Sinfonia seeks inspiration from cultures close to my heart and mixes them into four different movements. It begins nostalgically and ends on a hopeful, uplifting note.

I. Noir

Grainy films and stylized black-and-white images from the 1940s and ’50s inspired this nostalgic throwback. Although it starts brightly, at its core lies the night.

II. Transit

New York City. Subway. Rush hour. Each stop opens to a new soundscape. “Say, did I hear Jazz?” Someone asks. “STAND CLEAR OF THE CLOSING DOORS, PLEASE,” New York replies.

III. Arioso

Shanghai. Night of the Mid-Autumn Festival. A vocalise was conceived.

IV. D-O-N-E

May 10, 1869. Promontory, Utah. A one-word telegraph was sent across the United States in Morse code, announcing the completion of the First Transcontinental Railroad. Now the country was connected as never before: a journey between San Francisco and New York that previously took up to six months now took only days. Some 150 years later, that word, “D-O-N-E,” is transformed here into music using the rhythm of the Morse code. Throughout the finale, the “done” motif is passed back and forth by numerous instruments in the ensemble. An accumulation of materials sends the piece to a climax at the end. This movement was adapted from a movement of my orchestral work Transcend.

“D-O-N-E” motif, based on the Morse code for the word

Sinfonia was jointly commissioned by a CBDNA consortium consisting of the Michigan State University (Kevin Sedatole), Ball State University (Thomas E. Caneva), Baylor University (Eric Wilson), University of Colorado Boulder (Donald J. McKinney), Florida State University (Richard Clary), Indiana University (Rodney Dorsey), University of Michigan (Michael Haithcock), Ohio State University (Russel C. Mikkelson), Oklahoma State University (Joseph Missal), Purdue University Fort Wayne (Daniel Tembras), University of Texas Austin (Jerry Junkin), Texas Tech University (Sarah McKoin), and Western Michigan University (Scott Boerma). My deepest gratitude goes to Kevin Sedatole, who initiated this project, and to all the commissioning partners. I had a blast writing this work!

Sinfonia was selected as the 2022 Sousa-ABA-Ostwald Award-winning composition.