University of Tennessee Contemporary Music Festival: Concert I
Thursday, February 29, 2024 at 5:30 p.m.
The 2024 University of Tennessee Contemporary Music Festival

Concert I

Thursday, February 29, 2024 at 5:30 p.m.

Sandra G. Powell Recital Hall
Natalie L. Haslam Music Center

PROGRAM

Cowboy Rounds
Ian Dicke

  1. Christopher Columbo
  2. Peafowl Holler
  3. Worry Blues
  4. Down by the Rocky Mountains
  5. The Dying Cowboy
  6. Ox Driving Song
  7. Home on the Range

Ian Dicke, composer, pianist, and programmer

We hope you enjoyed this performance. Private support from music enthusiasts enables us to improve educational opportunities and develop our student artists’ skills to their full potential. To learn more about how you can support the College of Music, contact Chris Cox, Director of Advancement, 865-974-3331 or ccox@utfi.org.

Ian Dicke's debut album "Cowboy Rounds" reimagines a collection of folk songs from the John and Ruby Lomax 1939 Southern States Recording Trip archive at the Library of Congress. Using the text and vocal contours of the original field recordings as a foundation, each track weaves an intricate sonic tapestry of processed loops that reflect the source material's grit. The multidimensional songs explore themes of loneliness, oppression, and paranoia that form alarming parallels to the issues plaguing contemporary American society today.
 
Ian Dicke

Ian Dicke is a composer, musician, and software designer inspired by the intersection of technology and social-political culture.

Praised for his “refreshingly well-structured” (Feast of Music) and “uncommonly memorable” (Sequenza 21) catalogue of works, Dicke’s music has been commissioned and performed by ensembles and soloists around the world, including the New World Symphony, Alarm Will Sound, the Cabrillo Festival Orchestra, Paul Dresher Ensemble, pianist Vicky Chow, The MATA Festival, ISCM World New Music Days, and the Atlantic Coast Center Band Director’s Association. Dicke has received grants, awards, and recognition from the Hellman Foundation, Barlow Endowment, San Francisco Conservatory of Music, New Music USA, New York Youth Symphony, ASCAP, and BMI, among others. He was awarded a Fulbright Fellowship to research interactive musical interfaces and environments in Stockholm, Sweden and has served as an artist in residence at various institutions, including the MacDowell Colony and Atlantic Center for the Arts.

Dicke is a Professor of Composition at the University of California, Riverside and founder of Novel Music, a software company that distributes innovative Max for Live devices.

University of Tennessee Contemporary Music Festival: Concert I
Thursday, February 29, 2024 at 5:30 p.m.
The 2024 University of Tennessee Contemporary Music Festival

Concert I

Thursday, February 29, 2024 at 5:30 p.m.

Sandra G. Powell Recital Hall
Natalie L. Haslam Music Center

PROGRAM

Cowboy Rounds
Ian Dicke

  1. Christopher Columbo
  2. Peafowl Holler
  3. Worry Blues
  4. Down by the Rocky Mountains
  5. The Dying Cowboy
  6. Ox Driving Song
  7. Home on the Range

Ian Dicke, composer, pianist, and programmer

We hope you enjoyed this performance. Private support from music enthusiasts enables us to improve educational opportunities and develop our student artists’ skills to their full potential. To learn more about how you can support the College of Music, contact Chris Cox, Director of Advancement, 865-974-3331 or ccox@utfi.org.

Ian Dicke's debut album "Cowboy Rounds" reimagines a collection of folk songs from the John and Ruby Lomax 1939 Southern States Recording Trip archive at the Library of Congress. Using the text and vocal contours of the original field recordings as a foundation, each track weaves an intricate sonic tapestry of processed loops that reflect the source material's grit. The multidimensional songs explore themes of loneliness, oppression, and paranoia that form alarming parallels to the issues plaguing contemporary American society today.
 
Ian Dicke

Ian Dicke is a composer, musician, and software designer inspired by the intersection of technology and social-political culture.

Praised for his “refreshingly well-structured” (Feast of Music) and “uncommonly memorable” (Sequenza 21) catalogue of works, Dicke’s music has been commissioned and performed by ensembles and soloists around the world, including the New World Symphony, Alarm Will Sound, the Cabrillo Festival Orchestra, Paul Dresher Ensemble, pianist Vicky Chow, The MATA Festival, ISCM World New Music Days, and the Atlantic Coast Center Band Director’s Association. Dicke has received grants, awards, and recognition from the Hellman Foundation, Barlow Endowment, San Francisco Conservatory of Music, New Music USA, New York Youth Symphony, ASCAP, and BMI, among others. He was awarded a Fulbright Fellowship to research interactive musical interfaces and environments in Stockholm, Sweden and has served as an artist in residence at various institutions, including the MacDowell Colony and Atlantic Center for the Arts.

Dicke is a Professor of Composition at the University of California, Riverside and founder of Novel Music, a software company that distributes innovative Max for Live devices.