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Macbeth
April 8th - 30th at Barter's Smith Theatre
Director's Note

When I was a student in my college theatre department, my speech professor told me that I needed to tone down my Southern accent. If I wanted to be seen as a professional actress, I was going to have to learn how to lose my native dialect. I struggled with this concept. I thought about my family. Would they disapprove? I worried that if I lost my accent I would lose a part of myself. If I chased my dream in a city like New York or Chicago, would anyone know who I really was if I didn’t sound like me? 

If I have the ambition to be something greater than I am, do I have to lose part of who I was? Or can I carry it with me? 

In Macbeth’s world, the main characters must consider what part of themselves they are willing to discard in order to rise to power. Macbeth grapples with his ambition and identity and ultimately chooses to betray his king, his country, his friends. Malcolm becomes king because he remains true to himself and his country.  

And Lady Macbeth. She doesn’t wait or wonder. She calls on spirits to change her nature. Strip away her softer qualities so she can seize the opportunity to rise above herself. It makes you wonder what else she has been willing to discard for the sake of ambition? 

“… I have given suck, and know / How tender ‘tis to love the babe that milks me. / I would, while it was smiling in my face, / Have plucked my nipple from his boneless gums / And dashed the brains out, had I so sworn as you / Have done to this.” 

The Macbeths have no heirs in this play - so where is the child that Lady Macbeth references? Is she speaking metaphorically, or has she, in fact, given birth? Did she get rid of her child or children in order to be with Macbeth?  

The characters in this play wrestle with the fates of kingdoms and succession. But even in our rather ordinary lives, there are times when we have to choose between being truthful to ourselves and changing who we are to reach a higher ambition.  

We can only answer these questions for ourselves: What are we capable of? What are we willing to lose? To what ends will we go? 

- Carrie Smith Lewis, Director

Cast List

Duncan/Lennox
Vince McGill*

Malcolm/First Murderer
Destiny Danielle Freeman

Macduff/Second Murderer/Doctor
Sean Maximo Campos*

Ross/Seyton
Sam McCalla

Macbeth
Justin Tyler Lewis*

Banquo/Lady Macduff/Gentlewoman/Soldier
Paris Bradstreet*

Lady Macbeth/Fleance
Zoë Velling

Weird Sisters (3 per show)
Gracie Bostic, Macy Lockhart, Harper Mensch, Maggie Piper, Campbell Stoakley, and Lily Wright 

*Denotes member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Collaborators

Director
Carrie Smith Lewis

Scenic Designer 
Hana Eichin

Lighting Designer
Camille Davis

Costume Designer
Lee Alexander Martin

Sound Designers
Tony Angelini, Matt Green, and Carrie Smith Lewis

Intimacy Coordinator
Ashley Campos

Fight Choreographer
Sean Maximo Campos

Stage Manager
Megan Ward

Production Crew

Wardrobe Supervisor 
Chelsea Bannan

Youth Cast Supervisor
Glenda Lindsey Johnson

Asst. Wardrobe Supervisor
Beks Knost

Light and Sound Board Operator
Shawn Martin

Production Assistant
Holly O'Brien

Sponsors

Premier Sponsor

 

Season Sponsors

At&t logo Ballad Health logo Eastman Credit Union logo
Holston Medical Group JA Street logo The Martha logo
Meade Tractor logo United Company Foundation logo  

 

Production Sponsors


United Company Foundation logo

 

 

 

 

Production Credits

This project is part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest