Playhouse Theatre Group, Inc.
CO-FOUNDER/EXEC. DIRECTOR
Tracy Flater
CO-FOUNDER/ARTISTIC DIRECTOR
Sean Harris
CO-FOUNDER/ARTISTIC DIRECTOR
Darlene Zoller
presents
The World Premiere
of
WEBSTER’S BITCH
A PLAY BY JACQUELINE BIRCHER
Director VANESSA MOROSCO |
Scenic & Lighting Designer JOHANN FITZPATRICK |
Sound Designer |
Costume Designer RAVEN ONG |
Props Master ERIN SAGNELLI |
Stage Manager ANNA BROSOWSKY |
CAST (in order of introduction)
Gwen • Mia Wurgaft
Ellie • Isabel Monk Cade
Nick • HanJie Chow
Joyce • Veanne Cox*
Frank • Peter Simon Hilton*
*The Actor appears through the courtesy of Actors’ Equity Association,
the Union of Professional Actors and Stage Managers in the United States.
This show runs approximately 100 minutes with no intermission.
Any video and/or audio recording of this production is strictly prohibited.
WEBSTER’S Dictionary.
Stamford, Connecticut.
Thursday, 5:32pm.
Print is dying, careers are on the line, but words still need to be defined.
“Language isn’t fair. It’s a made-up human puzzle that is constantly changing.”
When I first came to this play, I would have boldly considered myself a ‘word nerd’. When I hear a new or unfamiliar word I need to discover its meaning, etymology, and usage. But while I may love the language of Shakespeare and solve the NYT crossword puzzle daily, it turns out that the word nerd spectrum is more expansive than I ever imagined. Lexicographers, those who show up to work every day to define words to be included in dictionaries, are the real rockstar word nerds of us all. A lexicographer’s job is not to prescribe how we use language, but to describe how we use it. No matter what dialect we speak, whether native or learned, whether we prefer ‘standardized’ English or urban slang, we are all active contributors. That means you, and the person sitting next to you, play an equal role in shaping our shared language. And as we grow and change, our language does too. While the lexicographic world of this play, like all U.S. workplaces, navigates the myriad of complex issues (gender bias, power harassment, generational conflict, style clash, psychological safety – just to name a few) that are evolving in the conversations of our country today, it also invites a joy and curiosity that leads to hope and change. Our language changes and we hope for our future. By the time you read this, I’m not sure what the ‘word of the day’ will be, but I am curious to be in conversation with you about it, and maybe together we can collaborate on the word of tomorrow.
VANESSA MOROSCO
When most people think about the dictionary, they definitely don't think about comedy. That was certainly the case for me before I started writing Webster's Bitch. In my home growing up, the dictionary was an intimidating, unabridged tome, big and heavy enough to both scare and excite a little word nerd in training. But all these years later, as I began to immerse myself in the weird, wild, wonderful world of lexicography, I quickly realized that the dictionary is more subjective, emotional, and interesting than I ever could have anticipated. Language is constantly changing; it is a reflection of ourselves and our culture, however patriarchal, regional, intersectional, and/or chronically online that culture might be. And the dictionary, as a result, contains all of those multitudes within its pages.
But, a dictionary is still a workplace, and every workplace is, in its own way, dramatic. With Webster's Bitch, I particularly wanted to explore the idea that in a post "Me Too" era, not every man (or woman) in corporate power has nefarious motives that aim to devalue or take advantage of their employees. But, that doesn’t mean that a more subtle game of office politics isn’t at play. And while the dictionary may not seem the most obvious setting for these discussions, its specificity offers a unique vantage point for us to take a hard look at universal themes like intergenerational conflicts, technological advancements, gender equity in the workplace, the power of words, and so much more.
This play has been a joy to write, develop, and finally see come to life in this world premiere production, especially since the bulk of its development from first draft to final happened virtually during the pandemic. It aims to leave you with more questions than answers, but these questions are critical to our examination of how we treat each other and how we step into our future. Thank you so much for supporting live theater and new work here at Playhouse on Park, and I hope you enjoy the show!
JACQUELINE BIRCHER
Director Vanessa Morosco
Scenic Designer Johann Fitzpatrick
Costume Designer Raven Ong
Lighting Designer Johann Fitzpatrick
Sound Designer Jeffrey Salerno
Props Master/Set Dresser Erin Sagnelli
Stage Manager Anna Brosowsky
Assistant Stage Manager Vintage Kovel
Production Manager David Addis
Technical Director Scott Bartley
Scenic Carpenters Brian McGuire
Electrics Crew Patrick Blair, Brian McGuire, Tara Hightower, Kyla Madore
Scenic Charge Daniela Weiser
Scenic Painter Mikayla Carr
Dramaturg Liv Fassanella
Covid Compliance Officer Vintage Kovel
Lobby Design Darlene Zoller, Eileen Oconnor
Production Photographer Meredith Longo
Program Design Liv Fassanella
Program Printing Budget Printers
Poster/Postcard Design Dornenburg | Kallenbach
Advertising Webmaster Rick Fountain
E-Newsletter Lisa Steier
To view the dramaturgical casebook for this production. click here.
To view the Hartford Courant feature on Webster's bitch, click here.
We are grateful to the following people and businesses
who made special contributions to this production
of Webster’s Bitch.
Co-Founder/Executive Director
Tracy Flater
Co-Founder/Artistic Director
Sean Harris
Co-Founder/Artistic Director
Darlene Zoller
General Manager
David Addis
Business Manager
Jonathan Katz, Elizabeth Stassen
Company Manager
Kenneth Galm
Office & Development Manager
Emma Cook
Production Manager
Erin Kiernan
Assistant Technical Director & Master Electrician
Stef Carr
Technical Supervosor
Nate Hamilton
Director of Marketing & PR
Natalie Noack
Dramaturg/Literary Manager
Liv Fassanella
Development Associate
Jasmine Calhoun
Director of Education
Jill Zarcone
Education Coordinator
Sadie Aiken
Education Faculty
Marie Altenor, Julie Borsotti, Lauren Cavanaugh, Marc Sokolson Heidi Jean Weinrich, Jill Zarcone, Darlene Zoller
Front of House Manager
Tori Mooney
Box Office Administrators
Liv Fassanella, Kenneth Galm, Caraline Gartrell
President Betsy Udal |
Vice President Peter Evans |
|
Co-Treasurers Matthew Bragg and Andrew Lattimer |
Secretary Gail Mangs |
Members
Paige Buade
Melanie Ellis
William Fish
Andrew Lattimer
Sarah Jakubowski
Ryan McBride
Susan Miller
Richard Rubenstein
Annie Scott
Rebecca Selig
Joanna Engel
Vinod Sukhraj
Ruth Van Winkle
BOARD MEMBER EMERITUS
Matthew Bragg
Chuck Coursey, Founding VP
Bonnie Gauthier
Carol McCabe
Margaret Rattigan
Julianne Roth
Robert Rowlson*
Ron Roy
Richard Rubenstein
Robert Slifka
David Wurzer, Founding President
*Deceased
ADVISORY COUNCIL
Renee Autorino, Jim Bergenn, Valeria Caldwell-Gaines, David Calibey, Mayor Shari Cantor, Stefanie Chambers, Chris Conway, Anna Crawford, Matthew Cuddy, Jayne Dean, Kyra Dorsey, Kevin Doyle, Nina Elgo, Dan Falotico, David Figliuzzi, Matt Fleury, Jeff Forman, Gail Frahm, Kathy Frederick, Bob Hilborn, Susan King, Tyler Lauretti, Andy Lieberman, Dave Macri, Charles Mallory, Patricia McIntosh, Gloria Mengual, Michelle Meyer, Mike Michaud, Priya Morgenstern, Jacob Schreiber, Tanya Penman-Sterling, David Polk, Sarah Raskin, Mike Rouette, Wanda Seldon, Jonathan Slifka, Howard Sovronsky, Rachel Sptizig, Brittany Stephenson, Nyaunu Stevens, Yvette Young
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COVID-19 POLICIES FOR PLAYHOUSE ON PARK & PLAYHOUSE THEATRE ACADEMY
Playhouse Theatre Group, Inc. is a fully vaccinated company. We will continue to require all employees, independent contractors, and volunteers to be vaccinated. We are committed to the safety of our staff, volunteers, creative teams and patrons. We will reevaluate this policy on a regular basis and revise as needed.
Please visit www.PlayhouseTheatreGroup.org, call 860-523-5900 x 10 or email info@PlayhouseTheatreGroup.org for up-to-date information. All policies are subject to change.
PLAYHOUSE ON PARK
Applicable for all performances and special events at Playhouse on Park. Playhouse on Park no longer requires proof of vaccination / proof of a negative Covid-19 test in order to gain entry to the theatre. Face masks will no longer be required. Masks are strongly encouraged; especially for those who are unvaccinated. Concessions have reopened. BYOB for Comedy Nights, Mama D’s and other designated events will be reinstated.
PLAYHOUSE THEATRE ACADEMY
PTA will follow the current Covid-19 policies based on the Public School system of the school districts in the town we are teaching. Hartford Public Schools and Simsbury Public Schools are currently “masks optional”. Students who do not feel well will be encouraged to stay home. Temperature checks will continue for the foreseeable future.
VENTILATION UPGRADES
Playhouse on Park has undertaken an effort to improve the quality of the indoor air inside the main theatre, rehearsal spaces, and all other associated facilities. The work has followed the Ventilation Verification requirements put forth by the Actors’ Equity Association as an effort to help ensure safety of member actors in response to the worldwide Covid-19 pandemic. The project has followed guidance from the CDC, NIH, OSHA, and other relevant authorities. Following a shared air quality (SAQ) assessment, which included a complete evaluation of the current HVAC infrastructure and the usage and flow of all spaces, areas were identified to make improvements to the quality of inhaled, or rebreathed, air. These included improvements to filtration, increased ventilation, and installation of air purification technology to deactivate and remove potentially harmful particles. These steps were followed by a reassessment of each space to help quantify and ensure the health and safety improvements that were made. The air quality work aligned with the standards developed by ASHRAE along with the EPA and NEMI, and were performed by a technician fully licenced in the State of Connecticut.
Playhouse Theatre Group, Inc. at Playhouse on Park has a mission to: