep, Oregon Shakespeare Festival, Cleveland Play House, Hartford Stage, Second Stage, Guthrie, Indiana Rep, Actors Theatre of Louisville, Huntington Theatre, Delaware Theatre Company, Syracuse Stage, Playmakers Rep, City Theatre, Virginia Stage, and the Old Globe. 

He is a member of SDC, SAG, AFTRA, AEA, AGMA and CAE.

Tazewell Thompson
Stage director

Tazewell Thompson is an internationally acclaimed director, playwright, librettist, teacher, and actor. His opera Blue, written with composer Jeanine Tesori, won the 2020 Music Critics Association of America Award for Best New Opera in North America. The New York Times listed Blue as Best in Classical Music for 2019. He has more than 150 directing credits, including 30 world and American premieres, in major opera houses and theaters across the USA, France, Spain, Italy, Africa, Japan, and Canada, including Glimmerglass, New York City Opera, Teatro Real, La Scala, L’Opera Bastille, Cape Town, Tokyo, Vancouver, and San Francisco Opera. His award–winning play, Constant Star, has had 16 national productions, garnering nine Barrymore Awards, five NAACP Awards, and three Carbonell Awards; Mary T & Lizzy K, commissioned and produced at Arena Stage, is the recipient of The Edgerton Foundation New American Play Award; author of Jam & Spice: The Music of Kurt Weill; an adaptation of A Christmas Carol; and a contributing writer to Our War, short plays for Washington DC. His a cappella musical Jubilee: Fisk Jubilee Singers had its world premiere spring of 2019 and played to SRO audiences at Arena Stage. He has play commissions from Lincoln Center Theatre, South Coast Rep, and People’s Light & Theatre Company. His production of Porgy and Bess, broadcast Live from Lincoln Center, received EMMY Award nominations for Best Director and Best Production: Classical Music. He holds the record for directing three productions: Appomattox/Philip Glass, Lost in the Stars/Kurt Weill, and his American premiere production from Glimmerglass Festival of Cato in Utica/Vivaldi all in the same season in three different theaters at The Kennedy Center. He was chosen to rewrite the libretto and direct the premiere staging of Aaron Copland’s The Second Hurricane as part of a New York State-wide celebration of Copland’s 85th birthday. A select list of operas directed: Dialogues of the Carmelites, Death in Venice, Xerxes, Carmen, Don Giovanni, The Tender Land, Street Scene, Pearl Fishers, Norma, Margaret Garner, A Midsummer’s Night Dream, Patience, Freedom Ride. He is commissioned by Seattle Opera to write a song cycle and his opera Blue is rescheduled for future productions at Washington National Opera, Chicago Lyric, Minnesota Opera, and Mostly Mozart Festival. At schools and conservatories, he has directed productions and held master classes at NYU, Juilliard, Yale, Dartmouth, Columbia, Tulane, Indiana/Bloomington, and Kansas/Lawrence. Chair of Theater Department: St. Ann’s School and Columbia Prep.

His national theatre directing credits include nearly every major theatre across the country including: the Public Theater/New York Shakespeare Festival, Roundabout Theatre, Manhattan Theatre Club, Arena Stage, the Goodman, Seattle Rep, Oregon Shakespeare Festival, Cleveland Play House, Hartford Stage, Second Stage, Guthrie, Indiana Rep, Actors Theatre of Louisville, Huntington Theatre, Delaware Theatre Company, Syracuse Stage, Playmakers Rep, City Theatre, Virginia Stage, and the Old Globe. 

He is a member of SDC, SAG, AFTRA, AEA, AGMA and CAE.