Celebrating the centennial of Gershwin’s Rhapsody in Blue
Featuring
Sean Chen, piano
University of Tennessee Symphony Orchestra
James Fellenbaum, conductor
Sunday, October 13, 2024 at 4:00 p.m.
James R. Cox Auditorium
Alumni Memorial Building
University of Tennessee, Knoxville
Cuban Overture
George Gershwin
Second Rhapsody
George Gershwin
Sean Chen, piano
INTERMISSION
Lullaby
George Gershwin
Rhapsody in Blue
George Gershwin
Sean Chen, piano
Maria Fernanda Castillo, flute
Jaren Atherholt, oboe
Victor Chávez, Jr., clarinet
Benjamin Atherholt, bassoon
Allison Adams, saxophone
Katie Johnson-Webb, horn
Arthur Zanin, trumpet
Alexander van Duuren, trombone
Alexander Lapins, tuba
Andrew Bliss, percussion
Kevin Zetina, percussion
Miroslav Hristov, violin
Evie Chen, violin
Hillary Herndon, viola
Wesley Baldwin, violoncello
Jon Hamar, contrabass
A “thoughtful musician well beyond his years” (The Republic), pianist Sean Chen shares his “alluring, colorfully shaded renditions” (New York Times) and “genuinely sensitive” (LA Times) playing with audiences around the world in solo and chamber recitals, concerto performances, and masterclasses, after having won the 2013 American Pianists Awards, placing third at the 2013 Van Cliburn International Piano Competition, and being named a 2015 Annenberg Fellow. Mr. Chen is the Jack Strandberg/Missouri Endowed Chair Associate Professor of Piano at the University of Missouri-Kansas City Conservatory.
Mr. Chen has performed with many prominent orchestras, including the Fort Worth, Indianapolis, Kansas City, San Diego, Knoxville, Hartford, Louisiana Philharmonic, Milwaukee, North Carolina, Pasadena, Phoenix, Santa Fe, and New West Symphony Orchestras, as well as the Chamber Orchestras of Philadelphia, Indianapolis, and South Bay. He has collaborated with such esteemed conductors as Leonard Slatkin, Michael Stern, Gerard Schwarz, Nicholas McGegan, Miguel Harth-Bedoya, Marcelo Lehninger, and James Judd. Solo recitals have brought him to major venues worldwide, including Jordan Hall in Boston, Subculture in New York City, the American Art Museum at the Smithsonian in Washington, D.C., the National Concert Hall in Taipei, Het Concertgebouw in Amsterdam, and the Salle Cortot in Paris.
Mr. Chen has served on the juries of notable piano competitions, including the American Pianists Awards, Thailand International Piano Competition, West Virginia International Piano Competition, Cleveland International Piano Competition for Young Artists, and Steinway competitions around the country. Given his natural inclination for teaching and approachable personality, Mr. Chen is particularly in demand for residencies that combine performances with master classes, school concerts, and artist conversations, which have brought him to such institutions as the Cleveland Institute of Music, Indiana University, University of British Columbia, University of Houston Moores School, Spotlight Awards at the Los Angeles Music Center, Young Artist World Piano Festival, and several Music Teachers’ Associations throughout the country.
Mr. Chen has been featured in both live and recorded performances on WQXR (New York), WFMT (Chicago), WGBH (Boston), WFYI (Indianapolis), KCUR (Kansas City), KPR (Kansas), NPR’s From the Top, and American Public Media’s Performance Today. Additional media coverage includes a profile featured on the cover of Clavier Companion in May 2015, recognition as “One to Watch” by International Piano Magazine in March 2014, and inclusion in WFMT’s “30 Under 30.”
His CD releases include the 2021 all-Ravel digital album on the Steinway & Sons label, featuring Sonatine and Le Tombeau de Couperin; La Valse, another solo recording on the Steinway label, featuring Mr. Chen's own arrangement of La Valse and hailed for “penetrating artistic intellect” (Audiophile Audition); a live recording from the Cliburn Competition released by harmonia mundi, praised for his “ravishing tone and cogently contoured lines” (Gramophone); an album of Michael Williams’s solo piano works on the Parma label; and an album of Flute, Oboe, and Piano repertoire titled KaleidosCoping with colleagues Michael Gordon and Celeste Johnson. Mr. Chen has also contributed to the catalog of Steinway’s new Spirio system.
A multifaceted musician, Mr. Chen also transcribes, composes, and improvises. He most recently completed a transcription of Ysaÿe's Violin Sonata No. 3 for two pianos, commissioned by 88Squared duo. His most recent composition, Daydream No. 1 - Steps (2021), was commissioned as a gift for the retirement of American Pianists Association's President/CEO. His transcriptions of such orchestral works as Ravel’s La Valse, Mozart’s Overture to The Marriage of Figaro, and the Adagio from Rachmaninoff’s Symphony No. 2, have been received with glowing acclaim and enthusiasm, and his encore improvisations are lauded as “genuinely brilliant” (Dallas Morning News). An advocate of new music, he has also collaborated with several composers and performed their works, including Lisa Bielawa, Jennifer Higdon, Michael Williams, Nicco Athens, Michael Gilbertson, and Reinaldo Moya.
Born in Florida, Mr. Chen grew up in the Los Angeles area of Oak Park, California. His impressive achievements before college include the NFAA ARTSweek, Los Angeles Music Center’s Spotlight, and 2006 Presidential Scholars awards. These honors combined with diligent schoolwork facilitated offers of acceptance by MIT, Harvard, and The Juilliard School. Choosing to study music, Mr. Chen earned his Bachelor and Master of Music from Juilliard, meanwhile garnering several awards, most notably the Paul and Daisy Soros Fellowship for New Americans. He received his Artist Diploma in 2014 at the Yale School of Music as a George W. Miles Fellow. His teachers include Hung-Kuan Chen, Edward Francis, Jerome Lowenthal, and Matti Raekallio.
Mr. Chen resides in the suburbs of Kansas City with his wife, Betty, a violinist in the Kansas City Symphony, and their daughters Ella and Maeve. When not at the piano, Mr. Chen enjoys tinkering with computers, and exploring math, science, and programming. Mr. Chen is a Steinway Artist and is managed by Jonathan Wentworth Associates, Ltd.
Violin
Emma Woodward, concertmaster
Katherine D. Moore Endowed Concertmaster Chair
Euclides Andrade, principal second violin
Hayden Daniel
Ryan Dixson
Grace Fortune
Ethan Hess
Kaylene Letsinger
Krystle Perez de Leun
Yarema Melnyk
Gabrielle Odom
Jackson Presnell
Sofia Sanchez
Fresly Umaña
Hunter Wilburn
Viola
Jackson Alderman, principal
Alex Durkee
Cole Taylor Filip
Jasmine Fischbach
Violet van Gyzen
Jackson Howard
Michael Pasto
Violet Peterson
Anna Robertson
Jeremy Simmons
Ian Skelly
Emily Wankerl
Cello
Stephen Arthur, principal
Erik Isakson
Dylan Jowell
Eli Parsley
Daniel Rivera
Ethan Sharp
Micah Taylor
Tom Williamson
Bass
Jase Conley, principal
Halimah Muhammad
Avery Noe
Jack Willard
Flute
Rebecca Deal, principal
Sophia Dobbie
Lynne-Grace Wooden
Piccolo
Sophia Dobbie
Oboe
Grace Davis, principal
Matthew Barrett
English Horn
Matthew Barrett
Clarinet
Rafael Puga, principal
Nathaniel Palcone
Bass Clarinet
Landon Blankenship
Bassoon
Peyton Morgan
Saxophone
Sean Keenan
Alex Singleton
Benjamin Stoebel
Horn
Caleb DeLong, co-principal
Ben Makins, co-principal
Olivia Rhines
Maya Siddiqui
Casey Treanor
Trumpet
Andrew Beiter, principal
John Matthew Dunevant
Micah Purvis
Trombone
Matthew Walker, principal
Thomas Long
Elijah Hoffmann, bass
Tuba
Cameron McKenzie
Timpani
Annika Blackburn
Percussion
Trik Gass, principal
Ryan Comley
Anna Davis
Freddy Morales
Burke Rivet
Christopher Rosas
Ezekiel Wondwosen
Harp
Cindy Emory*
Banjo
Denin Slage-Koch+
* guest
+ UT faculty
We hope you enjoyed this performance. Private support from music enthusiasts enables us to improve educational opportunities and develop our student artists’ skills to their full potential. To learn more about how you can support the Natalie L. Haslam College of Music, contact Chris Cox, Director of Advancement, 865-974-3331 or ccox@utfi.org.