John Williams
“Escapades” from Catch Me If You Can
Composer: born February 8, 1932, Flushing, Queens Work composed: 2002 World premiere: The film Catch Me If You Can with Williams’ score premiered on December 25, 2002 Instrumentation: 3 flutes, 2 oboes, 3 clarinets, bass clarinet, alto saxophone, tenor saxophone, 2 bassoons, 4 horns, 3 trumpets, 2 trombones, bass trombone, tuba, timpani, percussion, piano/celeste, harp, and strings Estimated duration: 13 minutes |
John Williams is synonymous with movie music. He became a household name with the Academy Award-winning score he wrote in 1977 for Star Wars, and he has defined the symphonic Hollywood sound ever since.
Over his career, Williams has garnered a record 54 Oscar nominations for Best Original Score, including the one he wrote for longtime collaborator Steven Spielberg’s 2002 film, Catch Me If You Can. The movie is based on Frank Abagnale’s eponymous autobiography, which details his criminal activities during the 1960s, as well as the FBI’s years-long campaign to apprehend him. Over seven years, Abagnale impersonated an airline pilot, a doctor, and a public prosecutor in the course of his successful efforts as a master conman and forger.
“The film is set in the now nostalgically tinged 1960s,” Williams writes about his music, “and so it seemed to me that I might evoke the atmosphere of that time by writing a sort of impressionistic memoir of the progressive jazz movement that was then so popular. The alto saxophone seemed the ideal vehicle for this expression ... “In ‘Closing In,’ we have music that relates to the often-humorous sleuthing which took place in the story, followed by ‘Reflections,’ which refers to the fragile relationships in Abnagale’s family. Finally, in ‘Joy Ride,’ we have the music that accompanies Frank’s wild flights of fantasy that took him all over the world before the law finally reined him in.”
© Elizabeth Schwartz
NOTE: These program notes are published here by the Modesto Symphony Orchestra for its patrons and other interested readers. Any other use is forbidden without specific permission from the author, who may be contacted at www.classicalmusicprogramnotes.com
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