Described as “alluring” and “stirring” by The New York Times, the “arresting” (Gramophone), “irresistible” (San Francisco Chronicle) and “exhilarating” (Chicago Tribune) music of Vietnamese-American composer Viet Cuong (b. 1990) has been commissioned and performed on six continents by musicians and ensembles such as the New York Philharmonic, Los Angeles Philharmonic, Orpheus Chamber Orchestra, Saint Paul Chamber Orchestra, Eighth Blackbird, Kronos Quartet, Sandbox Percussion, WindSync, PRISM Quartet and Dallas Winds, among many others. Cuong’s music has been heard at Carnegie Hall, Kennedy Center and Lincoln Center, as well as on NPR Music’s Tiny Desk and PBS NewsHour. His works for wind ensemble have garnered over a thousand performances worldwide, including at Midwest, WASBE and CBDNA conferences.

A composer known for his imagination and colorful voice, Cuong strives to blend the whimsical and profound by finding new expressive possibilities through unexpected instrumental pairings and textures. His works thus include concerti for tuba and dueling oboes, percussion quartets utilizing wine glasses and sandpaper, and pieces for double reed sextet, cello octet and solo snare drum. This eclecticism extends to the variety of musical groups he writes for, and he has worked closely with ensembles ranging from middle school bands to Grammy-winning orchestras and chamber ensembles. His wind ensemble works are widely performed by leading groups such as the Dallas Winds, top U.S. military bands and premier university ensembles at UT Austin, Michigan, Northwestern, North Texas, LSU, Miami and Michigan State. Passionate about bringing all these different facets of the contemporary music community together, his notable works include Vital Sines, a concerto for Eighth Blackbird and the United States Navy Band; Re(new)al, a concerto for percussion quartet with a variety of ensemble accompaniments; and a saxophone quartet concerto titled Second Nature.

Currently the Pacific Symphony’s composer-in-residence, Cuong was also the California Symphony’s Young American Composer-in-Residence from 2020 to 2023. He has held artist residencies at Copland House, Yaddo, Ucross, the Atlantic Center for the Arts and at Dumbarton Oaks, where he served as the 2020 early-career musician-in-residence. His music has been awarded the Barlow Prize, William D. Revelli Prize, Frederick Fennell Prize, Walter Beeler Memorial Prize, Barlow Endowment Commission, ASCAP Morton Gould Composers Award, Theodore Presser Foundation Award, Suzanne and Lee Ettelson Composers Award, Cortona Prize, New York Youth Symphony First Music Commission and Boston GuitarFest Composition Prize.

Cuong serves as assistant professor of music composition and theory the University of Nevada, Las Vegas, where he teaches composition, orchestration and music theory. He has also served on the faculties of the Eighth Blackbird Creative Lab, Juilliard Summer Composition and Newfound Chamber Winds Tidewater Composition Workshop. He holds degrees in music composition from Princeton University (M.F.A./Ph.D.), the Curtis Institute of Music (Artist Diploma) and the Peabody Conservatory (B.M./M.M.). His mentors include Jennifer Higdon, David Serkin Ludwig, Donnacha Dennehy, Steve Mackey, Dan Trueman, Dmitri Tymoczko, Kevin Puts and Oscar Bettison.