Two turntables/one mixer: one of the most distinctive instrument combinations. With the crossfader always at the heart of the setup. Even without sound produced, the physicality, motion, and coordination involved in turntablism techniques – particularly, recording juggling – are an idiosyncratic thing of beauty. It is this perspective of turntablism that forms the core for the piece. I have had a close relationship to turntables, vinyl and the turntablism genre since my youth and I find myself increasingly drawn to its evocative and intrinsic elements: the turntable “glyphs.” The work divides into seven scenes or episodes, each centred around a different interpretation of this art form.