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An American in Paris
George Gershwin

George Gershwin

An American in Paris

Composer: born September 26, 1898, Brooklyn, NY; died July 11, 1937, Hollywood, CA

Work composed: March - June 1928, while Gershwin and his siblings were vacationing in Paris

World premiere: Walter Damrosch led the New York Philharmonic on December 13, 1928 in New York.

Instrumentation: 3 flutes (1 doubling piccolo), 2 oboes, English horn, 2 clarinets, bass clarinet, 3 saxophones (alto, tenor, baritone), 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, bells, cymbals, snare drum, taxi horns, tom-toms, triangle, xylophone, celesta, and strings

Estimated duration: 17 minutes

“My purpose here is to portray the impression of an American visitor in Paris, as he strolls about the city and listens to various street noises and absorbs the French atmosphere,” wrote George Gershwin about his tone poem, An American in Paris. “As in my other orchestral compositions, I’ve not endeavored to represent any definite scenes in this music. The rhapsody is programmatic only in a general impressionistic way, so that the individual listener can read into the music such as his imagination pictures for him,” This highly evocative, colorful symphonic music expertly captures the sights and sounds of Paris as its American protagonist wanders through the city streets. To illustrate the American’s journey, Gershwin included several of what he termed “walking themes,” which recur throughout the work. The trumpet sounds the most recognizable of these, the “homesick music,” in a bluesy solo. The “American” section concludes with an up-tempo Charleston played by a pair of trumpets, and the walking themes return. Finally, the orchestra winds up with a glittering exuberant finale as night falls on the City of Light.

An American in Paris marked a breakthrough for Gershwin as a composer, as the first symphonic piece for which he created his own orchestrations. When Rhapsody in Blue premiered in 1924, Gershwin was criticized because the Rhapsody’s orchestral version was created by Ferde Grofé. Four years after Rhapsody’s premiere, with An American In Paris, Gershwin demonstrated his growing command of orchestral colors, effectively silencing his detractors.

© Elizabeth Schwartz

NOTE: These program notes are published here by the Modesto Symphony Orchestra for its patrons and other interested readers. Any other use is forbidden without specific permission from the author, who may be contacted at www.classicalmusicprogramnotes.com

An American in Paris
George Gershwin

George Gershwin

An American in Paris

Composer: born September 26, 1898, Brooklyn, NY; died July 11, 1937, Hollywood, CA

Work composed: March - June 1928, while Gershwin and his siblings were vacationing in Paris

World premiere: Walter Damrosch led the New York Philharmonic on December 13, 1928 in New York.

Instrumentation: 3 flutes (1 doubling piccolo), 2 oboes, English horn, 2 clarinets, bass clarinet, 3 saxophones (alto, tenor, baritone), 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, bells, cymbals, snare drum, taxi horns, tom-toms, triangle, xylophone, celesta, and strings

Estimated duration: 17 minutes

“My purpose here is to portray the impression of an American visitor in Paris, as he strolls about the city and listens to various street noises and absorbs the French atmosphere,” wrote George Gershwin about his tone poem, An American in Paris. “As in my other orchestral compositions, I’ve not endeavored to represent any definite scenes in this music. The rhapsody is programmatic only in a general impressionistic way, so that the individual listener can read into the music such as his imagination pictures for him,” This highly evocative, colorful symphonic music expertly captures the sights and sounds of Paris as its American protagonist wanders through the city streets. To illustrate the American’s journey, Gershwin included several of what he termed “walking themes,” which recur throughout the work. The trumpet sounds the most recognizable of these, the “homesick music,” in a bluesy solo. The “American” section concludes with an up-tempo Charleston played by a pair of trumpets, and the walking themes return. Finally, the orchestra winds up with a glittering exuberant finale as night falls on the City of Light.

An American in Paris marked a breakthrough for Gershwin as a composer, as the first symphonic piece for which he created his own orchestrations. When Rhapsody in Blue premiered in 1924, Gershwin was criticized because the Rhapsody’s orchestral version was created by Ferde Grofé. Four years after Rhapsody’s premiere, with An American In Paris, Gershwin demonstrated his growing command of orchestral colors, effectively silencing his detractors.

© Elizabeth Schwartz

NOTE: These program notes are published here by the Modesto Symphony Orchestra for its patrons and other interested readers. Any other use is forbidden without specific permission from the author, who may be contacted at www.classicalmusicprogramnotes.com