Hailed for his “powerful voice” (CASA Magazine) and “tremendous” singing (San Diego Reader), bass-baritone Ted Allen Pickell is a distinguished and accomplished young artist on the rise.

In the 2019/20 season, Mr. Pickell returned for a second year in the Palm Beach Opera Benenson Young Artist Program, where he performed the Father in Hansel and Gretel, Don Basilio in the family performance of The Barber of Seville, Zaretsky in Eugene Onegin, and covered the role of the Mandarin in Turandot.

In the 2018/19 season, Mr. Pickell joined the Palm Beach Opera Benenson Young Artist Program, where he covered the role of Leporello in Don Giovanni, as well as performed the roles of the Marquis in Verdi's La traviata and Frank in the family performance of Die Fledermaus. Additional engagements included a return to the title role in The Mikado with Bodhi Tree Concerts. He was the 2019 winner of the Musical Merit Foundation Award, as well as the first place winner of the 2019 Opera NEO Vocal Competition.

In the 2017/18 season, Mr. Pickell made his San Diego Opera debut as Samuel in The Pirates of Penzance, alongside Greer Grimsley as the Pirate King. Additional engagements included a return to the title role in The Mikado with the Northwest Indiana Symphony, and spending the summer of 2018 at the San Francisco Opera's prestigious Merola Opera Program, where he sang the role of Father Trulove in Stravinsky's The Rake's Progress. Mr. Pickell also joined the San Diego Opera's Apprentice Artist program for singers, where he performed in selections from Faust and Billy Budd. He was also a San Diego District winner, as well as the Audience Choice Award winner of the Metropolitan Opera National Council Auditions, an award winner in the Loren L. Zachary competition, a semi-finalist in the George London Foundation, and the winner of the "Most Promising Singer" award from the La Jolla Symphony & Chorus vocal competition.

In the 2016/17 season, Mr. Pickell appeared as the title role in The Mikado with the Northwest Indiana Symphony, Der Vater in Hänsel und Gretel with Point Loma Opera Theatre, The Giant in Jack and the Beanstalk and Basilio in The Barber of Seville with Opera Iowa’s young artist outreach ensemble, and joined Des Moines Metro Opera’s roster of Apprentice Artists, where he sang Arthur Jones and study covered the role of John Claggart in Billy Budd, and performed the role of Nick Shadow in scenes from Stravinsky's The Rake's Progress. Mr. Pickell also performed as a soloist in the Margo Garrett Master Class at Carnegie Hall, as part of Marilyn Horne's The Song Continues.

Other notable operatic performances include Blitch in Susannah, Sam in Trouble in Tahiti, The Warden in Jake Heggie’s Dead Man Walking and the title role in Mozart's The Impresario with the Northwestern University Opera Theatre, covering Zuniga in Carmen and singing Micha in The Bartered Bride with Music Academy of the West, Leporello in Don Giovanni with Point Loma Opera Theatre, Figaro in Le Nozze di Figaro with the Opera Academy of California, and Falstaff in The Merry Wives of Windsor with the University of the Pacific Opera Theatre.

On the concert stage, Mr. Pickell has sung the bass soloist in Mozart’s Requiem with the Northwest Indiana Symphony, the featured soloist in Dougherty’s 3 Folk Songs with the Music Academy of the West, Handel’s Brocke’s Passion and Britten’s St. Cecelia at the University of the Pacific.

Mr. Pickell has been a three-time winner in the Metropolitan Opera National Council Auditions districts, the first place winner in the Opera NEO Vocal Competition, as well as a named winner in the Loren L. Zachary Competition, a 2014 Ryan Opera Center finalist, the winner of the Anne Ferraro Stone Memorial Award from the Bel Canto Foundation, the Musical Merit Foundation Award winner, and the recipient of scholarships for excellence in vocal performance from Northwestern University and the University of the Pacific.

Mr. Pickell is a graduate of the Masters in Vocal Performance at Northwestern University. He received his Bachelor of Music in Vocal Performance from University of the Pacific.

Kirk Muspratt (Music Director and Conductor) recently received the 2020 Programming of the Year Award as well as the 2018 Conductor of the Year award from the Illinois Council of Orchestras. He was also named “Chicagoan of the Year” in classical music by John von Rhein and the staff of the Chicago Tribune. In honoring Muspratt, von Rhein said, “Ask the delighted adults and kids who this year flocked to his concerts in west suburban Glen Ellyn with the New Philharmonic Orchestra … They will tell you he made concert going an interactive experience that was both enlightening and— are you ready?—fun.”

Recognized as one of the outstanding figures in the new generation of conductors, Muspratt has garnered international critical acclaim as a “born opera conductor” (Rheinische Post), “a knowledgeable musician who delivers superbly controlled, gorgeously shaped readings” (St. Louis Post-Dispatch), and “friend to local music” (Midwest Beat Magazine). The Los Angeles Times declared, “Watch him!”

In July 2004, Muspratt was named both music director of New Philharmonic and artistic director/music director of DuPage Opera Theatre (now New Philharmonic Opera). In his last fifteen years, productions featured Otello, Madama Butterfly, Le Nozze di Figaro, Il Barbiere di Seviglia, Hansel and Gretel, La Boheme, Faust, Tosca, The Beggars Opera, Elixir of Love, Turandot, Gianni Schicchi, Cosi fan Tutte, The Mikado, La Traviata, Die Fledermaus, and The Merry Widow.

In 2017 and 2009, New Philharmonic was awarded Professional Orchestra of the Year by the Illinois Council of Orchestras. Programming of the Year award, also by the Illinois Council of Orchestras, was garnered in 2019 and bestowed in 2020.

In his first months at New Philharmonic, Muspratt instituted a Side-by-Side program for local high school students. Six years ago, Muspratt initiated a popular Solo Competition for Children that results in a child performing at every New Philharmonic concert. In order to involve the community to the maximum, Muspratt has created “Just Ask Kirk™” cards for audience members’ questions and a “Kirkature™” cartoon to help advocate the credo: “Classical music is for everyone.”

Muspratt begins his 20th acclaimed season as music director of the Northwest Indiana Symphony Orchestra (NISO). In 2006, with NISO, he initiated the South Shore Summer Music Festival.

From 1991 through 1996, Muspratt served as resident conductor to Lorin Maazel at the Pittsburgh Symphony Orchestra. Prior to that, he was appointed as associate conductor to Joseph Silverstein at the Utah Symphony Orchestra (1990-1992). From 1987 through 1990, Muspratt served as assistant conductor to Leonard Slatkin at the St. Louis Symphony Orchestra as well as music director of the St. Louis Symphony Youth Orchestra. He was music director of the Alberta Ballet from 1997 through 1999. At the New York Philharmonic, Muspratt has served as a cover conductor.

In addition to his work in Pittsburgh, Utah and St. Louis, Muspratt has guest conducted the orchestras of Los Angeles, Montreal, London, Korean Broadcast Symphony, Detroit, Rochester, National Arts Center, Vancouver, Knoxville, Puerto Rico, Rhode Island, Winnipeg, Calgary, Edmonton, Hamilton, Victoria, Thunder Bay, New Orleans, Stamford, Binghamton, Lafayette, South Bend, Puchon, Annapolis, Wisconsin Chamber Orchestra and Baltimore Chamber Symphony. Summer debuts have included the Tanglewood, Chautauqua and Sewanee Music Festivals and the Banff Center for Performing Arts.

In Europe, Muspratt was assistant conductor in the opera houses of Monchengladbach/ Krefeld, Germany, from 1985 to 1987. His American opera-conducting debut came with the Utah Opera in 1991. He returned there to premiere Mascagni’s L‘Amico Fritz. Maestro Muspratt has conducted Die Fledermaus for the Calgary Opera, Faust and Merry Widow for the Utah Opera, Of Mice and Men and Il Barbiere di Siviglia for the Arizona Opera, all to stunning critical acclaim. In addition, he debuted at the Ash Lawn-Highland Summer Opera Festival in Virginia. He returned to Arizona Opera to conduct their production of Dialogues of the Carmelites, to the Utah Opera for their new production of Faust and Amahl and the Night Visitors at Opera Illinois.

In 1983 and 1984, Muspratt was invited to be a scholarship student at the Chautauqua Institute and in 1986 was selected as a conducting fellow at the Aspen Music Festival. A year later, he was invited into the Conducting Program at the Tanglewood Festival. In 1988, he was chosen to be one of three conducting fellows for the Los Angeles Philharmonic Institute at the Hollywood Bowl.

As a teacher, Muspratt has taught at the Conductors’ Institute of the University of South Carolina, the Conductors’ Guild National Workshops, Association of Canadian Orchestras National Conference in Toronto, the Conductors’ Studio at Illinois State University and at Westminster Choir College in Princeton. During the summer, he has often taught a graduate conducting class at VanderCook College of Music and for the last three summers has been teaching at the

Northwestern University Summer Opera Seminar. In 2019, he taught graduate conducting master classes at Illinois State University and judged the concerto competition at Northwestern University. Muspratt recently completed a six-year tenure on the board of directors of the Conductors’ Guild.

Having always enjoyed working with young people, he has conducted the Pennsylvania Regional Orchestra and the Pennsylvania All- State Orchestra and most recently the IMEA District 9 orchestra. Muspratt has conducted the Boston University Tanglewood Orchestra at the Tanglewood Festival. Muspratt has been the recipient of numerous awards, among them grants from the Canada Council and the Presser Foundation. In 1983 and again in 1984, he was winner of the Strauss Conducting Prize while a conducting student at the Vienna Conservatory. During his tenure in Utah, he received the first Utah Up ’n Comers Award ever given to a classical musician. This honor was awarded to Muspratt for his work and involvement in the Utah Arts Community. In 1987, he was named winner of the prestigious Exxon/Affiliate Artists Award.

He began his studies as a pianist in New York with Harold Zabrack and continued his studies at Temple University with Adele Marcus and Alexander Fiorillo. After completing graduate studies, Muspratt was accepted into the conducting program at the Konservatorium in Vienna, Austria.

Muspratt is a native of Crows Nest Pass, Alberta, Canada. He became an American citizen in the summer of 2010.

In 2016, he was honored to become a Paul Harris Fellow, an award named for the Rotary International Founder, Paul Harris. In recent seasons, Muspratt has conducted at the Joffrey Ballet of Chicago.

Benjamin Nadel is a classically trained conductor, pianist, and violinist. Based in Chicago, he is the Associate Conductor and Orchestra Librarian for the New Philharmonic and Northwest Indiana Symphony Orchestra. He is also the Orchestra Director at North Central College. Nadel served as Assistant Conductor and Chorus Master at the Midwest Institute of Opera from 2011 – 2015.

Nadel began his conducting studies with Dr. Glenn Block at Illinois State University while completing his undergraduate degree. He then went on to receive his MA in Orchestral Conducting at the University of Iowa with Dr. William LaRue Jones. Early on in his studies, Nadel fell in love with operatic conducting because to him, it is one of the most moving and all-encompassing art forms. This passion for opera led him to the Cincinnati Conservatory’s summer opera program in Spoleto, Italy, where he studied with Maestro Mark Gibson. It was after this that he became Assistant Conductor at the Midwest Institute of Opera, where he had the privilege to work closely with Maestro Joshua Greene of the Metropolitan Opera. Nadel is devoted to understanding the native languages of operatic scores in order to best interpret them musically, so he spent 2 summers in Italian language immersion, and has a firm command of German as well.

As an orchestral conductor, Nadel has worked with several youth groups and high school ensembles, including New Trier, Metea Valley, Glenbard West, and Stevenson High School, as well as the Northwest Indiana Youth Symphony. He also regularly conducts on the summer concerts at New Philharmonic and the Northwest Indiana Symphony Orchestra.