Season presented by
Series sponsored by
Series presented by
Concert Sponsors:
Eileen Nobles and Robert Odien
Lt. Col. (Ret) Eugene S. Harsh in loving memory of his wife Lois E. Harsh
Concert Co-Sponsor:
Jeffrey Rapp
Lance and Brenda Miller
Tuck and Liz Aikin
William and Sarah George
Guest Conductor Sponsor:
Dr. Susan Rae Jensen and Tom Adams Trainer
Constance E. Raub
Alice Marie Thomas in memory of David H. Thomas
Dave and Dolly Kast
Ken and Theresa Stahura Montera
Bloom Foundation
Gary and Pam Mahle
Guest Artist Sponsors:
Fred and Linda Veitch
Susie Ramsay
Michelle Behr and John Montaña
Harold C. Ingersoll Fund of Pikes Peak Community Foundation
Lodging Provided by
Saturday, February 24 at 7:30pm
Sunday, February 25 at 2:30pm
Carolyn Kuan conductor
Masayo Ishigure koto
Zac Zinger shakuhachi
Mason Bates Alternative Energy
I. Ford’s Farm, 1896 (an amateur fiddler invents a car)
II. Chicago, 2012 (including the FermiLab particle accelerator)
III. Xinjiang Province, 2112 (twilight on an industrial wasteland)
IV. Reykjavik, 2222 (an Icelandic Rain Forest)
Yugo Kanno “Revive” - Concerto for Koto and Shakuhachi
I. Sunrise
II. Pray
III. Future
Intermission
Beethoven Symphony No. 6 in F Major, “Pastoral,” Op. 68
I. Allegro ma non troppo (Awakening of Cheerful Feelings upon Arrival in the Country)
II. Andante molto mosso (Scene by the Brook)
III. Allegro (Merry Gathering of Country Folk)
IV. Allegro (Thunderstorm)
V. Allegretto (Shepherd’s Song. Happy and Thankful
Feelings after the Storm)
American composer Mason Bates’ Alternative Energy (2012) is a symphony that tells a story – about the unwise use of energy and the harm that could come of it – using the traditional orchestra and adding the unique touch of electronica (manipulated electronic sounds). Bates’ mastery of both acoustical and electronic music makes for a fantastic symphony of color and mind-bending sounds. Next, the highly popular film and anime (animation) composer, Japanese musician Yugo Kanno wrote his 2014 Revive as a response to the earthquake and resulting tsunamis that hit East Japan in 2011. Scored as a concerto for two traditional Japanese instruments, the koto (zither) and the shakuhachi (bamboo flute), Kanno wanted to depict “Japan itself” in the throes of, and in response to, the tragedy. Finally, Beethoven’s forever popular “Pastoral” Symphony No. 6 was premiered in 1808. Recreating the feelings and the joy of being in nature, the Pastoral is Beethoven’s own thanks to the earth, and the first inarguably successful programmatic symphony.