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Peace I Leave With You
Amy Beach

Amy Beach

Peace I Leave With You

Composer: born September 5, 1867, Henniker, NH; died December 27, 1944, New York City

Work composed: 1891

World premiere: undocumented

Instrumentation: a cappella SATB chorus

Estimated duration: 1.5 minutes

Amy Beach’s musical accomplishments include several firsts: the first American woman to compose and publish a symphony – and the first American woman to have a symphony performed. She is also one of the first American composers – of any gender – whose musical training occurred wholly within the United States, rather than Europe. As such, Beach’s approach to composition and her aesthetics are uniquely American, and she did not measure the quality of her work by comparing it to music by European composers, unlike some of her contemporaries.

Beach’s prodigal musicality emerged as early as age two, as documented by her mother Clara: “Her gift for composition showed itself in babyhood before two years of age. She could, when being rocked to sleep in my arms, improvise a perfectly correct alto to any soprano air I might sing … She played the piano at four years, memorizing everything that she heard correctly ...” Clara was Beach’s first piano teacher; the young girl later studied piano in Boston. By the time she reached age 12, Beach’s parents were being lobbied by musical impresarios eager to launch their wunderkind daughter onto the concert stage. Beach’s parents declined, allowing Beach to refine her piano skills and pursue other musical studies through her teenage years. She made her concert debut at age 16, to great acclaim, and continued concertizing for the next two years, until her marriage to Dr. Henry Harris Aubrey Beach, 25 years her senior.

In 1930, Beach moved to New York, where she formed a close relationship with St. Bartholomew’s Episcopal Church, and wrote many liturgical choral works for their choir. It is likely her 1891 anthem, “Peace I Leave with You,” with text from the Gospel of John, was first sung there. The simple elegance of Beach’s homophonic setting emphasizes the clarity and meaning of the words to create a gentle benediction.


© Elizabeth Schwartz

NOTE: These program notes are published here by the Modesto Symphony Orchestra for its patrons and other interested readers. Any other use is forbidden without specific permission from the author, who may be contacted at www.classicalmusicprogramnotes.com