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Don Johns, percussion
04.02.22 | Armstrong Concert Hall
COVID-19 Safety
ATTENDEES

Masking is strongly encouraged but optional for patrons attending performances at Shenandoah Conservatory. Should community levels in our area elevate to a high level in the future, masking requirements may be reinstated as a matter of public health. Visit cdc.gov for up-to-date COVID-19 community levels.


PERFORMERS

Performing artists will perform unmasked only if they have participated in surveillance testing, per university protocols, in advance of their performance(s).

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DMA Lecture Recital
Don Johns, percussion

Saturday, April 2, 2022 at 3:00 p.m.
Armstrong Concert Hall
Shenandoah Conservatory


Advancements in Writing for Timpani in the Works of Ludwig van Beethoven & Béla Bartók
Program

Excerpts will be selected from the following:


Symphony No. 1

I. Adagio molto – Allegro con brio (mm. 44–79)

Symphony No. 7

IV. Allegro con brio (mm. 413–476)

Symphony No. 8

I. Allegro vivace (mm. 450–502)

Ludwig van Beethoven (1770–1827)


Symphony No. 9

I. Allegro ma non troppo, un poco maestoso (mm. 513–547)
IV. Finale (mm. 849–940)

Concerto for Orchestra

IV. Intermezzo interrotto (mm. 42–50)

Music for Strings, Percussion and Celesta

III. Adagio (mm. 4–19)

Piano Concerto No. 2

I. Allegro (mm. 95–109)

Violin Concerto No. 2

I. Allegro non troppo (mm. 291–297)
II. Andante tranquillo (mm. 11–18)

Béla Bartók (1881–1945)

Degree Fulfillment

Don Johns is from the studio of Karlyn Viña. This recital is presented in partial fulfillment of the requirements for a Doctor of Musical Arts in Performance (Percussion).