featuring a special appearance by a 15-member choir formed by and including Richmond’s own The Legendary Ingramettes
featuring a special appearance by a 15-member choir formed by and including Richmond’s own The Legendary Ingramettes
Sunday, February 1
7:30 PM
Camp Concert Hall
Conceived by Douglas Adam August Balliett, Davóne Tines, and Clay Zeller-Townson, to mark the 250th anniversary of the signing of the Declaration of Independence, What is Your Hand in This? resists simple celebration. Instead, it asks audiences to confront the complexity of America’s founding and to reflect on their own role in its ongoing story. Time traveling through four centuries of reimagined songs, hymns, and ballads, including newly commissioned works and arrangements by Tines and Balliett, the program delivers an illuminating exploration of America’s revolutionary music.
“Our hope is to invite people to the idea that there’s nothing wrong with this country that can’t be transformed by what’s right in this country.” — Davóne Tines
What is Your Hand in This?
Ruckus & Davóne Tines
PART I
| Beautiful Dreamer (1864) | Stephen Foster (1826-1864) |
| Overture from Compassion Preludes (2025) | Douglas Adam August Balliett (1982-) |
| The Four F's from Compassion Preludes | Balliett |
| Be the Lover of My Soul (2025) | traditional / arr. Davóne Tines (1986-) |
PART II
| Concerto Grosso No. 10 in D Minor, op 6: ii | George Frederic Handel (1685-1759) |
| Scherzo from Compassion Preludes | Balliett |
| The Liberty Song (1768/2025) | John Dickinson (1732-1808) / arr. Balliett |
| Concerto Grosso No. 10 in D Minor, op 6: iv | Handel |
| What Mean Ye? (1856) | George W. Clark |
PART III
| A New Death March (1801?) | Sawney Freeman (1769-1828) |
| To The White People of America (1854) | Simpson |
| The Rays of Liberty (1801?) | Freeman |
| Federal Nations | Balliett |
The Federal Overture (1794) | Benjamin Carr (1768-1831) |
"Why do the Nations so Furiously Rage" from Messiah (1741) | Handel |
| The House I Live In (1942/2025) | Allan & Robinson / arr. Tines & Balliett |
PART IV
| Buddha (1984) | Julius Eastman (1940-1990) |
| This Bitter Earth (1960) | Clyde Otis (1924-2008) / arr. Tines & Balliett |
| What is My Hand in This? (2025) | Tines, arr. Balliett |
| Chester (1778) | William Billings (1746-1800) / arr. Balliett |
| A Change is Gonna Come (1964) | Sam Cooke (1931-1964) |
| Nunc Dimiitis from Compassion Preludes | Balliett |
| Be the Lover of My Soul (Reprise) | traditional / arr. Tines |
CREDITS
Ruckus
- Douglas Adam August Balliett, electric bass, arrangements and compositions
- Elliot Figg, harpischord, piano, electric keyboard
- Keir GoGwilt, violin
- Manami Mizumoto, viola
- Paul Holmes Morton, baroque guitar
- Shelby Yamin, violin
- Clay Zeller-Townson, baroque bassoon, taille, percussion, research
The Legendary Ingramettes and Choir
- Almeta Ingram-Miller
- Carrie Ingram Jackson
- Valerie Stewart
- Jaccari Woodson
- Choir members from St. Paul Baptist Church of Richmond, VA (Dr. Lance Watson, Senior Pastor)
Davóne Tines, singer and arrangements
Program conceived by Douglas Balliett, Davóne Tines and Clay Zeller-Towson
Developed by Ruckus Early Music
Commissioned by Carnegie Hall and Hudson Hall with support from the New York State Council of the Arts.
America’s music at the founding of the country was the music of dissent.
We celebrate this tradition.
Notes by Clay Zeller-Townson
Thank you for helping us create a distraction-free experience. Please silence all electronic devices. We also ask that you refrain from taking any photos or videos.
Hearing Assistance Available
Modlin offers complimentary Assistive Listening Devices for use by patrons at any seat. Receivers may be obtained from any house management staff.
H.G. Quigg Fund
E. Rhodes and Leona B. Carpenter Foundation
Support the Modlin Center for the Arts at the University of Richmond as we continue setting the stage for creative experiences that deepen our understanding and bring us together. Donations help bring renowned artists to our stages, support the creation of new works, and expand engagement opportunities.
| Paul Brohan Executive Director Shannon Hooker Director Jo Bachman Artist Services Manager Ray Breakall Piano Technician Bri Conley Assistant Production Manager Sean Farrell Production Manager Shawanna Hall Front of House Coordinator | Annaka Meadows Marketing Manager Cal Meadows Patron Services Manager Chris O'Neil Business & Operations Manager Kevin Wiloughby Assistant Production Manager House Managers Agyeiwaa Asante Kim Chiarchiaro Sharon Chandler Madelaine Dye |