Amber Evans is an Australian vocalist, conductor and composer currently based in the US. She regularly performs as an early music soloist, chamber ensemble vocalist, and contemporary opera/vocal specialist, with consistent touring engagements in Australia, the US and the UK. Winner of the inaugural US Dwight and Ursula Mamlok Advancement Award for the interpretation of contemporary music, she is committed to the vital artistic collaboration with composers to thoughtfully contribute to the musical canon of the present day. In Australia during the uncertainty of the pandemic years from 2020, Amber became the inaugural lecturer for aural studies and ear training at the Young Conservatorium, stepped in as assistant conductor for The Australian Voices, established the vocal sextet Formant, and directed the music for All Saints Anglican Church, Brisbane. Upon her return to the US, Amber commenced doctoral studies at the Graduate Center of the City University of New York, under the tutelage of Neil Semer. Her thesis topic is centered around codifying Lucy Shelton’s pitch and rhythm chart methods aimed at singers learning post-tonal and atonal musics. Notable musical endeavours to date include work with medieval ensemble Concordian Dawn, new music ensembles BlackBox and Infrasound, her duos confluss, Aesop’s Nightingale and panSonus, concerts and services with the Choir of St. Luke in the Fields, and further engagements as an extra member of vocal ensembles Ekmeles and Roomful of Teeth.