What a pleasure to contemplate and perform the music of Ludwig van Beethoven, a faulted (human!) genius whose individuality, passion and daring changed the course of music history, whose greatness still keeps him a household name and symbol of music at large 195 years after his death, and whose commitment to ideals of equality for all remains as relevant and inspiring today as ever.

The Egmont Overture is quintessential Beethoven, music imbued with stunning power, heart-wrenching drama, and such quality that it has been an audience favorite since its premier in 1810. Count Egmont (1522-1568) was a leading Netherlandic nobleman who took a heroic stand against oppression and it resulted in his execution; he did not flee when given the chance to save himself, and he faced his death with such dignity that it inspired widespread protests against Spanish rule in the Netherlands, further spreading the resistance movement at large. Goethe wrote a play in 1788 celebrating Egmont’s commitment to the ideals of liberty, and Beethoven happily accepted an invitation to write incidental music to accompany a revival of the play given it aligned so well with his own political ideals.

The music begins with a representation of oppression through ferociously stark chords, showcasing Beethoven’s ability to create meaning and discourse through bare musical material. The opening chord progression leads to a lamenting motive passed through the woodwinds, and the ensuing musical journey leads us through vivid scenes full of intense rhythmic vitality and singing melodies. The weight and struggles are overcome by the light and power of virtue, culminating in a glorious and joyful finale.

by Adam Johnson