Just in case you aren’t familiar with Béla Fleck, there are many who say he’s the premiere banjo player in the world. Others claim that Fleck has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations. If you are familiar with Fleck, you know that he just loves to play the banjo, and put it into unique settings.
An eighteen-time Grammy Award-winner, Fleck has the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots. His collaborations range from his ground-breaking standard-setting ensemble Béla Fleck and the Flecktones to a staggeringly broad array of musical experiments. His newest project is no different, and yet, entirely original as Fleck expands and explores George Gershwin’s Rhapsody in Blue by paying homage to the legendary composer while redefining an American classic just in time for its centennial. Fortuitously, the album’s release on February 12, 2024 coincided with the 100th anniversary of Rhapsody in Blue’s premiere in New York City, and features three variations of the iconic piece with a gamut of special guests, alongside two other Gershwin works arranged by Fleck and performed on solo banjo.
From writing concertos for full symphony orchestra, exploring the banjo’s African roots, and collaborating with Indian musical royalty Zakir Hussain and Rakesh Churasia with Edgar Meyer, to performing as a folk duo with wife Abigail Washburn, and jazz duos with Chick Corea, many tout that Béla Fleck is the world’s premier banjo player. As Jon Pareles wrote for The New York Times, “That’s a lot of territory for five strings.”
Photo Credit: Alan Messer