ANDREW ROSENBLUM enjoys a multifaceted career as a pianist and harpsichordist. He has performed with singers and instrumentalists at major venues including Carnegie Hall, Alice Tully Hall, The Kennedy Center, and The Phillips Collection. In the 2022-23 season, Rosenblum joined cellist Seth Parker Woods in recitals at Dumbarton Oaks in Washington, D.C., The Gardner Museum in Boston, and The Wallis in Los Angeles, having performed with Woods the season prior at the 92Y in New York, and Strathmore in North Bethesda, MD.

 Rosenblum has received critical acclaim for his recordings of the art songs of Lori Laitman: Colin Clarke described his playing on Naxos’ 2019 release Living in the Body and Acis’ 2022 release The Ocean of Eternity as “beautifully responsive” and “superb” (Fanfare Magazine), while Robert A. Moore, in his review of Acis’ 2021 release Are Women People?, described him as “sensitive…wonderfully attentive to the nuances of the pieces” (American Record Guide).

As a harpsichordist, Rosenblum won Second Prize in the 2018 International Bach Competition Leipzig, becoming the only American harpsichordist to win a top prize in the competition’s history. In 2017, he won Second Prize at the Prague Spring International Music Competition, along with the Czech Music Fund Foundation Prize for the best performance of Petr Wajsar’s Harpsycho, which was commissioned for the competition. He has soloed with Leipziger Barockorchester, Bohuslav Martinů Philharmonic Orchestra, Collegium 1704, and Civic Orchestra of Chicago, and has performed as a member of Music of the Baroque Orchestra, Haymarket Opera Orchestra, and Third Coast Baroque.

A passionate educator, Rosenblum has been on the Piano Faculty of the Heifetz International Music Institute since 2015, has led workshops at Chicago College of the Performing Arts and University of Chicago, and has been a collaborative pianist on the staffs of Northwestern University and Cleveland Institute of Music.