When composing Galaxy, I wanted to experiment with chord progressions one might imagine hearing when envisioning outer space as frequently portrayed in the media.  Simultaneously, I wanted to build a conversation between the double bass soloists and the self-conducted ensemble. The intrigue and ethos of the work are to showcase the solo instruments as virtuosic and star-like, which is atypical for most conventional repertoire. While the double bass is not often thought of as a solo instrument, that framing has been important to me as both a frequent soloist and composer. Defying stereotypes and fully exploring the range of possibilities of the instrument is at the core of this concertante. In one way, the title suggests that the dominant solo voices are the brightest stars in the galaxy. In another, I imagine 100 billion stars, each offering a different amount and type of light. That perspective enriches our own understanding of the world and the great diversity of voices and lights that comprise such a rich galaxy.  In imagining the different types of light, rather than prescribing the experience, I would love for our audiences to explore each of the sound palates and allow their imagination to take them on a unique sonic journey as they experience this work for the first time.

— Xavier Foley