Ethiopia Saluting the Colors (Whitman)
H.T. Burleigh (1866–1949)
Emery Stephens, baritone
Alexander Bernstein, piano
I, Too (Hughes)
Margaret Bonds (1913–1972)
Emery Stephens, baritone
Alexander Bernstein, piano
Mother to Son (Hughes)
Hall Johnson (1888–1970)
Caroline Helton, soprano
Stacie Haneline, piano
City Called Heaven
African American Spiritual
arr. Hall Johnson
Caroline Helton, soprano
Stacie Haneline, piano
It’s Me, O Lord
African American Spiritual
arr. Betty Jackson King
Emery Stephens, baritone
Stacie Haneline, piano
Come Sunday from Black, Brown, and Beige
Duke Ellington (1899–1974)
Caroline Helton, soprano
Stacie Haneline, piano
“On Bended Knees” from From the Southland
H.T. Burleigh (1866–1949)
Alexander Bernstein, piano
Spirituals Arrangements
Steal Away
Roland Carter (b. 1942)
arr.
Edrie Means Weekly, soprano
Stacie Haneline, piano
He’s Got the Whole World in His Hands
Moses Hogan (1957–2003)
arr.
David Meyer, baritone
Alexander Bernstein, piano
Art Songs of H. Leslie Adams
For you, there is no song from Five Millay Songs
H. Leslie Adams (b. 1932)
Fotina Naumenko, soprano
Marika Bournaki, piano
Sence You Went Away from Nightsongs
H. Leslie Adams (b. 1932)
Text by James Weldon Johnson (1871–1938)
Kathryn Green, contralto
Marika Bournaki, piano
The Return from Town from Five Millay Songs
H. Leslie Adams (b. 1932)
Byron Jones, baritone
Marika Bournaki, piano
Love, Let the Wind Cry
Undine Smith Moore (1904–1989)
Natalie Conte, soprano
Marika Bournaki, piano
Undoing Poems (2022)
I. Surviving the Apocalypse (Evans)
II. Please Know (Myers)
III. A Conceit (Angelou)
Andre Myers (b. 1973)
Jamie Reimer, soprano
Byron Jones, baritone
Stacie Haneline, piano
I Believe
Dave Ragland (b. 1978)
Natalie Conte, soprano
Kathryn Green, contralto
Caroline Helton, soprano
Byron Jones, baritone
David Meyer, baritone
Fotina Naumenko, soprano
Jamie Reimer, soprano
Emery Stephens, baritone
Edrie Means Weekly, soprano
Alexander Bernstein, piano
About I Believe
The text is derived from a translation of writing found on the wall (presumed by a Jewish person) in a concentration camp in Germany. In composing this piece, I hoped to convey a message of unmovable, unconquerable belief.
I frequently think about the writer of these words and the hardships that brought about its writing. My imagination leads me to think that they had to believe in the existence of a higher power working for the good — even in the face of mistreatment, torture, and genocide.
There's an old Negro spiritual states that “He's the same God today as He was yesterday.” And even for us living in today's world, the sun still shines somewhere — as a signal of God's ever-abounding light and love.
– Dave Ragland