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Kevin “Oriyomi” Marr II
Choreographer

Since the 10th grade, Oriyomi has performed in city-wide plays, musicals, concerts, and performing-arts venues, such as Cleveland Metropolitan School District’s All-City Arts Program, Break City with Cleveland Public Theatre (Poverty Stricken Community Centers), Cleveland Public Theatre STEP, The City of Cleveland Showagon, Foluke Cultural Arts Center, Rainey Institute, Errin Ministries, Greenworks, The Ohio City Theatre Project, and Black Poetic. His longest running show was The Black Nativity, where he was able to perform in the show for over 10 years (five years as the choreographer and two years as Joseph). Under many great directors, performers, and novelists he has had the opportunity to develop works that have toured throughout the United States of America impacting the voices of our nation. Oriyomi is a graduate of The Ohio Media School for Broadcasting and Web Design, he has choreographed for over 14 years, and is in the process of completing his final 25 credits at Cleveland State University with a concentration in dance and theater.  He has danced with several performing arts companies (www.deucedancellc.wordpress.com), has made several guest appearances for local news segments, and he has participated in performance excerpts/tributes and city-wide gospel broadcasts. He has also been featured in a few national performances such as the Pro Football Hall of Fame in Canton, TedX-Talk, American Disability Awareness conferences, and The National Stigma Conference for HIV Awareness. To learn more about the growth of Yomi’s career, visit his website for more information, and follow his media stream for more in-person broadcasting (@tumni216, YouTube-deucedancellc).

Check out his new music

 

YouTube Rapture Dream Featuring Sanu.

What can you say about and of this change in pace, is that the journey of an artist is ever-changing with guided stars, that are revealed in the context of the narratives of life. Omo Sanu-Tunmi. #147. Be on the lookout in the future journals, narratives, and performance works — expressing the impact of systematic structure and the outcomes of cultural communication barriers. “I speak for the voices within me, because they chose to rest in my ancestors.” 

Kevin “Oriyomi” Marr II
Choreographer

Since the 10th grade, Oriyomi has performed in city-wide plays, musicals, concerts, and performing-arts venues, such as Cleveland Metropolitan School District’s All-City Arts Program, Break City with Cleveland Public Theatre (Poverty Stricken Community Centers), Cleveland Public Theatre STEP, The City of Cleveland Showagon, Foluke Cultural Arts Center, Rainey Institute, Errin Ministries, Greenworks, The Ohio City Theatre Project, and Black Poetic. His longest running show was The Black Nativity, where he was able to perform in the show for over 10 years (five years as the choreographer and two years as Joseph). Under many great directors, performers, and novelists he has had the opportunity to develop works that have toured throughout the United States of America impacting the voices of our nation. Oriyomi is a graduate of The Ohio Media School for Broadcasting and Web Design, he has choreographed for over 14 years, and is in the process of completing his final 25 credits at Cleveland State University with a concentration in dance and theater.  He has danced with several performing arts companies (www.deucedancellc.wordpress.com), has made several guest appearances for local news segments, and he has participated in performance excerpts/tributes and city-wide gospel broadcasts. He has also been featured in a few national performances such as the Pro Football Hall of Fame in Canton, TedX-Talk, American Disability Awareness conferences, and The National Stigma Conference for HIV Awareness. To learn more about the growth of Yomi’s career, visit his website for more information, and follow his media stream for more in-person broadcasting (@tumni216, YouTube-deucedancellc).

Check out his new music

 

YouTube Rapture Dream Featuring Sanu.

What can you say about and of this change in pace, is that the journey of an artist is ever-changing with guided stars, that are revealed in the context of the narratives of life. Omo Sanu-Tunmi. #147. Be on the lookout in the future journals, narratives, and performance works — expressing the impact of systematic structure and the outcomes of cultural communication barriers. “I speak for the voices within me, because they chose to rest in my ancestors.”