One of the most acclaimed composers writing in Canada today, Hong Kong-born Alice Ping Yee Ho has written in many musical genres and received numerous national and international awards, including Symphony Nova Scotia's 2022 Maria Anna Mozart Award, 2019 Johanna Metcalf Performing Arts Prize, 2016 Louis Applebaum Composers Award, 2014 Prince Edward Island Symphony Composers Competition, 2014 Kitchener Waterloo Symphony Friendship Orchestral Composition Competition, 2013 Dora Mavor Moore Award “Outstanding Original Opera” for her opera The Lesson of Da Ji, 2013 Boston Metro Opera International Composition Competition, K.M. Hunter Artist Award, du Maurier Arts Ltd. Canadian Composers Competition, MACRO International Composition Competition, Luxembourg Sinfonietta International Composition Prize, and International League of Women Composers Competition.
Critics have called her music dramatic and graceful, while praising its “organic flow of imagination”, "just gorgeous music, tangible and inviting, stimulating and challenging" , “distinctly individual style", "colourful orchestration", and "emotive qualities". Influences evident in her proudly eclectic approach include Chinese folk and operatic idioms, Japanese Taiko , jazz, pop culture, and other contemporary art forms. Her ongoing goal is to explore new musical styles that are provocative to the ears.
“Colours and tonality are two attractive resources to me: they form certain mental images that connect to audiences in a very basic way," says Alice.
Often featured at national and international new music festivals such as ISCM World Music Days, Ottawa Chamberfest, Denmark’s CRUSH New Music Festival, and Asian Music Week in Japan, her works have also been performed by major ensembles and soloists including Finnish Lapland Chamber Orchestra, Esprit Orchestra, China National Symphony, Shanghai Philharmonic Orchestra, Polish Radio Choir, Estonia's Ellerhein Girls' Choir, the Toronto, Vancouver, Winnipeg, Victoria, Nova Scotia, Hamilton, Kitchener Waterloo, and Windsor Symphonies, the Luxembourg Sinfonietta, Le Nouvel Ensemble Moderne, New Music Concerts, Penderecki String Quartet, TorQ percussion quartet, Duo Concertante, violist Rivka Golani, pianist Christina Petrowska Quilico, percussionists Sumire Yoshihara, Evelyn Glennie, and Beverley Johnston, flutist Robert Aitken, Patrick Gallois, and Susan Hoeppner.
A two-time JUNO Award nominee (2015 and 2018), she has an impressive discography released on the Centrediscs, Naxos, Marquis Classics, Blue Griffin, Electra, Leaf Music, and Phoenix labels. She has six solo discs and two new recordings devoted to music written for different genres: Ming for percussion; Glistening Pianos for two pianos; The Lesson of Da Di, which features her Dora Award-winning opera The Lesson of Da Ji; Mysterious Boot for flute, cello, and piano; The Monkiest King, featuring her children's opera with the Canadian Children's Opera Company; and Venom of Love, a full-length recording of her electronic ballet music.
Alice is currently working on two new solo albums: A Woman's Voice for female voices and piano on Leaf Music label and a full-length recording of her solo piano music featuring acclaimed Canadian pianist Christina Petrowska Quilico on Centrediscs label. Her upcoming projects includes a new opera, CHINATOWN, commissioned by City Opera Vancouver with renowned Canadian writer/librettist Madeleine Thien and Hoisanese co-writer Paul Yee.
Alice holds a Bachelor of Music in composition with high distinction from Indiana University and a Master of Music in composition from the University of Toronto. Her teachers have included John Eaton (USA), Brian Ferneyhough(Germany), and John Beckwith (Canada).
She is a noted classical pianist and an active advocate of contemporary music. She had performed in many new music festivals, including a solo piano recital recorded by CBC Radio 2 in which she premiered Tan Dun’s solo piano work Traces II. She now makes her home in Toronto.
Find Alice online!