Wolfgang Amadeus Mozart
Overture from Le nozze di Figaro, K. 492
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Composer: born January 27, 1756, Salzburg, Austria; died December 5, 1791, Vienna Composed: May 28, 1786. Premiere: Mozart conducted the first performance of Figaro at Vienna’s Burgtheater on May 1, 1786. Duration: 4 minutes Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings |
The best way to generate interest in something is to ban it. This holds as true today as it did in 1782, when King Louis XIV, after attending a private reading of a French comedy of manners written by Pierre Beaumarchais, declared it “detestable.” Beaumarchais’ play contained revolutionary ideas too dangerous for commoners to hear, as far as the rulers of Europe was concerned. Austria’s Emperor Joseph II agreed, and banned Beaumarchais’ play within Austria’s borders.
When Wolfgang Amadeus Mozart encountered Beaumarchais’ subversive play, he saw in it the perfect basis for an opera. With librettist Lorenzo da Ponte, Mozart relocated the story of Figaro, Susanna, Count Almaviva and Countess Rosina, and all their circle to Italy, and toned down the more obvious revolutionary elements.
The dizzyingly intricate plot of Le nozze di Figaro, Mozart’s most popular and frequently staged opera, is rife with twists, turns, reversals, misunderstandings, rumors, gossip, and deceptions. Such narrative complexity is mirrored in the Overture’s series of running notes, which generate the nonstop high energy needed to keep the story going over four acts. As was common at the time, none of the actual music in the opera appears in the Overture, but the anticipatory excitement of the music readies the audience for all the shenanigans to come.
© Elizabeth Schwartz
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