Mrs. Dalloway: A New Musical
Book, Music, and Lyrics by Lindsey Augusta Mercer
Inspired by Virginia Woolf’s Novel
Directed by Sara Clark
Orchestra: Lindsey Augusta Mercer
Scenic Designer: Samantha Reno
Costume Designer: Rainy Edwards
Lighting Designer: Nina Agelvis
Associate Lighting Designer: Ivy Walker
Sound Designer: Zackery Bennett
Assistant Sound Designer: Emma Miller
Projections Designer: Robert Carlton Stimmel^
Properties Manager: Rebecca Armstrong
Music Director: Matthew Umphreys
Dance Choreographer: Ashley Goos
Intimacy Director: Torie Wiggins
Stunt Coordinator: Gina Cerimele-Mechley
Stage Manager: Cole Sweasy*
Assistant Stage Manager: Rowan Rozzi*
Originally Commissioned by Cincinnati Shakespeare
Cast
Septimus Warren Smith: Noah Berry*
Ensemble/Swing: Wes Carman
Peter Walsh: Robby Clater*
Clarissa Dalloway: Christiana Cole*
Hugh Whitbred: Cary Davenport*
Lady Carnation/Ensemble: Hannah Gregory
Mr. Marigold/Ensemble: Christian Hall
Evans/Ensemble: Montez Jenkins-Copeland
Lucy/Ensemble: Bethany Xan Kerr*
Rezia Warren Smith: Courtney Lucien*
Mrs. Holmes/Lady Rose/Ensemble: Kelly Mengelkoch*
Ensemble/Swing: Dani Grace Nissen
Sally Seton: Bex Odorisio*
Dr. Holmes/Ensemble: Patrick Earl Phillips*
Richard Dalloway: Byron St. Cyr*
Mulberry/Ensemble: Aleah Vassel*
Orchestra
Under the Direction of Matthew Umphreys
Flute: Betty Douglas
Clarinet: Jeanna Vella
Trumpet: Emery Hicks
Violin: Linsey Rogers
Cello: Julie Lim
Guitar: Joel Greenberg
Piano: Matthew Umphreys
Bass: Renate Thomas
Drums: Brian Malone
Production Staff
Properties Manager: Rebecca Armstrong
Master Carpenter: Bryce Carson
Wardrobe Supervisor: Kayla Cieslinski
Master Electrician: Jared Earland
Associate Production Manager & Resident Costume Designer: Rainy Edwards
Technical Director: Chris Holloway
Production Technician: Brad Hopper
Costume Shop Manager: Lindsey Jones
Resident Scenic Designer & Charge Artist: Samantha Reno
Production Manager: Robert Carlton Stimmel^
Resident Stage Manager & Production Coordinator: Cole Sweasy*
Assistant Stage Manager: Rowan Rozzi*
Ensemble Sponsors
Marcie and Jim Kinney
Design Sponsors
Judge Mark and Sue Ann Painter
New Play Development Sponsors
Robert and Donna Welch
The McElroy Family
*Appearing through an Agreement between this theatre, the Cincinnati Shakespeare Company, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.
^Artist Sponsored by Judge Mark Painter
(he/him) Debut
National Tours: Buddy: The Buddy Holly Story, Monty Python's SPAMALOT. Cincinnati: TOMMY (Memorial Hall), Title of Show (Federal Incline Theater). Regional: Heartbreak Hotel, Beautiful: the Carole King Musical (John W. Engeman Theater); Spitfire Grill (Laguna Playhouse); Little Shop of Horrors (Highlands Playhouse); Lost Highway (Maples Repertory Theater). Alumnus of Northern Kentucky University (BFA).
(he/him) Debut
Cincinnati: Pluto, Lizard Boy (Know Theatre), The Last 5 Years, Company (The Carnegie). New York: Monty Python's Spamalot (National Tour). Education: Alumnus of Northern Kentucky University (BFA).
(he/him) Debut
Regional: Dreamgirls (MUNY), A Christmas Carol (People's Light) New York: Pretty Woman The Musical (Broadway), Pretty Perfect Lives (The Flea), Connected (59E59) TV/Film: Almost Family (Fox) As We See It (Amazon Prime)
(they/she) Debut
Regional: Fun Home (TheaterSquared), Camelot (Gulfshore Playhouse). New York: The Devil Wears Prada (Broadway in Chicago), The Hunt (Miller Theater), An Enchanted April (Theater Row), The Bardy Bunch (Theater at St. Clement's). Education: Alum of The Manhattan School of Music (BM) and Southwestern University. Website: christianacole.com
(he/him) 11th Season
Cincinnati: As You Like It, One Man, Two Guvnors, The Grapes of Wrath, The Adventures of Tom Sawyer, August: Osage County, The Living Dead, Twelfth Night, The Winter’s Tale, The Comedy of Errors, The Two Gentlemen of Verona, Every Christmas Story Ever Told (And Then Some!) (Favorite CSC), Girlfriend, Ada and the Engine, Whisper House (Know Theatre), Wuthering: A Musical On the Moors (Gregory and McWethy/Cincinnati Fringe Festival). Regional: The Caucasian Chalk Circle (Promethean Theatre Ensemble, Chicago), The Bacchae (Right Brian Project, Chicago). Education: Alumnus of Northern Kentucky University.
(she/her) 3rd Season
Cincinnati: Much Ado About Nothing, A Midsummer Night's Dream, As You Like It (Favorite CSC), Judith, Deliver Us (Upcoming with One Off Productions), Glassheart (Know Theatre), Descent: a Murder Ballad (Cincinnati Fringe Festival), American Idiot (The Carnegie), The Who's TOMMY (Memorial Hall), Like Demons (InBocca Performance) Education: Northern Kentucky University (BFA) Website: hannah-gregory.com
(he/him) 3rd Season
Cincinnati: Gaslight: a new version for the stage by Steven Dietz (CSC); Cinderella (Ensemble Theatre Cincinnati); Sherwood: The Adventures of Robinhood (Ghostlight Stage Company). Regional: Camelot (Human Race Theatre), Diary of a Wimpy Kid (Columbus Children’s Theatre).
(they/them) Debut
Cincinnati: Hamlet Park Tour (CSC); A Case For The Existence Of God, The Light Chasers, Girlfriend the Musical, Red Bike, Moby Dick (The Know Theatre). TV/Film: Miles Ahead (dir. Don Cheadle) 13th & Republic (dir. Darnell Pierre Benjamin). Education: Alumnus of Northern Kentucky University and Walnut Hills High School.
(she/her) Debut
Nat’l/Internat’l Tours: Kinky Boots; NYC: Company (u/s) (Lincoln Center); Chautauqua (The Public); How the Westons Won (New York Theater Barn); Dumb Luck (TruVoices). Workshops: Me the People, Pussy Riot, Quanah, Sunday in the Park with George. Regional: Sister Act (Silco); Beautiful & Swing (The Carnegie); The Little Mermaid, Narnia, and Santa Claus (The Children’s Theater); Bright Star (The Covedale); The Addams Family & The Girl Who (Edinburgh Fringe). Education: Royal Conservatoire of Scotland (MFA), BFA Musical Theater & BFA Acting from Pace University NYC, Interlochen Arts Academy.
(she/her) 11th Season
Cincinnati: Kindred Spirits, Much Ado About Nothing, Julius Caesar, A Midsummer Night’s Dream, Trouble in Mind, As You Like It, The Living Dead, Pride & Prejudice, Hamlet, Macbeth, Romeo & Juliet (favorite CSC). Regional: The Great Gatsby (Cardinal Stage Company); Annie Warbucks (Theatre at the Center). Education: Alumnus of Indiana University (BA). Website: courtneylucien.com
(she/her) 20th Season
Cincinnati: Much Ado About Nothing, Importance of Being Earnest (Recent CSC); A Christmas Carol (Cincinnati Playhouse in the Park); Let the Right One In (CSC/CCM); This is Tom Jones! (Human Race Theatre Company). Regional: The Spitfire Grill (Old Creamery Theatre Company Amana, Iowa); Grease and The Scarlet Pimpernel (New Theatre Kansas City). New York: The Rewards of Being Frank (New York Classical Theatre). TV/Film: Dark Waters, Perception, Old Man and the Gun, A Kind of Murder, Healing River, Dusk, C.S.A.: The Confederate States of America. Website: kellymengelkoch.com
(she/her) Debut
Cincinnati: The Comedy of Errors (summer tour) (CSC). Regional: As You Like It (Nashville Shakespeare Festival), The Comedy of Errors, Measure for Measure (Hoosier Shakespeare Festival), Much Ado About Nothing (Commonwealth Shakespeare Company). Education: Wright State University (BFA). Website: danigracenissen.com
(she/her) Debut
Cincinnati: Rutka (Playhouse in the Park). Regional: Hadestown (First National Tour); Ruthless! (Chenango River Theatre); Natasha, Pierre, and the Great Comet of 1812 (Shanghai Grand Theatre); A Midsummer Night's Dream (Walden Shakespeare); Measure For Measure (Island Shakespeare). TV/Film: Law and Order: SVU (NBC); Dickinson (Apple TV+). Website: bexodorisio.com
(he/him) 10th Season
Cincinnati: A Midsummer Night’s Dream, Little Women, Much Ado About Nothing, As You Like It, Titus Andronicus (CSC), Tick, Tick… BOOM! (The Carnegie), Hands On a Hardbody, Luna Gale, Cinderella, Bloomsday (Ensemble Theatre Cincinnati), Mercury (Know Theatre of Cincinnati). Regional: This Is Tom Jones!, Around the World in 80 Days (Human Race Theatre Co.), The Caine Mutiny Court Martial (Arrow Rock Lyceum Theatre). Education: Xavier University (BA) and St. Xavier HS
(he/him) Debut
Cincinnati: Buddy Holly (Playhouse in the Park). Regional: Beautiful: The Carole King Musical (The MUNY and Capital Rep); A Sherlock Carol (Westport Country Playhouse); Dames at Sea (Bucks County Playhouse); Billy Elliot (Goodspeed); Elf: The Musical (Syracuse Stage), Jesus Christ Superstar (North Shore Music Theatre); Ragtime (Papermill Playhouse and Weston Theater Company); Beauty and the Beast (North Shore Music Theatre); Hello Dolly (Weston Theater Company). New York: A Sherlock Carol (New World Stages). Education: NYU Tisch School of the Arts (BFA). Website: byronstcyr.com
(they/she) 2nd Season
Cincinnati: Amen Corner (CSC); Hands On A Hardbody (Ensemble Theatre); The Wiz (TCT). Regional: Camelot, This is Tom Jones (Human Race Theatre); HAIR, Detroit '67, Christmas Carol, Candide (Clarence Brown Theatre); Sister Act, White Christmas, Hairspray, Dracula (Charleston Stage); Legend of Georgia McBride, Side by Side by Sondheim (Flying Anvil Theatre); Lady Windermere's Fan (Wordplayers). Education: BFA in Musical Theatre at Samford University, MFA in Acting at University of Tennessee, Knoxville.
(they/them) 5th Season
Cincinnati: As You Like It 2015 & 2023, A Midsummer Night's Dream (Park Tour 2015), Resident Asst. Director 2014-16 (CSC); Witch, Tick...Tick...Boom!, Kinky Boots, The Last 5 Years (The Carnegie); Hundred Days, Darkest Night at Gnarly Stump, Girlfriend, Lizard Boy (The Know Theatre); Saint Joan, Death and the Maiden (Diogenes), [Title of Show] (The Federal Incline Theatre); Everybody, Puffs, Head Over Heels (Miami University). Regional: Ring of Keys’ Queering the Canon Composer (NYC) The Bengson’s Hundred Days (La Jolla Playhouse and US Tour,). Education: Alumnus of Baldwin-Wallace University (BA), Lincoln Center Directors Lab ’17.
(she/her) 19th Season
Cincinnati: A Midsummer Night's Dream, Pride and Prejudice, The Adventures of Tom Sawyer, Much Ado About Nothing, Julius Caesar, Little Women, Twelfth Night, To Kill a Mockingbird, Love's Labour's Lost (selected CSC directing credits) + over 60 productions acting. Education: University of Oklahoma School of Drama.
(she/her) 5th Season
Cincinnati: Much Ado About Nothing, Kindred Spirits,The Play That Goes Wrong; A Midsummer Night's Dream; The Importance of Being Earnest; The Living Dead (Favorite CSC); Fierce (Cincinnati Opera); Our Story: Bold Moves Festival (Cincinnati Ballet); Noises Off! (Northern Kentucky University). Regional: The Newlywed Game (B Street Theatre, Sacramento); Gaslight (Merrimack Repertory Theatre, Lowell, MA); Peter and the Starcatcher (University of California, Davis). New York: The Rewards of Being Frank (New York Classical Theatre). Education: Northern Kentucky University (BFA). Website: samanthareno.com. Cincinnati Shakespeare Company Resident Scenic Designer
(she/her) 6th Season
Cincinnati: The Winter’s Tale, Romeo and Juliet, The Comedy of Errors, The Living Dead, A Midsummer Night’s Dream, Gaslight, The Importance of Being Earnest, Frankenstein, Kindred Spirits, Twelfth Night (Favorite CSC); Lizard Boy: The Musical (Know Theatre). Education: Florida State University (MFA in Costume Design). Cincinnati Shakespeare Company Associate Production Manager and Resident Costume Designer
Cincinnati: Midsummer Night's Dream, The Living Dead, Pride & Prejudice (Favorite CSC). Regional: Club Royal (Serenade of the Seas with RCC); The Brothers Paranormal (Perseverance Theater). New York: Lilith in Pisces (The Flea Theater); All Things Go (Forest Hills); Head in The Clouds (Forest Hills); Rabbit Summer (Mile Square Theater); Funny, Like an Abortion. (Mile Square Theater). Education: University of Cincinnati; College Conservatory of Music (MFA), University of California, Irvine (BA). Website: nagelvisdesigns.com
(they/them) Debut
Regional: Dance Nation (Southern Plains Productions). New York: El Nogolar, Dancing at Lughnasa (Stella Adler Studio), Lilith in Pisces (Drops in the Vase). Education: Oklahoma City University, Class of 2024 (BFA Design & Production).Website: ivywalkerdesign.com
(he/him) (4th Season).
Cincinnati: The Comedy of Errors, The Living Dead, As You Like It, Julius Caesar (CSC). Broadway: Thoughts of a Colored Man (Assoc.). Regional: A Christmas Carol (Asst.) (Guthrie Theatre); True West (Asst.) (Seattle Rep); Hedwig and the Angry Inch (Actor’s Express); This Is Our Youth, Around the World in 80 Days (Assoc.), South Pacific (Assoc.) (Clarence Brown Theatre). Corporate: 2022 & 2024 National Order of the Arrow Conference, 2023 National Scout Jamboree. Education: University of Tennessee (BA), Purdue University (MFA). Position: Assistant Professor of Sound Design & Engineering, University of North Georgia; Resident Sound Designer, Gainesville Theatre Alliance. Website: ZackBennett.com.
(he/him) (6th Season)
Cincinnati: Macbeth, A Room in the Castle, Twelfth Night, Mary Shelley’s Frankenstein, Julius Caesar, The Amen Corner, Wrecking Ball, Gaslight, Trouble in Mind, As You Like It, The Living Dead, The Comedy of Errors, Ma Rainey’s Black Bottom, A Midsummer Night’s Dream (Favorite CSC); To Kill a Mockingbird, A Christmas Carol, Antigone, Rikki Tikki Tavi, Rapunzel (Cincinnati Playhouse In The Park); Archie and the Ashes (Know Theatre); Higher (American Legacy Theatre); Earworm (Impaired Vision Productions). Regional: Elephant and Piggie, Little Red Riding Hood (Merrimack Repertory Theatre); The Fantasticks, The Normal Heart (Short North Stage); Eavesdropping (Alliance Theatre); Earworm (Hollywood Fringe Festival). International: Twelfth Night (Prague Shakespeare Company). Education: Miami University (BA in Theatre). Cincinnati Shakespeare Company Production Manager
(she/her) 5th Season
Cincinnati: Mary Shelley's Frankenstein, The Birds (Production Manager) (CSC); BLERDS, Mary's Monster (PM), The Man-Beast (PM) (Know Theatre); Nancy Brew Zoomdunnit (PM/Producer), The Miraculous Journey of Edward Tulane (Tour Manager) (Cincinnati Fringe Festival, Cincinnati Playhouse in the Park); Garbologists, Grounded (ETC). Regional: Mercedes Benz New York Fashion Week- Marc Jacobs, Christian Siriano, Carolina Herrera, Lady Gaga, Brevard Music Center Summer Institute & Festival (APM)- Sweeney Todd, Vivaldi's The Four Seasons, Night at the Movies, Mahler Symphony No. 6.
(she/her)
Cincinnati: Twelfth Night, The Rewards of Being Frank, Little Women, Ma Rainey’s Black Bottom, Fences, and Othello (CSC); NY casting for 13 seasons including Shane (Cincinnati Playhouse in the Park co-produced with Guthrie Theater). New York: A Christmas Story- The Musical and Dividing the Estate (Broadway); Distant Thunder, Garside's Career, Dig, The Night of the Iguana, and Henry IV (Recent Off-Broadway). Regional: The Lehman Trilogy (Capital Rep); Ahrens and Flaherty’s Knoxville (Clarence Brown Theatre); The Cape Playhouse Season and Peterborough Players Season. Film: The Nature of the Crime, Ranked- The Musical and HBO documentary; Elf Quest (audio) and many more. Website: klappercasting.com.
(he/him) Debut
Cincinnati: Tick, Tick... Boom! (The Carnegie); Rutka, A Christmas Carol (Playhouse in the Park); Santa Claus, Casper, Annie (The Children's Theater); Perfectly Marvelous, I Put a Spell On You, A Cozy Christmas, Cincinnati Rocktails (Queen City Cabaret). Education: University of Cincinnati College-Conservatory of Music (MM), Luther College (BA). Website: matthewumphreys.com
(she/her) Debut
Cincinnati: Area Choreographer's Festival (Contemporary Dance Theatre), Rosie Herrera Dance Theatre, Choreographers without Companies (Contemporary Dance Theatre), Cincinnati Fringe Festival. Regional: Director of Dance (Miami University), Adjunct Professor (Northern Kentucky University and Xavier University), Instructor (School for Creative and Performing Arts). Education: Alumna of Florida Sate University (MFA, Performance and Choreography). Website: AEGDanceworks.com
(she/her) 9th Season
Cincinnati: Oliver Twist, A Raisin in the Sun, Fences (CSC); Collapse, Afghan Women Writer’s Project, Bloody Bloody Andrew Jackson, Pluto, Harry and the Thief (Know Theatre); The Mountaintop, Cinderella, Violet and His Eye is on The Sparrow (Ensemble Theatre Cincinnati); Twilight: Los Angeles 1992 by Anna Deveare Smith (Diogenes Theatre Co); Mame, Vanya and Sonia and Masha and Spike and Crowns (Human Race Theatre Co.). Education: Intimacy Direction training from Theatre Intimacy Education (TIE), Intimacy Coordinators of Color (ICOC), and Intimacy Directors and Coordinators.
(she/her) 30th Season
Cincinnati: Much Ado About Nothing, Kindred Spirits, The Play That Goes Wrong, A Midsummer Night’s Dream, The Importance of Being Earnest, The Living Dead (Favorite CSC); Fight direction for Cincinnati Opera, Cincinnati Ballet, Ensemble Theatre, Playhouse in the Park, Human Race Theatre. Regional: Alabama Shakespeare Festival, Denver Center Theatre Company, Opera Theatre St. Louis, Alaska Cabin Nite Dinner Theatre. Affiliations: 33-year member, Society of American Fight Directors (one of the few female Fight Directors). Education/Teaching: Founder, Cincinnati Actor’s Studio & Academy; First recipient, CAA’s Arts Educator Award.
(they/them) (4th Season)
Cincinnati: Mary Shelley's Frankenstein, Fat Ham, The Play That Goes Wrong, The Amen Corner, King Lear, The Comedy of Errors (Favorite CSC); All's Faire, Cincinnati Fringe Festival (Know Theatre). Regional: Event Stage Management in Bowling Green, Nashville and Atlanta. Education: Western Kentucky University (BAs in Theatre, Communication Studies, and English). Cincinnati Shakespeare Company Resident Stage Manager and Production Coordinator.
(he/him) Debut
Cincinnati: Every Christmas Story Ever Told (And Then Some!), A Room in the Castle (Favorite CSC). Regional: Beauty and the Beast Jr., The Prom, Heathers The Musical, POTUS. Education: Bowling Green State University (BA in Communications with a Specialization in Design/Technical Theatre). Cincinnati Shakespeare Company Assistant Stage Manager.
Music is everywhere in Mrs. Dalloway—from the tolling of Big Ben to the lyrical rhythm of Woolf’s stream-of-consciousness style. There are no chapter breaks, no dramatic plot twists—just one long, expressive thought that grows and changes in waves of prose. The novel flows like a symphony—and to me, it was already a musical waiting to be revealed.
Woolf’s use of repetition and variation—a technique often used by composers—inspired the musical motifs woven throughout the score. The Westminster chimes, for example, are the first sound we hear and become the musical anchor of the play, returning in varied forms to guide us through the emotional journey and remind us how we are all deeply connected.
This show is my love letter to the novel, and to the art of musical theatre. I hope it leaves you thinking, humming, and maybe calling a loved one on the way home. But most of all, I hope you feel that quiet, powerful sense that our lives—however ordinary or fragmented—are full of beauty, connection, and music just waiting to be heard.
-Lindsey Augusta Mercer
“Mrs. Dalloway said she would buy the flowers herself.” So begins Virginia Woolf’s iconic Modernist novel that follows Clarissa Dalloway, and the various characters who move in and out of her orbit, as she prepares to host a party on an otherwise unremarkable Wednesday in June. As we celebrate the 100th anniversary of its publication on May 14, it is a good time to pause and ask why Mrs. Dalloway has endured, captivating new generations of readers across a full century.
For what actually happens in Mrs. Dalloway? From one perspective, not much. A middle-aged woman shops in London. Mends a dress, reminisces, hosts a party. But from another perspective—and questions of perspective are central to this novel—everything happens. All of life unfolds in the very place where life is most real to Woolf: the mind. By crafting experimental prose that replicates the flow of consciousness, Woolf plunges her readers into a drama of memory and perception. Caught between the onward march of time and the relentless pull of the past, Clarissa and company grapple with the contradictions of aging, the complexities of trauma and survival, and the consequences of suppressed desires. Throughout it all, Woolf reminds us that appearances are almost always deceiving. Or, perhaps, it is actually a problem of perception—our inability to truly see and know one another. The woman choosing a bouquet in the flower shop could be reliving the blissful memory of an adolescent kiss with the girl she loved in her youth. A soldier can return home from war with an uninjured body that conceals a wounded mind. The man idly fiddling with a penknife might be reassessing years of choices that somehow both slowly and suddenly coalesced into a life that is more behind him than ahead of him. People are more than they seem, and the present rests on layers of history.
Perhaps, then, our evergreen fascination with Woolf’s novel is the ultimate testament to one of its central insights: the past is never really past. But our ability to reckon with that past, whether individual or collective, will determine the possibilities for our present and potential for our future. And as we find fresh ways to tell familiar stories—of longing and loss and ambivalence and beauty—we can become better at seeing and knowing one another.
Written By Jenny Hyest, PhD
in Collaboration with the Mercantile Library
FRIENDS OF THE COMPANY
“With one ‘we thank you,’ many millions more…”
The Winter’s Tale, Act I, Scene ii
Cincinnati Shakespeare Company extends thanks to the following individuals and organizations for their generous support. The following gifts were received by Cincinnati Shakespeare Company July 1, 2023 – June 30, 2024 or pledged to the 2023 – 2024 Season. Giving Levels are exclusive of Capital Campaign donations. Every effort has been made to ensure accuracy. If you see an error, please accept our sincere apology and contact Sara Clark at 513-381-2273, ext. 3208.
Illustrious and Inspiring, $50,000+
ArtsWave
The Estate of Dava Lynn Biehl
John Bridgeland and Maureen Fallon Bridgeland
The Carol Ann and Ralph V. Haile, Jr. Foundation
Cynthia Crilley
Fifth Third Foundation
Patricia and Calvin Linnemann
Debby and Jim Mason
Ohio Arts Council
Robert & Adele Schiff Family Foundation
Alice Scovell
Benevolent and Bold, $25,000-49,000
Anonymous, in memory of our mom Kathy
Mrs. L.L. Browning
Charles H. Dater Foundation
Martin Chavez
Eleanora C. U. Alms Trust, Fifth Third Bank, Trustee
Johnson Investment Counsel, Inc.
The Limestone Fund of the Greater Cincinnati Foundation
National Endowment for the Arts in Partnership with Arts Midwest
P&G Fund of The Greater Cincinnati Foundation
Cass and Glenn Plott
Shubert Foundation
Don and Linda Tecklenburg
Donna and Robert Welch
Gallant and Glamorous, $10,000 - $24,999
Diane Adamec
Andrew Jergens Foundation
BlankRome/Monteverdi Tuscany
Foster and Motley
Johnson Charitable Gift Fund
Marcie and Jim Kinney
John and Betsy LaMacchia
Martha Holden Jennings Foundation
The McElroy Family
Judge Mark and Mrs. Sue Ann Painter
PNC Bank
Vicky and Rick Reynolds
Ruth J. and Robert A. Conway Foundation
Rosemary and Mark Schlachter
The Thomas J. Emery Memorial
Laura and Tayfun Tuzun
Western & Southern Financial Group
Richard and Debbie Westheimer
Avowed and Audacious, $5,000 - $9,999
Brian and Elizabeth Coley
Sally and Joel Davenport
David and Kelley Downing
Rance and Marilyn Duke
Rick and Melissa Eder
Eva Jane Romaine Coombe Fund for Cincinnati Shakespeare Company of the Greater Cincinnati Foundation
EY
Fifth Third Bank
Frost Brown Todd LLC
The Gumbleton Family
Mark and Marcy Kanter
Key Bank
Jean and Charles Lauterbach
Messer Construction Co.
Chris Nare and Lori Rappold