Batucada Fantástica (1982) pays homage to Brazilian Carnival with electric performances by soloists, culminating in a riot of ensemble dancing by the company. The accompanying percussion instruments include some which are unique to Brazil and known as batuque. The choreographer transforms “everyday” movements — be they from popular or folk dances, from rituals, or from simple actions such as walking and waving goodbye — into heightened gestural “shorthand” that convey feelings, character and action.

Ballet Hispánico’s residency with the Dance Division is enabled by a gift from Marjorie Lewis.