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Clarinet Concerto
Aaron Copland

Aaron Copland

Clarinet Concerto (1948) 

This piece was chosen by violinist Josephine Gray

"I suggested this piece because my late father played jazz clarinet and saxophone.For me the first movement has a heart rending plaintiff quality that reaches my soul in a poignant and nostalgic way. It's not particularly sad, but just very human. Pain and hope, serenity coupled with disquiet as it goes in harmonic directions that are unexpected. After a cadenza bridge which introduces the jaunty theme of the second movement, Copland uses slap bass and Latin American jazz themes to set up a kind of musical race that's bright, intricate and overwhelmingly fun ending with a Gershwin "smear" flourish."

 

 

 

Clarinet Concerto
Aaron Copland

Aaron Copland

Clarinet Concerto (1948) 

This piece was chosen by violinist Josephine Gray

"I suggested this piece because my late father played jazz clarinet and saxophone.For me the first movement has a heart rending plaintiff quality that reaches my soul in a poignant and nostalgic way. It's not particularly sad, but just very human. Pain and hope, serenity coupled with disquiet as it goes in harmonic directions that are unexpected. After a cadenza bridge which introduces the jaunty theme of the second movement, Copland uses slap bass and Latin American jazz themes to set up a kind of musical race that's bright, intricate and overwhelmingly fun ending with a Gershwin "smear" flourish."