Smith describes herself as “a composer and environmentalist.” She grew up in the San Francisco Bay Area “playing and writing music, hiking, backpacking, and volunteering on a songbird research project.” Many of Gabriella’s works address the climate crisis. 

Gabriella received her Bachelors of Music in composition from the Curtis Institute of Music. She also attended Princeton University. Her mentors include John Adams, Richard Danielpour, Jennifer Higdon, and Steve Mackey.

Tumblebird Contrails was commissioned by the Pacific Harmony Foundation for the Cabrillo Festival of Contemporary Music, where it premiered in 2014, conducted by Marin Alsop. In her program note, Smith says the work “is inspired by a single moment I experienced while backpacking in Point Reyes, sitting in the sand at the edge of the ocean, listening to the hallucinatory sounds of the Pacific (the keening gulls, pounding surf, rush of approaching waves, sizzle of sand and sea foam in receding tides), the constant ebb and flow of pitch to pitchless, tune to texture, grooving to free-flowing, watching a pair of ravens playing in the wind, rolling, swooping, diving, soaring–-imagining the ecstasy of wind in the wings–-jet trails painting never-ending streaks across the sky. The title, Tumblebird Contrails, is a Kerouac-inspired, nonsense phrase I invented to evoke the sound and feeling of the piece.”

~ Program notes by Charley Samson, copyright 2023