I first became aware of 1776 when I was 10 years old. My sister and her best friend had become groupies, seeing the show several times and wearing the grooves out of the original cast album. I dare say I knew all the songs by heart long before I really knew who Adams, Franklin and Jefferson were. That was not only the beginning of my American History lessons though, because my first lesson in Roman History came when my sister explained the relevance of Adams' lyric regarding crossing the Rubicon.
Luckily for me, 1776 was a great first musical to get hooked on. The music is engaging and the story is so entertaining and thought-provoking, it's no wonder that it won so many Tony Awards during its two Broadway runs. It can certainly be the basis of further discussion of a wide variety of subjects. We hope that younger members of our audiences will be intrigued to read more about these famous men of Philadelphia and thus develop a greater appreciation for what our nation stands for.
The history that is presented herein is quite factual. And while there were certain liberties taken with the play for dramatic reasons it is really quite historically accurate. For instance, while none of George Washington's communiques were actually written as they are presented in the play, the words you'll hear are indeed written by Washington and culled together from his many dispatches and speeches. The lyrics and dialogue between John and Abigail Adams were taken directly from their many letters to each other.
I am thrilled to present 1776 as the first main-stage production of our 31st Season, and since we've got a great line-up scheduled for you we hope you'll be here with us for the entire year. Our discount Flex Passes can help make regular theatre-going a very reasonable thing too with savings of up to 25% off our already low prices so check with our Box Office for details. (You can apply the cost of today's ticket to any of our discount programs.)
For now, sit back and enjoy your time in Philadelphia, summer, 1776!
September 17 - October 9, 2021
Kweskin Theatre
Thursday, Friday & Saturday nights at 8:00pm
Sunday afternoons at 2:00pm
Book by
PETER STONE
Music and Lyrics by
SHERMAN EDWARDS
Based on a concept by
SHERMAN EDWARDS
Producer LOU URSONE |
Director GORDON CASAGRANDE |
Music Direction PETER RANDAZZO |
Choreographer KAREN CASAGRANDE |
Set Design
JAMIE LAJOIE
(Based on an original design by Peter Barbieri, Jr.)
Lighting Design PETER PETRINO |
Costume Design TERRY HANSON |
Production Stage Manager
JAN URSONE
Assistant Stage Managers
SARA DEFELICE, CAROL FOLEY, LAURIE LOGAN
Ben Franklin Hair Design
MEG KANE
1776 is presented by special arrangement with
Music Theatre International, NY, NY,
www.mtishows.com
The Place: |
ACT I
FOR GOD’S SAKE, JOHN, SIT DOWN . . . . ADAMS & THE CONGRESS
PIDDLE . . . . ADAMS
TILL THEN . . . . ADAMS & ABIGAIL
THE LEES OF OLD VIRGINIA . . . . LEE, FRANKLIN & ADAMS
BUT, MR. ADAMS . . . . ADAMS, FRANKLIN, JEFFERSON, SHERMAN & LIVINGSTON
YOURS, YOURS, YOURS . . . . ADAMS & ABIGAIL
HE PLAYS THE VIOLIN . . . . MARTHA, FRANKLIN & ADAMS
COOL, COOL CONSIDERATE MEN. . . . DICKINSON & THE CONSERVATIVES
MOMMA, LOOK SHARP COURIER, LEATHERAPRON & MCNAIR
There will be a 15-minute intermission.
ACT II
THE EGG . . . . FRAN KLIN, ADAMS & JEFFERSON
MOLASSES TO RUM . . . . RUTLEDGE
COMPLIMENTS . . . . ABIGAIL
IS ANYBODY THERE? . . . ADAMS, FRANKLIN, JEFFERSON & THOMSON
Witness the birth of a nation as our forefathers struggle to craft the Declaration of Independence in this Tony Award-winning BEST MUSICAL. 1776 is funny, insightful and compelling story-telling with a striking score. 1776 puts a human face on the pages of history as we see the men behind the national icons: proud, frightened, uncertain, irritable, charming, often petty and ultimately noble figures, determined to do the right thing for a fledgling nation. A terrific and fun history lesson for the whole family set to music!
James Chiles – Caesar Rodney
Clint Clifford – Lyman Hall
Victoria Clougher – Martha Jefferson
Bruce Crilly – John Dickinson
Tommy DeSalvo** – Lewis Morris
Scott Ferrara – Samuel Chase
Jim Foley – Thomas McKean
Eli Foodman – A Leather Apron
Phil Garfinkel – George Read
Jonathan Jacobson – Thomas Jefferson
Michael Jovovich – Edward Rutledge
Bill King – The Courier
Thomas Kramer – James Wilson
Jerry Kranz – Stephen Hopkins
Michael Kraus – Andrew McNair
Julie Loyd – Abigail Adams
Ben McCormack – Richard Henry Lee
Rick Harrington – Robert Livingston
Jim Muthersbaugh - Charles Thomson
Chris Nardi – Joseph Hewes
Bill Squier – John Hancock
Greg Suss – Roger Sherman
Dan Travers – Lewis Morris
Lou Ursone* – John Adams
Stephen Wolf – Josiah Bartlett
Christopher Woodside – Rev. Witherspoon
Michael Wright – Benjamin Franklin
*Member of Actors’ Equity Association, the union of professional actors and stage managers in the United States, appearing under a Special Appearance Contract. |
** 10/1,10/2, 10/3
Lou Ursone - Producer
Gordon Casagrande - Director
Peter Randazzo - Music Director
Karen Casagrande - Choreographer
Jamie LaJoie - Scenic Design
(Based on an original design by Peter Barbieri, Jr.)
Peter Petrino - Lighting Design
Terry Hanson - Costume Design
Jan Ursone - Production Stage Manager
Sara DeFelice, Carol Foley, Laurie Logan - Assistant Stage Managers
Meg Kane - Ben Franklin Hair Design
Peter Randazzo | Keyboard |
Nick Macri | Bass |
Brian Coralian | Percussion |
Joseph Petrizzo | Trombone |
Patrick Lombardo | Reeds |
Chris Melito | Trumpet |
John McNeil Johnston | Violin |