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KELLI VAN METER
Soprano

Soprano Kelli Van Meter’s (they/she) recent engagements include the Charlotte Street Foundation’s New Music Compositions concert which showcased original scores exploring queer themes, soloist in Handel’s Messiah with Kansas City Symphony, and featured soloist with the University of Missouri-Kansas City Conservatory Orchestra and Hastings Symphony Orchestra. Notable roles include the title role in Suor Angelica, Judith (Bluebeard’s Castle), Alice Ford (Falstaff), Rosalinde (Die Fledermaus), Arminda (La finta giardiniera), Gretel (Hansel and Gretel), Elle (La voix humaine), and Violetta (La traviata). Awards include first place in the UMKC Chancellor’s Competition and Naftzger Young Artist Competition. Van Meter received their degrees in voice performance from the University of Missouri-Kansas City and University of Kansas under the mentorship of Maria Kanyova.

KELLI VAN METER
Soprano

Soprano Kelli Van Meter’s (they/she) recent engagements include the Charlotte Street Foundation’s New Music Compositions concert which showcased original scores exploring queer themes, soloist in Handel’s Messiah with Kansas City Symphony, and featured soloist with the University of Missouri-Kansas City Conservatory Orchestra and Hastings Symphony Orchestra. Notable roles include the title role in Suor Angelica, Judith (Bluebeard’s Castle), Alice Ford (Falstaff), Rosalinde (Die Fledermaus), Arminda (La finta giardiniera), Gretel (Hansel and Gretel), Elle (La voix humaine), and Violetta (La traviata). Awards include first place in the UMKC Chancellor’s Competition and Naftzger Young Artist Competition. Van Meter received their degrees in voice performance from the University of Missouri-Kansas City and University of Kansas under the mentorship of Maria Kanyova.