T. Ryder Smith: Broadway: Oslo, War Horse, Equus. Off-Broadway: Sarah Ruhl’s Dead Man’s Cell Phone (Playwrights Horizons) and Passion Play (Irondale), Katori Hall’s Our Lady of Kibeho (Signature), David Greenpan’s She Stoops to Comedy (Playwrights Horizons), Will Eno’s Thom Pain (DR2), Anne Washburn’s Apparition (The Connolly) and I Have Loved Strangers (Clubbed Thumb), Barbara Hammond’s Terra Firma (The COOP), Richard Foreman’s King Cowboy Rufus and The Gods Are Pounding My Head (Ontological), Barbara Weichmann’s Summer (New Georges), and Christina Masciotti’s Social Security (Bushwick Starr). Regional theatre includes the world premieres of Sarah Ruhl’s Scenes from Court Life (Yale Rep) and Passion Play (Goodman Theatre), Barbara Hammond’s We Are Pussy Riot (CATF), Doug Wright’s Creditors (La Jolla), Charles Mee’s Big Love (Humana Festival), and Yael Farber’s Salome (Shakespeare Theatre DC). Film and TV includes appearances on Hunters, Bull, The Blacklist, Elementary, Nurse Jackie, the PBS miniseries The Abolitionists, the films The Report, Happy Tears, Brainscan and experimental films by Rachel Rose, Marie Losier, Daniel Fish, Lawrence Krauser, Redmond Entwistle and The Hinge Collaborative. Vocal work includes the videogame Bioshock, the animated series The Venture Brothers, Pacifica Radio’s annual Bloomsday readings of James Joyce’s Ulysses, tours with Theatre of War, and numerous audiobooks, by authors including Tolstoy, Dostoevsky and William Burroughs. Awards: Drama Desk nomination for Outstanding Solo Performance in Glen Berger’s Underneath the Lintel, Audie Award for Best Non-Fiction audiobook Fire in Paradise, Craig Noel award for Outstanding Lead Performance in John Strand’s Lincolnesque, and a shared Drama Desk award for Outstanding Ensemble in Israel Horowitz’ 3-actor/30-character Lebensraum, and OBIE for Outstanding Ensemble in J.T. Roger’s Oslo.