Raehann Bryce-Davis has been hailed by The New York Times as a "striking mezzo soprano" and by the San Francisco Chronicle for her "electrifying sense of fearlessness." 

In the 2024-25 season, Ms. Bryce-Davis makes her debut at Houston Grand Opera as Azucena in Il trovatore, and at the Grand Théâtre de Genève as Marfa in Khovanshchina directed by Alejo Perez. She will return to the Dutch National Opera as Marina in a new Kirill Serebrennikov production of Boris Godunov under the direction of Vasily Petrenko. In concert, she appears at New Orleans Opera in her role debut in Samson et Dalila, and with the Winston-Salem Symphony to perform Verdi’s Requiem. 

Recent season highlights include her Metropolitan Opera debut as Baba the Turk in The Rake’s Progress, Aida at Oper im Steinbruch, and a return to Los Angeles Opera as Fricka in Das Rheingold conducted by Gustavo Dudamel. 

As a recording artist, she released her first single “I Praise The Dance” in collaboration with composer Rene Orth. 

Ms. Bryce-Davis holds a Master of Music and Professional Studies certificate from the Manhattan School of Music and a Bachelor of Music from the University of Texas at Arlington.