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Richard Moschel Annual Memorial Concert

Richard Moschel Annual Memorial Concert

Everett Jewish Life Center

Sunday, July 12, 2026 – 1:00 p.m.

Sydney Dardis, soprano

Lindsey Weissman, mezzo-soprano

Gabriel Chona Rueda, tenor

 Miriam Charney, pianist


All the Things You Are


A concert dedicated to Richard Moschel and his love of opera and the people who bring it to life.


Printed texts and translations for each piece may be found following the biographies of the artists.

Program

Francis Poulenc (1899-1963)

From Métamorphoses, FP 121

C’est ainsi que tu es 

Ms. Dardis

W.A. Mozart (1756-1791)

Trio from Idomeneo

“Pria di partir”  

Ms. Dardis, Ms. Weissman, and Mr. Rueda

Charles Gounod (1818-1893)

from Roméo et Juliette

Madrigal

Ms. Dardis and Mr. Rueda

Ah, lève-toi, soleil!” 

Mr. Rueda

Gene Scheer (b. 1958), arr. Andrew Thomas 

“Lean away” 

Ms. Weissman

Ricky Ian Gordon (b. 1956)  

from The Grapes of Wrath

Zephyr/One Star 

Ms. Dardis and Mr. Rueda

Jacques Offenbach (1819-1880)

Duet from Les contes d’Hoffmann 

Barcarolle 

Ms. Dardis and Ms. Weissman

Gioachino Rossini (1792-1868), arr. Kristine McIntyre  

Music Lesson Duet from The Barber of Seville in California 

Ms. Weissman and Mr. Rueda

Jaime León Ferro (1921-2015)

“Algún Día” 

Mr. Rueda

María Grever (1885-1951)  

“Júrame” 

Ms. Weissman

Giuseppe Verdi (1813-1901)  

Duet from La traviata 

“Parigi, o cara” 

Ms. Dardis and Mr. Rueda

Kurt Weill (1900-1950)  

“Youkali” 

Ms. Weissman

Jerome Kern (1885-1945)

from Very Warm for May

“All the things you are” 

Ms. Dardis, Ms. Weissman, and Mr. Rueda

Texts and Translations


Texts

Translation

"C’est ainsi que tu es" from Métamorphoses

Francis Poulenc (1899-1963)


Ta chair, d'âme mêlée,

Chevelure emmêlée,

Ton pied courant le temps,

Ton ombre qui s'étend

Et murmure à ma tempe.

Voilà, c'est ton portrait,

C'est ainsi que tu es,

Et je veux te l'écrire 

Pour que la nuit venue,

Tu puisses croire et dire, 

Que je t'ai bien connue.

"That is how you are" from Métamorphoses



Your flesh, mingled with soul, 

Your tangled hair, 

Your feet pursuing time, 

Your shadow which stretches 

And whispers close to my temple. 

There, that is your portrait, 

That is how you are, 

And I shall write it down for you 

So that when night comes, 

You may believe and say 

That I knew you well.

Trio from Idomeneo 
W.A. Mozart (1756-1791)


Idamente: 

Pria di partir, oh Dio!

Soffri che un bacio imprima 

Sulla paterna man.


Elettra:

Soffri che un grato addio 

Sul labbro il cor esprima:

Addio, degno sovran!


Idomeneo: 

ad Elettra 

Vanne, sarai felice,

ad Idamante 

Figlio! tua sorte è questa.

Seconda i voti oh ciel!


Elettra:

Quanto sperar mi lice!


Idamente: 

Vado! 

(E il mio cor qui resta.)


Idomeneo: 

Addio!


Idamente: 

Addio!


Elettra: 

Addio!


Elettra, Idamante, Idomeneo: 

Addio!


Idamante, Idomeneo:

(Destin crudel!)


Idamente: 

(Oh Ilia!) 


Idomeneo: 

(Oh figlio!)


Idamente: 

Oh padre! oh partenza!


Elettra:

Oh Dei! che sarà?


Elettra, Idamante, Idomeneo: 

Deh cessi il scompiglio;

Del ciel la clemenza 

Sua man porgerà.

Vanno verso le navi. Mentre vanno ad imbarcarsi, sorge improvvisa tempesta.




Idamante: 

Before leaving, allow me, 

o gods, to place a kiss 

on my father’s hand. 


Electra: 

Let my heart express through my lips 

a grateful farewell; 

farewell, noble king. 


Idomeneo:

to Electra 

Go then and be happy. 

to Idamante 

This is your lot, my son. 

Answer our prayer, o heaven! 


Electra: 

How great are my hopes!


Idamante: 

I go! 

(But my heart remains here.) 


Idomeneo: 

Farewell!


Idamante:

Farewell!


Electra: 

Farewell!


Electra, Idamante, Idomeneo: 

Farewell! 


Idamante, Idomeneo: 

(Cruel destiny!) 


Idamante:

(O Ilia!)


Idomeneo:

(Oh my son!)


Idamante:

O my Father! To part!


Electra:

Ye gods, what will happen?


Electra, Idamante, Idomeneo:

O may this agitation cease

And heaven stretch out

A hand in compassion.

As they are about to embark, a storm suddenly springs up.

Duet – Madrigal from Roméo et Juliette

Charles Gounod (1818-1893)  


Roméo: 
Ange adorable,  
Ma main coupable  
Profane, en l’osant toucher,  
La main divine  
Dont j’imagine  
Que nul n’a droit d’approcher !  
Voilà, je pense,  
La pénitence  

Qu’il convient de m’imposer.  
C’est que j’efface  
L’indigne trace  
De ma main par un baiser !  
Juliette: 
Calmez vos craintes !  
À ces étreintes  
Du pèlerin prosterné,  
Les saintes même,  
Pourvu qu’il aime,  
Ont d’avance pardonné ;  
(Elle retire sa main.)  
Mais à sa bouche  
La main qu’il touche  
Prudemment doit refuser  
Cette caresse  
Enchanteresse  
Qu’il implore en un baiser !  
Roméo:  
Les saintes ont pourtant une bouche vermeille...
Juliette:  
Pour prier seulement !  
Roméo:  
N’entendent-elles pas la voix qui leur conseille  
Un arrêt plus clément ?  
Juliette: 
Aux prières d’amour leur cœur reste insensible,  
Même en les exauçant !  
Roméo:  
Exaucez donc mes vœux, et gardez impassible  
Votre front rougissant.  
(Il baise la main de Juliette.) 

Juliette: (souriant)  
Ah ! Je n’ai pu m’en défendre !  
J’ai pris le péché pour moi !  
Roméo:  
Pour apaiser votre émoi,  
Vous plaît-il de me le rendre ?  
Juliette: 
Non ! je l’ai pris ! laissez-le moi !  
Roméo:  
Vous l’avez pris ! rendez-le moi !  
Juliette: 
Non ! je l’ai pris ! laissez-le moi ! etc.  
Roméo: 
Vous l’avez pris ! rendez-le moi ! etc




Romeo: 
Adorable angel,  
my guilty hand  
profanes, by daring to touch it,  
the divine hand  
which I imagine  
no one has the right to approach!  
Here, I think,  
is the penance  
proper to impose on me –  
it is that I efface  
the unworthy trace  
of my hand by a kiss!  
Juliet: 
Calm your fears!  
These hand claspings  
of the pilgrim on his knees  
even the saints –  
provided that he loves –  
have pardoned in advance;  
(She withdraws her hand.)  
but the hand that he touches  
to his lips  
ought prudently to refuse  
that enchanting  
caress  
he implores in a kiss!  
Romeo:  
Yet the saints have rosy lips...  
Juliet: 
Only for praying with!  
Romeo:  
Do they not hear the voice which counsels them a more merciful decree?  
Juliet:  
Their hearts remain unmoved by the prayers of love  
even as they grant them.  
Romeo:  
Then do you grant mine, and keep unmoved  
your blushing face.  
(He kisses Juliet’s hand.) 

Juliet: (smiling) 
Ah! I could not help it! 
I have taken the sin upon myself! 
Romeo: 
To allay your anxiety 
would you like to give it back to me? 
Juliet: 
No! I have taken it! Leave it with me! 
Romeo: 
You have taken it away! Give me back my sin! 
Juliet: 
No! I have taken it! Leave it with me! etc. 
Romeo: 
You have taken it away! Give me back my sin! etc

Ah, lève-toi, soleil!” from Roméo et Juliette

Charles Gounod (1818-1893)  


L’amour, l’amour !

Oui, son ardeur a troublé tout mon être !

Mais quelle soudaine clarté

Resplendit à cette fenêtre ?

C’est que dans la nuit rayonne sa beauté !

Ah ! lève-toi, soleil ! fais pâlir les étoiles

Qui, dans l’azur sans voiles,

Brillent au firmament.

Ah ! lève-toi ! parais ! parais !

Astre pur et charmant !

Elle rêve ! elle dénoue

Une boucle de cheveux

Qui vient caresser sa joue.

Amour ! Amour ! porte-lui mes vœux !

Elle parle ! Qu’elle est belle ! She speaks!

Ah ! Je n’ai rien entendu !

Mais ses yeux parlent pour elle,

Et mon cœur a répondu !

Ah ! lève-toi, soleil ! fais pâlir les étoiles, etc.

Viens ! parais !

Ah, rise, O sun!”



Love, love!

Yes, its burning passion has shaken all my soul

But what sudden radiance

breaks forth from that window?

There, in the darkness, her beauty shines!

Ah, arise, O sun! Outshine the stars

that, in the cloudless heavens,

glitter across the sky.

Ah, arise! Appear—appear!

Pure and radiant star!

She dreams... She loosens

a strand of hair

that gently brushes her cheek.

Love, dear Love, carry my devotion to her!

How beautiful she is!

Ah, I have heard no word—

yet her eyes speak for her,

and my heart has replied.

Ah, arise, O sun! Outshine the stars…

Come… Appear.

Lean Away

Gene Scheer (b. 1958), arr. Andrew Thomas


I let my sail out slowly, taking pains to find the wind.  
But until I turned my boat away, the sail could not be trimmed.  
Tacking towards the wind, but never face to face.  
I feel what I don't see: an invisible embrace.  
Lean away, lean away. Some things can't be known,  
like the wind that takes you home.

I remember hearing a melody, but when I started to describe  
all the things it made me feel, its spirit slowly died.  
Now I choose to hum the things I cannot explain.  
And feel my roots spread out like a tree that drinks the rain.  
Lean away, lean away. Some things can't be known,  
like the wonder of a melody,  
how it makes you feel home.

I remember when I saw you. It was a cold winter night.  
The moon was hidden by the clouds. I remember only light.  
I have searched to find a way love to understand.  
But I finally gave up trying. It's enough to hold your hand.  
Lean away, lean away. Some things can't be known,  
like the love I feel for you,  
how it makes me feel home.

Zephyr/One Star from The Grapes of Wrath

Ricky Ian Gordon (b. 1956)


Connie: 

We might own a car some day.

Rosasharn: 

A Lincoln Zephyr.

Connie: 

You crazy, Rosasharn?...

Rosasharn: 

I like to have the baby, the house, and the Zephyr!

Connie: 

Likin’ ain’t havin’ Yer wishin’ fer a lotta stuff.

Rosasharn: 

A lotta stars to wish on, Connie.

Connie: 

Only one.

Rosasharn: 

One’s enough. One is more than none….

One star is more than bright enough.

One star can warm the dark.

Like a candle in a dust storm,

It’ll fill the sky with silver sparkles.

Sometimes when faith ain’t quite enough,

Nights where the moon don’t shine,

When you can’t see your nose in a maze of shadows,

Heaven hangs out a sign.

One star. One star. One small star, that’s mine.

Connie: 

Yer talkin foolish.

Rosasharn: 

Am not!

Small dreams is more than light enough

Where will my own be born?

In a rest stop or a lean-to,

Or a place a child can face the morning.

One man to hold me tight enough!

Connie: 

You got it honey – whatever happens.

Love me a life-time through!

Only one tiny ray on a pitch black highway

Makes make-believe seem true.

One star. One star.

Rosasharn & Connie: 

One small star will do.

One star. One star.

One small star and you.

Duet – Barcarolle from Les contes d’Hoffmann

Jacques Offenbach (1819-1880)


Belle nuit, ô nuit d’amour 

Souris à nos ivresses 

Nuit plus douce que le jour 

Ô, belle nuit d’amour ! 

Le temps fuit et sans retour 

Emporte nos tendresses 

Loin de cet heureux séjour 

Le temps fuit sans retour 

Zéphyrs embrasés 

Versez-nous vos caresses 

Zéphyrs embrasés 

Donnez-nous vos baisers ! 

Vos baisers ! Vos baisers ! Ah ! 

Belle nuit, ô, nuit d’amour 

Souris à nos ivresses 

Nuit plus douce que le jour, 

Ô, belle nuit d’amour ! 

Ah ! souris à nos ivresses ! 

Nuit d’amour, ô, nuit d’amour ! 

Ah ! ah ! ah ! ah ! ah ! ah ! ah ! ah ! ah ! ah !




Beautiful night, oh night of love 

Smile upon our joys!

Night sweeter than the day 

O, beautiful night of love! 

Time flees and never returns 

Carrying away our endearments 

Far from this happy stay 

Time flees and never returns.

Burning Zephyrs 

Give us your caresses 

Burning Zephyrs 

Give us your kisses! 

Your kisses! Your kisses! Ah! 

Beautiful night, oh night of love 

Smile upon our joys!

Night sweeter than the day 

O, beautiful night of love! 

Smile upon our joys!

Night of love, O, night of love! 

Ah! ah! ah! ah! ah! ah! ah! ah! ah! ah!

Gioachino Rossini (1792-1868), arr. Kristine McIntyre  

Music Lesson Duet from The Barber of Seville in California

(Arranged in English and Spanish for Chautauqua Schools Tour, 2026)


Rosina: Ay Lindoro, mi tesoro! Si pudieramos hablar, enseñame to speak english I will teach you español.

Ay la musica, la musica es el lenguaje del amor, si si si si!

Almaviva: Oh, your voice is just like music, I will be your troubadour

Here’s the first thing I will teach you. Oh Lindoro I adore you! Go ahead now you try and say it.

Rosina: I adore you.

Almaviva: And now in Spanish?

Rosina: Te adoro.

Almaviva: Te adoro, te adoro.

Rosina: Mi cielo imaginar.

Almaviva: Oh imagine!

Rosina: Dulce sueño de amor feliz.

Almaviva: Sueño de amor feliz, when I’m with you!

Rosina: When I’m with you! Cuando estoy contigo. O me hacer delirar.

Almaviva: You make me delirious!

Rosina: Eres mi unico amor only.

Almaviva: It’s only you I love! O me haces delirar.

Rosina: Ah you are my only…

Almaviva + Rosina: Love! Si me haces delirar and you are my only love, amor felix, o happy love!

Algún Día”

Jaime León Ferro (1921-2015)


Un día llegarás; 

el amor nos espera. 

Y me dirás: Amada, ya llegó la primavera. 

Un día me amarás. 

Estarás de mi pecho tan cercano, 

que no sabré si el fuego que me abraza 

es de tu corazón o del verano. 

Un día me tendrás. 

Escucharemos mudos 

latir nuestras arterias 

y sollozar los árboles desnudos. 

Un día. Cualquier día. Breve y eterno, 

el amor es el mismo en primavera, 

en verano, en otoño y en invierno.

"Someday"



One day you will arrive; 

love awaits us. 

And you will tell me: Beloved, spring has arrived. 

One day you will love me. You will be so close to my chest that I will not know 

if the fire that embraces me is from your 

heart or from the summer. 

One day you will have me. 

We will hear our arteries 

beat silently and 

the naked trees sob. 

One day. Any day. Brief and eternal, 

Love is the same in spring, summer, 

autumn, and winter.

Júrame

María Grever (1885-1951)   


Todos dicen que es mentira que te quiero

porque nunca me habían visto enamorada.

Yo te juro que yo mismo no comprendo

el porqué me fascina tu mirada.

Cuando estoy cerca de ti y estás contento

No quisiera que de nadie te acordaras.

Tengo celos hasta del pensamiento

que pueda recordarte a otra mujer amada.

Júrame

que aunque pase mucho tiempo

no olvidarás en el momento

en que yo te conocí.

Mírame,

pues no hay nada más profundo

ni más grande en este mundo

que el cariño que te di.

Bésame

con un beso enamorado,

como nadie me ha besado

desde el día en que nací.

Quiéreme,

quiéreme hasta la locura

así sabrás la amargura

que estoy sufriendo por ti.

"Swear to me"



Everyone says it's a lie that I love you

because they've never seen me in love before.

I swear to you that I myself do not understand

why your gaze fascinates me.

When I’m near you and you’re happy

I wouldn’t want that you remember anyone else. 

I am jealous even of the thought

that may remind you of another beloved woman.

Swear to me

that even if a long time goes by

you will not forget the moment

when I met you...

Look at me,

for there is nothing deeper

nor greater in this world

than the love I gave you.

Kiss me

with a kiss in love,

as no one has kissed me

since the day I was born.

Love me,

love me to the point of madness

so, you’ll know the bitterness

I’m suffering for you.

“Parigi, o cara” - Duet from La traviata

Giuseppe Verdi (1813-1901)


ALFREDO and then VIOLETTA 

Parigi, o cara/o noi lasceremo,

La vita uniti trascorreremo:

De' corsi affanni compenso avrai,

La mia/tua salute rifiorirà.

Sospiro e luce tu mi sarai,

Tutto il futuro ne arriderà.

We'll leave Paris, my dearest



ALFREDO and then VIOLETTA

We'll leave Paris, my dearest, 

Together we'll go through life. 

In reward for your past sorrows, 

You'll bloom into health again.

Breath of life, sunshine you'll be to me, 

All the years to come will smile on us.

Youkali

Kurt Weill (1900-1950)


C’est presqu’au bout du monde,

Ma barque vagabonde,

Errant au gré de l’onde,

M’y conduisit un jour.

L’île est toute petite,

Mais la fée qui l’habite 

Gentiment nous invite

A en faire le tour.

Youkali,

C’est le pays de nos desirs,

C’est le bonheur, c’est le plaisir,

C’est la terre l’on quitte tous les soucis,

C’est, dans notre nuit, comme une eclaircie, l’étoile qu’on suit,

C’est Youkali.

C’est le respect de tous les vœux échangés,

C’est le pays des beaux amours partagés,

C’est l’espérance 

Que est au cœur de tous les humains,

La délivrance 

Que nous attendons tous pour demain,

Mais c’est un rêve, une folie,

Il n’y a pas de Youkali !




It is almost at the end of the world,

my vagabond boat,

wandering at the will of the sea,

led me there one day.

The island is entirely small,

but the fairy who dwells there

politely invites us 

to tour it.

Youkali,

it is the land of our desires,

it is happiness, it is pleasure,

it is the land one leaves all their worries,

it is, in our night, like a sunny spell, the star that one follows,

it’s Youkali.

It is the respect of all of the exchanged vows,

it is the land of the beautiful shared loves,

it is the hope 

that is in the heart of all humans,

the deliverance 

that we all are waiting for until tomorrow,

but it is a dream, a folly,

there is no Youkali!

“All the things you are” from Very Warm for May

Jerome Kern (1885-1945)


Time and again I've longed for adventure 

Something to make my heart beat the faster 

What did I long for? I never really knew 

Finding your love I've found my adventure

Touching your hand, my heart beats the faster 

All that I want in all of this world is you

You are the promised kiss of springtime 

That makes the lonely winter seem long 

You are the breathless hush of evening 

That trembles on the brink of a lovely song 

You are the angel glow that lights a star 

The dearest things I know are what you are 

Some day my happy arms will hold you

And some day I'll know that moment divine

When all the things you are, are mine

Image for Richard Moschel Annual Memorial Concert
Richard Moschel Annual Memorial Concert

Richard Moschel Annual Memorial Concert

Everett Jewish Life Center

Sunday, July 12, 2026 – 1:00 p.m.

Sydney Dardis, soprano

Lindsey Weissman, mezzo-soprano

Gabriel Chona Rueda, tenor

 Miriam Charney, pianist


All the Things You Are


A concert dedicated to Richard Moschel and his love of opera and the people who bring it to life.


Printed texts and translations for each piece may be found following the biographies of the artists.

Program

Francis Poulenc (1899-1963)

From Métamorphoses, FP 121

C’est ainsi que tu es 

Ms. Dardis

W.A. Mozart (1756-1791)

Trio from Idomeneo

“Pria di partir”  

Ms. Dardis, Ms. Weissman, and Mr. Rueda

Charles Gounod (1818-1893)

from Roméo et Juliette

Madrigal

Ms. Dardis and Mr. Rueda

Ah, lève-toi, soleil!” 

Mr. Rueda

Gene Scheer (b. 1958), arr. Andrew Thomas 

“Lean away” 

Ms. Weissman

Ricky Ian Gordon (b. 1956)  

from The Grapes of Wrath

Zephyr/One Star 

Ms. Dardis and Mr. Rueda

Jacques Offenbach (1819-1880)

Duet from Les contes d’Hoffmann 

Barcarolle 

Ms. Dardis and Ms. Weissman

Gioachino Rossini (1792-1868), arr. Kristine McIntyre  

Music Lesson Duet from The Barber of Seville in California 

Ms. Weissman and Mr. Rueda

Jaime León Ferro (1921-2015)

“Algún Día” 

Mr. Rueda

María Grever (1885-1951)  

“Júrame” 

Ms. Weissman

Giuseppe Verdi (1813-1901)  

Duet from La traviata 

“Parigi, o cara” 

Ms. Dardis and Mr. Rueda

Kurt Weill (1900-1950)  

“Youkali” 

Ms. Weissman

Jerome Kern (1885-1945)

from Very Warm for May

“All the things you are” 

Ms. Dardis, Ms. Weissman, and Mr. Rueda

Texts and Translations


Texts

Translation

"C’est ainsi que tu es" from Métamorphoses

Francis Poulenc (1899-1963)


Ta chair, d'âme mêlée,

Chevelure emmêlée,

Ton pied courant le temps,

Ton ombre qui s'étend

Et murmure à ma tempe.

Voilà, c'est ton portrait,

C'est ainsi que tu es,

Et je veux te l'écrire 

Pour que la nuit venue,

Tu puisses croire et dire, 

Que je t'ai bien connue.

"That is how you are" from Métamorphoses



Your flesh, mingled with soul, 

Your tangled hair, 

Your feet pursuing time, 

Your shadow which stretches 

And whispers close to my temple. 

There, that is your portrait, 

That is how you are, 

And I shall write it down for you 

So that when night comes, 

You may believe and say 

That I knew you well.

Trio from Idomeneo 
W.A. Mozart (1756-1791)


Idamente: 

Pria di partir, oh Dio!

Soffri che un bacio imprima 

Sulla paterna man.


Elettra:

Soffri che un grato addio 

Sul labbro il cor esprima:

Addio, degno sovran!


Idomeneo: 

ad Elettra 

Vanne, sarai felice,

ad Idamante 

Figlio! tua sorte è questa.

Seconda i voti oh ciel!


Elettra:

Quanto sperar mi lice!


Idamente: 

Vado! 

(E il mio cor qui resta.)


Idomeneo: 

Addio!


Idamente: 

Addio!


Elettra: 

Addio!


Elettra, Idamante, Idomeneo: 

Addio!


Idamante, Idomeneo:

(Destin crudel!)


Idamente: 

(Oh Ilia!) 


Idomeneo: 

(Oh figlio!)


Idamente: 

Oh padre! oh partenza!


Elettra:

Oh Dei! che sarà?


Elettra, Idamante, Idomeneo: 

Deh cessi il scompiglio;

Del ciel la clemenza 

Sua man porgerà.

Vanno verso le navi. Mentre vanno ad imbarcarsi, sorge improvvisa tempesta.




Idamante: 

Before leaving, allow me, 

o gods, to place a kiss 

on my father’s hand. 


Electra: 

Let my heart express through my lips 

a grateful farewell; 

farewell, noble king. 


Idomeneo:

to Electra 

Go then and be happy. 

to Idamante 

This is your lot, my son. 

Answer our prayer, o heaven! 


Electra: 

How great are my hopes!


Idamante: 

I go! 

(But my heart remains here.) 


Idomeneo: 

Farewell!


Idamante:

Farewell!


Electra: 

Farewell!


Electra, Idamante, Idomeneo: 

Farewell! 


Idamante, Idomeneo: 

(Cruel destiny!) 


Idamante:

(O Ilia!)


Idomeneo:

(Oh my son!)


Idamante:

O my Father! To part!


Electra:

Ye gods, what will happen?


Electra, Idamante, Idomeneo:

O may this agitation cease

And heaven stretch out

A hand in compassion.

As they are about to embark, a storm suddenly springs up.

Duet – Madrigal from Roméo et Juliette

Charles Gounod (1818-1893)  


Roméo: 
Ange adorable,  
Ma main coupable  
Profane, en l’osant toucher,  
La main divine  
Dont j’imagine  
Que nul n’a droit d’approcher !  
Voilà, je pense,  
La pénitence  

Qu’il convient de m’imposer.  
C’est que j’efface  
L’indigne trace  
De ma main par un baiser !  
Juliette: 
Calmez vos craintes !  
À ces étreintes  
Du pèlerin prosterné,  
Les saintes même,  
Pourvu qu’il aime,  
Ont d’avance pardonné ;  
(Elle retire sa main.)  
Mais à sa bouche  
La main qu’il touche  
Prudemment doit refuser  
Cette caresse  
Enchanteresse  
Qu’il implore en un baiser !  
Roméo:  
Les saintes ont pourtant une bouche vermeille...
Juliette:  
Pour prier seulement !  
Roméo:  
N’entendent-elles pas la voix qui leur conseille  
Un arrêt plus clément ?  
Juliette: 
Aux prières d’amour leur cœur reste insensible,  
Même en les exauçant !  
Roméo:  
Exaucez donc mes vœux, et gardez impassible  
Votre front rougissant.  
(Il baise la main de Juliette.) 

Juliette: (souriant)  
Ah ! Je n’ai pu m’en défendre !  
J’ai pris le péché pour moi !  
Roméo:  
Pour apaiser votre émoi,  
Vous plaît-il de me le rendre ?  
Juliette: 
Non ! je l’ai pris ! laissez-le moi !  
Roméo:  
Vous l’avez pris ! rendez-le moi !  
Juliette: 
Non ! je l’ai pris ! laissez-le moi ! etc.  
Roméo: 
Vous l’avez pris ! rendez-le moi ! etc




Romeo: 
Adorable angel,  
my guilty hand  
profanes, by daring to touch it,  
the divine hand  
which I imagine  
no one has the right to approach!  
Here, I think,  
is the penance  
proper to impose on me –  
it is that I efface  
the unworthy trace  
of my hand by a kiss!  
Juliet: 
Calm your fears!  
These hand claspings  
of the pilgrim on his knees  
even the saints –  
provided that he loves –  
have pardoned in advance;  
(She withdraws her hand.)  
but the hand that he touches  
to his lips  
ought prudently to refuse  
that enchanting  
caress  
he implores in a kiss!  
Romeo:  
Yet the saints have rosy lips...  
Juliet: 
Only for praying with!  
Romeo:  
Do they not hear the voice which counsels them a more merciful decree?  
Juliet:  
Their hearts remain unmoved by the prayers of love  
even as they grant them.  
Romeo:  
Then do you grant mine, and keep unmoved  
your blushing face.  
(He kisses Juliet’s hand.) 

Juliet: (smiling) 
Ah! I could not help it! 
I have taken the sin upon myself! 
Romeo: 
To allay your anxiety 
would you like to give it back to me? 
Juliet: 
No! I have taken it! Leave it with me! 
Romeo: 
You have taken it away! Give me back my sin! 
Juliet: 
No! I have taken it! Leave it with me! etc. 
Romeo: 
You have taken it away! Give me back my sin! etc

Ah, lève-toi, soleil!” from Roméo et Juliette

Charles Gounod (1818-1893)  


L’amour, l’amour !

Oui, son ardeur a troublé tout mon être !

Mais quelle soudaine clarté

Resplendit à cette fenêtre ?

C’est que dans la nuit rayonne sa beauté !

Ah ! lève-toi, soleil ! fais pâlir les étoiles

Qui, dans l’azur sans voiles,

Brillent au firmament.

Ah ! lève-toi ! parais ! parais !

Astre pur et charmant !

Elle rêve ! elle dénoue

Une boucle de cheveux

Qui vient caresser sa joue.

Amour ! Amour ! porte-lui mes vœux !

Elle parle ! Qu’elle est belle ! She speaks!

Ah ! Je n’ai rien entendu !

Mais ses yeux parlent pour elle,

Et mon cœur a répondu !

Ah ! lève-toi, soleil ! fais pâlir les étoiles, etc.

Viens ! parais !

Ah, rise, O sun!”



Love, love!

Yes, its burning passion has shaken all my soul

But what sudden radiance

breaks forth from that window?

There, in the darkness, her beauty shines!

Ah, arise, O sun! Outshine the stars

that, in the cloudless heavens,

glitter across the sky.

Ah, arise! Appear—appear!

Pure and radiant star!

She dreams... She loosens

a strand of hair

that gently brushes her cheek.

Love, dear Love, carry my devotion to her!

How beautiful she is!

Ah, I have heard no word—

yet her eyes speak for her,

and my heart has replied.

Ah, arise, O sun! Outshine the stars…

Come… Appear.

Lean Away

Gene Scheer (b. 1958), arr. Andrew Thomas


I let my sail out slowly, taking pains to find the wind.  
But until I turned my boat away, the sail could not be trimmed.  
Tacking towards the wind, but never face to face.  
I feel what I don't see: an invisible embrace.  
Lean away, lean away. Some things can't be known,  
like the wind that takes you home.

I remember hearing a melody, but when I started to describe  
all the things it made me feel, its spirit slowly died.  
Now I choose to hum the things I cannot explain.  
And feel my roots spread out like a tree that drinks the rain.  
Lean away, lean away. Some things can't be known,  
like the wonder of a melody,  
how it makes you feel home.

I remember when I saw you. It was a cold winter night.  
The moon was hidden by the clouds. I remember only light.  
I have searched to find a way love to understand.  
But I finally gave up trying. It's enough to hold your hand.  
Lean away, lean away. Some things can't be known,  
like the love I feel for you,  
how it makes me feel home.

Zephyr/One Star from The Grapes of Wrath

Ricky Ian Gordon (b. 1956)


Connie: 

We might own a car some day.

Rosasharn: 

A Lincoln Zephyr.

Connie: 

You crazy, Rosasharn?...

Rosasharn: 

I like to have the baby, the house, and the Zephyr!

Connie: 

Likin’ ain’t havin’ Yer wishin’ fer a lotta stuff.

Rosasharn: 

A lotta stars to wish on, Connie.

Connie: 

Only one.

Rosasharn: 

One’s enough. One is more than none….

One star is more than bright enough.

One star can warm the dark.

Like a candle in a dust storm,

It’ll fill the sky with silver sparkles.

Sometimes when faith ain’t quite enough,

Nights where the moon don’t shine,

When you can’t see your nose in a maze of shadows,

Heaven hangs out a sign.

One star. One star. One small star, that’s mine.

Connie: 

Yer talkin foolish.

Rosasharn: 

Am not!

Small dreams is more than light enough

Where will my own be born?

In a rest stop or a lean-to,

Or a place a child can face the morning.

One man to hold me tight enough!

Connie: 

You got it honey – whatever happens.

Love me a life-time through!

Only one tiny ray on a pitch black highway

Makes make-believe seem true.

One star. One star.

Rosasharn & Connie: 

One small star will do.

One star. One star.

One small star and you.

Duet – Barcarolle from Les contes d’Hoffmann

Jacques Offenbach (1819-1880)


Belle nuit, ô nuit d’amour 

Souris à nos ivresses 

Nuit plus douce que le jour 

Ô, belle nuit d’amour ! 

Le temps fuit et sans retour 

Emporte nos tendresses 

Loin de cet heureux séjour 

Le temps fuit sans retour 

Zéphyrs embrasés 

Versez-nous vos caresses 

Zéphyrs embrasés 

Donnez-nous vos baisers ! 

Vos baisers ! Vos baisers ! Ah ! 

Belle nuit, ô, nuit d’amour 

Souris à nos ivresses 

Nuit plus douce que le jour, 

Ô, belle nuit d’amour ! 

Ah ! souris à nos ivresses ! 

Nuit d’amour, ô, nuit d’amour ! 

Ah ! ah ! ah ! ah ! ah ! ah ! ah ! ah ! ah ! ah !




Beautiful night, oh night of love 

Smile upon our joys!

Night sweeter than the day 

O, beautiful night of love! 

Time flees and never returns 

Carrying away our endearments 

Far from this happy stay 

Time flees and never returns.

Burning Zephyrs 

Give us your caresses 

Burning Zephyrs 

Give us your kisses! 

Your kisses! Your kisses! Ah! 

Beautiful night, oh night of love 

Smile upon our joys!

Night sweeter than the day 

O, beautiful night of love! 

Smile upon our joys!

Night of love, O, night of love! 

Ah! ah! ah! ah! ah! ah! ah! ah! ah! ah!

Gioachino Rossini (1792-1868), arr. Kristine McIntyre  

Music Lesson Duet from The Barber of Seville in California

(Arranged in English and Spanish for Chautauqua Schools Tour, 2026)


Rosina: Ay Lindoro, mi tesoro! Si pudieramos hablar, enseñame to speak english I will teach you español.

Ay la musica, la musica es el lenguaje del amor, si si si si!

Almaviva: Oh, your voice is just like music, I will be your troubadour

Here’s the first thing I will teach you. Oh Lindoro I adore you! Go ahead now you try and say it.

Rosina: I adore you.

Almaviva: And now in Spanish?

Rosina: Te adoro.

Almaviva: Te adoro, te adoro.

Rosina: Mi cielo imaginar.

Almaviva: Oh imagine!

Rosina: Dulce sueño de amor feliz.

Almaviva: Sueño de amor feliz, when I’m with you!

Rosina: When I’m with you! Cuando estoy contigo. O me hacer delirar.

Almaviva: You make me delirious!

Rosina: Eres mi unico amor only.

Almaviva: It’s only you I love! O me haces delirar.

Rosina: Ah you are my only…

Almaviva + Rosina: Love! Si me haces delirar and you are my only love, amor felix, o happy love!

Algún Día”

Jaime León Ferro (1921-2015)


Un día llegarás; 

el amor nos espera. 

Y me dirás: Amada, ya llegó la primavera. 

Un día me amarás. 

Estarás de mi pecho tan cercano, 

que no sabré si el fuego que me abraza 

es de tu corazón o del verano. 

Un día me tendrás. 

Escucharemos mudos 

latir nuestras arterias 

y sollozar los árboles desnudos. 

Un día. Cualquier día. Breve y eterno, 

el amor es el mismo en primavera, 

en verano, en otoño y en invierno.

"Someday"



One day you will arrive; 

love awaits us. 

And you will tell me: Beloved, spring has arrived. 

One day you will love me. You will be so close to my chest that I will not know 

if the fire that embraces me is from your 

heart or from the summer. 

One day you will have me. 

We will hear our arteries 

beat silently and 

the naked trees sob. 

One day. Any day. Brief and eternal, 

Love is the same in spring, summer, 

autumn, and winter.

Júrame

María Grever (1885-1951)   


Todos dicen que es mentira que te quiero

porque nunca me habían visto enamorada.

Yo te juro que yo mismo no comprendo

el porqué me fascina tu mirada.

Cuando estoy cerca de ti y estás contento

No quisiera que de nadie te acordaras.

Tengo celos hasta del pensamiento

que pueda recordarte a otra mujer amada.

Júrame

que aunque pase mucho tiempo

no olvidarás en el momento

en que yo te conocí.

Mírame,

pues no hay nada más profundo

ni más grande en este mundo

que el cariño que te di.

Bésame

con un beso enamorado,

como nadie me ha besado

desde el día en que nací.

Quiéreme,

quiéreme hasta la locura

así sabrás la amargura

que estoy sufriendo por ti.

"Swear to me"



Everyone says it's a lie that I love you

because they've never seen me in love before.

I swear to you that I myself do not understand

why your gaze fascinates me.

When I’m near you and you’re happy

I wouldn’t want that you remember anyone else. 

I am jealous even of the thought

that may remind you of another beloved woman.

Swear to me

that even if a long time goes by

you will not forget the moment

when I met you...

Look at me,

for there is nothing deeper

nor greater in this world

than the love I gave you.

Kiss me

with a kiss in love,

as no one has kissed me

since the day I was born.

Love me,

love me to the point of madness

so, you’ll know the bitterness

I’m suffering for you.

“Parigi, o cara” - Duet from La traviata

Giuseppe Verdi (1813-1901)


ALFREDO and then VIOLETTA 

Parigi, o cara/o noi lasceremo,

La vita uniti trascorreremo:

De' corsi affanni compenso avrai,

La mia/tua salute rifiorirà.

Sospiro e luce tu mi sarai,

Tutto il futuro ne arriderà.

We'll leave Paris, my dearest



ALFREDO and then VIOLETTA

We'll leave Paris, my dearest, 

Together we'll go through life. 

In reward for your past sorrows, 

You'll bloom into health again.

Breath of life, sunshine you'll be to me, 

All the years to come will smile on us.

Youkali

Kurt Weill (1900-1950)


C’est presqu’au bout du monde,

Ma barque vagabonde,

Errant au gré de l’onde,

M’y conduisit un jour.

L’île est toute petite,

Mais la fée qui l’habite 

Gentiment nous invite

A en faire le tour.

Youkali,

C’est le pays de nos desirs,

C’est le bonheur, c’est le plaisir,

C’est la terre l’on quitte tous les soucis,

C’est, dans notre nuit, comme une eclaircie, l’étoile qu’on suit,

C’est Youkali.

C’est le respect de tous les vœux échangés,

C’est le pays des beaux amours partagés,

C’est l’espérance 

Que est au cœur de tous les humains,

La délivrance 

Que nous attendons tous pour demain,

Mais c’est un rêve, une folie,

Il n’y a pas de Youkali !




It is almost at the end of the world,

my vagabond boat,

wandering at the will of the sea,

led me there one day.

The island is entirely small,

but the fairy who dwells there

politely invites us 

to tour it.

Youkali,

it is the land of our desires,

it is happiness, it is pleasure,

it is the land one leaves all their worries,

it is, in our night, like a sunny spell, the star that one follows,

it’s Youkali.

It is the respect of all of the exchanged vows,

it is the land of the beautiful shared loves,

it is the hope 

that is in the heart of all humans,

the deliverance 

that we all are waiting for until tomorrow,

but it is a dream, a folly,

there is no Youkali!

“All the things you are” from Very Warm for May

Jerome Kern (1885-1945)


Time and again I've longed for adventure 

Something to make my heart beat the faster 

What did I long for? I never really knew 

Finding your love I've found my adventure

Touching your hand, my heart beats the faster 

All that I want in all of this world is you

You are the promised kiss of springtime 

That makes the lonely winter seem long 

You are the breathless hush of evening 

That trembles on the brink of a lovely song 

You are the angel glow that lights a star 

The dearest things I know are what you are 

Some day my happy arms will hold you

And some day I'll know that moment divine

When all the things you are, are mine