In the words of composer David Maslanka: “I am strongly affected by American folk songs and hymn tunes, and I think of this Symphony and “old songs remembered”. With one exception all the tunes are original, but they all feel very familiar. The borrowed melody is from the 371 Four-Part Chorales by J.S. Bach. Each song has a bright side and a dark side, a surface and the dream underneath. Each is a signal or call which evokes an inner world of associations.”
- Sunday night church services from my youth. Mrs. Smith played the piano. The opening piano solo is marked “enthusiastically” in the score. A dream travels to a far place.
- In the manner of an American folk song, with a setting that might have come out of the 19th or early 20th centuries.
- A ferocious fast music, unrelenting, determined to get a grip on chaos. Toward the end a fractious quote of the Bach Chorale melody “Du Friedensfurst Herr Jesu Christ” (Prince of Peace Lord Jesus Christ).
- A simple song of peace and healing