Klughardt was a German conductor and composer who worked for the Dessau Court for most of his adult life.  He conducted numerous performances of Wagner’s operas and was a strong proponent of the “new music” associated with Liszt and Wagner.  His own compositions followed this new trend while simultaneously working in the genres of symphonies and chamber works that Liszt and Wagner rejected.  Overall Klughardt composed as a product of his times, a conservative in forms but a progressive in harmony and development.  Perhaps it is because of this dichotomy that his compositions are rarely performed.  Only his Cello Concerto, a few songs, and this Wind Quintet are occasionally performed.

Composed in 1898, the Wind Quintet shows more of a Schumann influence than Wagner or Liszt.  The first movement is rather playful, following a stately introduction and includes several “interludes” that feature the various instruments.  Klughardt shows a talent for orchestration with his combination of instruments throughout this movement.  The Scherzo second movement is quite quick, but at the same time rather intimate.  The movement follows the traditional form with a trio that predictably is heard in a minor key.  The third movement recalls the minuets of Haydn with the Romanticism of the late 19^th century.  This short movement is rich in color and texture.   Klughardt features the individual instruments in the finale with long luxurious solos before they come together in one last flourish.