University of Tennessee Symphony Orchestra: Sibelius with Frank Huang
Saturday, September 16, 2023 at 7:30 p.m.
University of Tennessee Symphony Orchestra


College of Music Logo


James Fellenbaum, Conductor

Saturday, September 16, 2023 at 7:30 p.m.

James R. Cox Auditorium
Alumni Memorial Building
University of Tennessee, Knoxville

 

Watercolors (2016)
Dosia McKay

Hunter Wilburn, conductor

Fountains of Rome
Ottorino Respighi

  • The Fountain of Valle Giulia at Dawn
  • The Triton Fountain in the Morning
  • The Trevi Fountain at Noon
  • The Villa Medici Fountain at Sunset

INTERMISSION


Violin Concerto, Op. 47
Jean Sibelius

  1. Allegro moderato
  2. Adagio di molto
  3. Allegro, ma non tanto

Frank Huang, violin

 

Mr. Huang‘s appearance made possible by the Katherine E. Moore Foundation

Maria Castillo, flute
Jaren Atherton, oboe
Victor Chavez, clarinet
Benjamin Atherton, bassoon
Katie Johnson-Webb, horn
Arthur Zanin, trumpet
Alexander van Duuren, trombone
Alexander Lapins, tuba
Andrew Bliss, percussion
Kevin Zetina, percussion
Miroslav Hristov, violin
Evie Chen, violin
Hillary Herndon, viola
Wesley Baldwin, violoncello
Jon Hamar, contrabass

Frank Huang
New York Philharmonic Concertmaster

Frank Huang joined the New York Philharmonic as Concertmaster, The Charles E. Culpeper Chair, in September 2015. The First Prize Winner of the 2003 Walter W. Naumburg Foundation’s Violin Competition and the 2000 Hannover International Violin Competition, he has established a major career as a violin virtuoso. Since performing with the Houston Symphony in a nationally broadcast concert at the age of 11 he has appeared with orchestras throughout the world including The Cleveland Orchestra, Los Angeles Philharmonic, Saint Paul Chamber Orchestra, Indianapolis Symphony, NDR Radio Philharmonic Orchestra of Hannover, Amadeus Chamber Orchestra, and the Genoa Orchestra. He has also performed on NPR’s Performance Today, ABC’s Good Morning America, and CNN’s American Morning with Paula Zahn. He has performed at Wigmore Hall (in London), Salle Cortot (Paris), Kennedy Center (Washington, DC), and Herbst Theatre (San Francisco), as well as a second recital in Alice Tully Hall (New York), which featured the World Premiere of Donald Martino’s Sonata for Solo Violin. Following more than 25 additional solo appearances with the Orchestra, in May 2022 he performs Mozart’s Violin Concerto No. 5, Turkish, conducted by Music Director Jaap van Zweden.

Huang has had great success in competitions since the age of 15 and received top prizes in the Premio Paganini International Violin Competition and the Indianapolis International Violin Competition. Other honors include Gold Medal Awards in the Kingsville, Irving M. Klein, and D’Angelo international competitions. His first commercial recording — featuring fantasies by Schubert, Ernst, Schoenberg, and Waxman — was released on Naxos in 2003.

In addition to his solo career, Frank Huang is deeply committed to chamber music. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has performed at the Marlboro Music Festival, Ravinia’s Steans Institute, Seattle Chamber Music Festival, and Caramoor. He frequently participates in Musicians from Marlboro’s tours, and was selected by The Chamber Music Society of Lincoln Center to be a member of the prestigious CMS Two program. Before joining the Houston Symphony as concertmaster in 2010, he served as first violinist of the Grammy Award–winning Ying Quartet and was a faculty member at the Eastman School of Music.

Frank Huang was born in Beijing, China. At the age of seven he moved to Houston, Texas, where he began violin lessons with his mother. He commenced study with Fredell Lack at the University of Houston and at 16 he enrolled in the pre-college program at the Cleveland Institute of Music (CIM) where he studied with Donald Weilerstein. He continued studies with Weilerstein in college and earned his bachelor of music degree from CIM in 2002. He subsequently attended The Juilliard School in New York City, studying violin with Robert Mann. He is an alumnus of the Music Academy of the West. He served on the faculties of The Shepherd School of Music at Rice and the University of Houston, and currently serves on the faculty of The Juilliard School.

Dosia McKay
Composer
Dosia McKay, born in the Baltic city of Gdańsk, Poland, is an American composer of music for the concert stage, film, and modern dance. A versatile sound colorist, McKay fluently weaves elements of classical harmony, avant-garde, ambient soundscapes, and her own visual art into the fabric of her compositions. Her portfolio includes works for symphony orchestra, chamber ensembles, choir, soloists, as well as electro-acoustic installations. She is equally at home writing for live performers and traditional instruments as she is modulating the parameters of her software synthesizers.
Dosia McKay’s music has been featured on National Public Radio and in concerts at the David H. Koch Theater at Lincoln Center in New York, The John F. Kennedy Center for the Performing Arts and the National Gallery of Art in Washington, D.C., the Festival Gdynia Classica Nova in Poland, the Beijing Modern Music Festival in China, in Spain, France, the Knoxville Museum of Art, the Tennessee Theater, the Electro-Music Festival in Asheville, the Diana Wortham Theater in Asheville, and others.
Notable performers include the New York City Ballet Orchestra, The Kennedy Center Opera House Orchestra, the Knoxville Symphony Orchestra, the Knox-Galesburg Symphony, the North/South Consonance Orchestra of New York, the Polish avant-garde string quartet NeoQuartet, the Polish Orpheus Orchestra, the Asheville chamber music repertory company Pan Harmonia, the S.E.M. Ensemble, Spartanburg Philharmonic String Trio, Asheville Ballet, Baroque lutenist Will Tocaben, Argentine guitar virtuoso Sergio Puccini, and many others.
A Renaissance woman at heart, Dosia McKay is also a visual artist, a writer, a flutist, and an amateur cellist.
 
The composer provides the following notes on the work:
 
"When I take a break from music, I turn to painting. My favorite media are watercolors, acrylics, and ink. When the paint is introduced to a wet canvas, it takes a life of its own with unpredictable results; colors seep and melt into one another, accidental splashes become joyful bursts of energy, and new textures and patterns emerge. The creative process, both for painting and music composition, is full of such colorful surprises and lucky accidents. “Watercolors” for symphony orchestra is a playful sonic canvas expressing the joy of creativity. "

Violin

Elizabeth Burch, co-concertmaster
Brooke Lafontant, co-concertmaster,
Katherine D. Moore Endowed Concertmaster Chair

Millie Runion, principal second violin

Euclides Andrade
Mason Crowder
Hayden Daniel
Ryan Dixon
Ethan Hess
Autumn Larmee
Markiian Lukyniuk
Maya Momot
Ilarion Osipkin
Mike Perroud
Mei Lia White
Hunter Wilburn
Emma Woodward

Viola
Jackson Alderman, principal
Rachel Huffer
Noah Kincaid
Emily Martinez-Perez
Anna Robertson
Ian Skelly
Emily Wankerl

Cello
Dylan Jowell, principal
Stephen Arthur
Isabelle Hamby 
Mengdie Hu
Erik Isakson
Eli Parsley
Hannah Paulus
Ethan Sharp
Jackson Sharp
Daniel Rivera

Bass
Jase Conley, principal
Daniel Bates*
Steve Benne*
Halimah Muhammad
Laura Zimmerman

Flute
Whitney Applewhite, principal 
Alan Cook
Rebecca Deal

Piccolo
Alan Cook

Oboe
Matthew Barrett, principal 
Jaren Atherholt+
Samuel Willard

English horn
Samuel Willard

Clarinet
Rafael Puga, principal
Anna Hutchison
Lillian Smith

Bass Clarinet
Lillian Smith

Bassoon
James Carnal, principal
Mike Benjamin

Horn
Nichole Hollenbeck, principal
Ben Makins
Maya Siddiqui
Meredith Simpson*

Trumpet
Alexis Kilgore, principal
John Matthew Dunevant
Ian Krueger

Trombone
Jacob Noel, principal
Matthew Walker
Bryce McCracken, bass

Tuba
AJ Johnson

Percussion
Burke Rivet, principal
Annika Blackburn
Siena Fulton
Zachary Swafford

Harp
Cindy Emory*
Kari Novilla*

Piano
Lily Witemeyer

Celeste
Peter Kelmelis

Organ
Matthew Fisher


* guest
+ faculty


We hope you enjoyed this performance. Private support from music enthusiasts enables us to improve educational opportunities and develop our student artists’ skills to their full potential. To learn more about how you can support the School of Music, contact Chris Cox, Director of Development, 865-974-2365 or ccox@utfi.org.


 

University of Tennessee Symphony Orchestra: Sibelius with Frank Huang
Saturday, September 16, 2023 at 7:30 p.m.
University of Tennessee Symphony Orchestra


College of Music Logo


James Fellenbaum, Conductor

Saturday, September 16, 2023 at 7:30 p.m.

James R. Cox Auditorium
Alumni Memorial Building
University of Tennessee, Knoxville

 

Watercolors (2016)
Dosia McKay

Hunter Wilburn, conductor

Fountains of Rome
Ottorino Respighi

  • The Fountain of Valle Giulia at Dawn
  • The Triton Fountain in the Morning
  • The Trevi Fountain at Noon
  • The Villa Medici Fountain at Sunset

INTERMISSION


Violin Concerto, Op. 47
Jean Sibelius

  1. Allegro moderato
  2. Adagio di molto
  3. Allegro, ma non tanto

Frank Huang, violin

 

Mr. Huang‘s appearance made possible by the Katherine E. Moore Foundation

Maria Castillo, flute
Jaren Atherton, oboe
Victor Chavez, clarinet
Benjamin Atherton, bassoon
Katie Johnson-Webb, horn
Arthur Zanin, trumpet
Alexander van Duuren, trombone
Alexander Lapins, tuba
Andrew Bliss, percussion
Kevin Zetina, percussion
Miroslav Hristov, violin
Evie Chen, violin
Hillary Herndon, viola
Wesley Baldwin, violoncello
Jon Hamar, contrabass

Frank Huang
New York Philharmonic Concertmaster

Frank Huang joined the New York Philharmonic as Concertmaster, The Charles E. Culpeper Chair, in September 2015. The First Prize Winner of the 2003 Walter W. Naumburg Foundation’s Violin Competition and the 2000 Hannover International Violin Competition, he has established a major career as a violin virtuoso. Since performing with the Houston Symphony in a nationally broadcast concert at the age of 11 he has appeared with orchestras throughout the world including The Cleveland Orchestra, Los Angeles Philharmonic, Saint Paul Chamber Orchestra, Indianapolis Symphony, NDR Radio Philharmonic Orchestra of Hannover, Amadeus Chamber Orchestra, and the Genoa Orchestra. He has also performed on NPR’s Performance Today, ABC’s Good Morning America, and CNN’s American Morning with Paula Zahn. He has performed at Wigmore Hall (in London), Salle Cortot (Paris), Kennedy Center (Washington, DC), and Herbst Theatre (San Francisco), as well as a second recital in Alice Tully Hall (New York), which featured the World Premiere of Donald Martino’s Sonata for Solo Violin. Following more than 25 additional solo appearances with the Orchestra, in May 2022 he performs Mozart’s Violin Concerto No. 5, Turkish, conducted by Music Director Jaap van Zweden.

Huang has had great success in competitions since the age of 15 and received top prizes in the Premio Paganini International Violin Competition and the Indianapolis International Violin Competition. Other honors include Gold Medal Awards in the Kingsville, Irving M. Klein, and D’Angelo international competitions. His first commercial recording — featuring fantasies by Schubert, Ernst, Schoenberg, and Waxman — was released on Naxos in 2003.

In addition to his solo career, Frank Huang is deeply committed to chamber music. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has performed at the Marlboro Music Festival, Ravinia’s Steans Institute, Seattle Chamber Music Festival, and Caramoor. He frequently participates in Musicians from Marlboro’s tours, and was selected by The Chamber Music Society of Lincoln Center to be a member of the prestigious CMS Two program. Before joining the Houston Symphony as concertmaster in 2010, he served as first violinist of the Grammy Award–winning Ying Quartet and was a faculty member at the Eastman School of Music.

Frank Huang was born in Beijing, China. At the age of seven he moved to Houston, Texas, where he began violin lessons with his mother. He commenced study with Fredell Lack at the University of Houston and at 16 he enrolled in the pre-college program at the Cleveland Institute of Music (CIM) where he studied with Donald Weilerstein. He continued studies with Weilerstein in college and earned his bachelor of music degree from CIM in 2002. He subsequently attended The Juilliard School in New York City, studying violin with Robert Mann. He is an alumnus of the Music Academy of the West. He served on the faculties of The Shepherd School of Music at Rice and the University of Houston, and currently serves on the faculty of The Juilliard School.

Dosia McKay
Composer
Dosia McKay, born in the Baltic city of Gdańsk, Poland, is an American composer of music for the concert stage, film, and modern dance. A versatile sound colorist, McKay fluently weaves elements of classical harmony, avant-garde, ambient soundscapes, and her own visual art into the fabric of her compositions. Her portfolio includes works for symphony orchestra, chamber ensembles, choir, soloists, as well as electro-acoustic installations. She is equally at home writing for live performers and traditional instruments as she is modulating the parameters of her software synthesizers.
Dosia McKay’s music has been featured on National Public Radio and in concerts at the David H. Koch Theater at Lincoln Center in New York, The John F. Kennedy Center for the Performing Arts and the National Gallery of Art in Washington, D.C., the Festival Gdynia Classica Nova in Poland, the Beijing Modern Music Festival in China, in Spain, France, the Knoxville Museum of Art, the Tennessee Theater, the Electro-Music Festival in Asheville, the Diana Wortham Theater in Asheville, and others.
Notable performers include the New York City Ballet Orchestra, The Kennedy Center Opera House Orchestra, the Knoxville Symphony Orchestra, the Knox-Galesburg Symphony, the North/South Consonance Orchestra of New York, the Polish avant-garde string quartet NeoQuartet, the Polish Orpheus Orchestra, the Asheville chamber music repertory company Pan Harmonia, the S.E.M. Ensemble, Spartanburg Philharmonic String Trio, Asheville Ballet, Baroque lutenist Will Tocaben, Argentine guitar virtuoso Sergio Puccini, and many others.
A Renaissance woman at heart, Dosia McKay is also a visual artist, a writer, a flutist, and an amateur cellist.
 
The composer provides the following notes on the work:
 
"When I take a break from music, I turn to painting. My favorite media are watercolors, acrylics, and ink. When the paint is introduced to a wet canvas, it takes a life of its own with unpredictable results; colors seep and melt into one another, accidental splashes become joyful bursts of energy, and new textures and patterns emerge. The creative process, both for painting and music composition, is full of such colorful surprises and lucky accidents. “Watercolors” for symphony orchestra is a playful sonic canvas expressing the joy of creativity. "

Violin

Elizabeth Burch, co-concertmaster
Brooke Lafontant, co-concertmaster,
Katherine D. Moore Endowed Concertmaster Chair

Millie Runion, principal second violin

Euclides Andrade
Mason Crowder
Hayden Daniel
Ryan Dixon
Ethan Hess
Autumn Larmee
Markiian Lukyniuk
Maya Momot
Ilarion Osipkin
Mike Perroud
Mei Lia White
Hunter Wilburn
Emma Woodward

Viola
Jackson Alderman, principal
Rachel Huffer
Noah Kincaid
Emily Martinez-Perez
Anna Robertson
Ian Skelly
Emily Wankerl

Cello
Dylan Jowell, principal
Stephen Arthur
Isabelle Hamby 
Mengdie Hu
Erik Isakson
Eli Parsley
Hannah Paulus
Ethan Sharp
Jackson Sharp
Daniel Rivera

Bass
Jase Conley, principal
Daniel Bates*
Steve Benne*
Halimah Muhammad
Laura Zimmerman

Flute
Whitney Applewhite, principal 
Alan Cook
Rebecca Deal

Piccolo
Alan Cook

Oboe
Matthew Barrett, principal 
Jaren Atherholt+
Samuel Willard

English horn
Samuel Willard

Clarinet
Rafael Puga, principal
Anna Hutchison
Lillian Smith

Bass Clarinet
Lillian Smith

Bassoon
James Carnal, principal
Mike Benjamin

Horn
Nichole Hollenbeck, principal
Ben Makins
Maya Siddiqui
Meredith Simpson*

Trumpet
Alexis Kilgore, principal
John Matthew Dunevant
Ian Krueger

Trombone
Jacob Noel, principal
Matthew Walker
Bryce McCracken, bass

Tuba
AJ Johnson

Percussion
Burke Rivet, principal
Annika Blackburn
Siena Fulton
Zachary Swafford

Harp
Cindy Emory*
Kari Novilla*

Piano
Lily Witemeyer

Celeste
Peter Kelmelis

Organ
Matthew Fisher


* guest
+ faculty


We hope you enjoyed this performance. Private support from music enthusiasts enables us to improve educational opportunities and develop our student artists’ skills to their full potential. To learn more about how you can support the School of Music, contact Chris Cox, Director of Development, 865-974-2365 or ccox@utfi.org.