An Enemy of the People
By: Henrik Ibsen, A New Version by Amy Herzog
Directed by Brian Isaac Phillips+
Scenic Design: Jon Savage¶
Costume Design: Erin Carter
Lighting Design: Baxter Chambers
Sound Design: Zack Bennett
Properties Design: Alice Hopkins
Stage Manager: Danitza Piper*
Assistant Stage Manager: Tessa Killen*
Cast
Petra Stockmann: Jasimine Bouldin*
Hovstad: Montez Jenkins Copeland*
Morten Kiil: Jim Hopkins*
Peter Stockmann: Matthew Lewis Johnson*
Captain Horster: Sylvester Little, Jr.*
Aslaksen: Barry Mulholland*
Billing: Patrick Earl Phillips*
Dr. Thomas Stockmann: Brent Vimtrup*
Production Staff
Master Carpenter: Bryce Carson
Wardrobe Supervisor: Kayla Cieslinski
Lighting Supervisor & Scenic Associate: Jared Earland
Associate Production Manager: Rainy Edwards
Costume Shop Manager: Lindsey Jones
Technical Director: Chris Holloway
Properties Supervisor: Alice Hopkins
Production Technician: Brad Hopper
Resident Stage Manager: Danitza Piper
Charge Artist: Samantha Reno
Production Manager: Robert Carlton Stimmel
Resident Stage Manager & Company Manager: Cole Sweasy
Dramaturg: Tamara Winters
Design Sponsors
Rance and Marilyn Duke
“An Enemy of the People (Herzog)” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.
www.concordtheatricals.com
Original Broadway Production Produced by
SEAVIEW PATRICK CATULLO PLAN B
Roth-Manella Productions Eric & Marsi Gardiner
John Gore Organization James L. Nederlander Jon B. Platt
Atekwanna Hutton Bob Boyett Chris & Ashleee Clarke Cohen-Demar Productions Andrew Diamond
Gig Productions Sony Music Masterworks Triptyk Studios Trunfio Ryan Kate Cannova DJL Productions
+Member of SDC- The Society of Stage Directors and Choreographers
¶Member of United Scenic Artists
*Appearing through an Agreement between this theatre, Cincinnati Shakespeare Company, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States
(she/her) 3rd Season
Cincinnati: Fat Ham, Mary Shelley’s Frankenstein, Macbeth (Cincinnati Shakespeare Company); JaJa’s African Hair Braiding (Ensemble Theatre); The Twunny Fo’, It’s Not a Trip, It’s a Journey (Know Theatre).
(they/them) 2nd Season
Cincinnati: Mrs. Dalloway: A New Musical, Hamlet Park Tour (CSC); A Case For The Existence Of God, The Light Chasers, Girlfriend the Musical, Red Bike, Moby Dick (The Know Theatre). TV/Film: Miles Ahead (dir. Don Cheadle) 13th & Republic (dir. Darnell Pierre Benjamin). Education: Alumnus of Northern Kentucky University and Walnut Hills High School.
(he/him) 18th Season
Cincinnati: Gaslight, King Lear, The Living Dead, All the Way, Hamlet, Cat on a Hot Tin Roof, August: Osage County, The Diary of Anne Frank, Julius Caesar, Of Mice and Men, Much Ado About Nothing, Romeo and Juliet, Dracula, Henry VIII, Pride and Prejudice, Oliver Twist, Midsummer, Othello, The Grapes of Wrath, The Seagull, Cymbeline (Favorite CSC); Fiddler on the Roof (Cincinnati Opera); Hands on a Hard Body (twice!) (Ensemble Theater); Manbeast, Bankers (Know Theater); White Privilege (Cincinnati Fringe Festival). Regional: The Liar, School for Wives (Shakespeare Theater of New Jersey); Jerry Springer: The Opera (Playhouse on the Square Memphis); Romeo and Juliet (Human Race)
(any/all) (22nd Season)
Cincinnati: Trouble in Mind, A Flea in Her Ear, A Midsummer Night's Dream, A Funny Thing Happened on the Way to the Forum, Henry IV pts 1 and 2, The Cherry Orchard, Hamlet, One Man Two Guvnors, King Lear, Antony and Cleopatra, Julius Caesar, Love's Labors Lost, A Long Day's Journey Into Night, The Seagull, Twelfth Night, Troilus and Cressida, The Comedy of Errors, An Ideal Husband, The Importance of Being Earnest, Our Town, The Taming of the Shrew, As You Like It, Amadeus (CSC); Regional: Equivocation (Athens West); Hamlet, My Fair Lady, Mamma Mia (Distilled Theatre); The Grapes of Wrath, A Christmas Carol, Twelfth Night (Alliance Theatre) Floyd Collins, Harvey, The Rainmaker (Aurora); The Bible, The Spitfire Grill, I Dream Wild Horses, The Big Bored (Horizon Theatre); Shoemaker and the Elves, Xperimental Puppet Theatre, Rainforest Adventures, A Midsummer Night's Dream, Don Quixote, Charlotte's Web, Whinnie the Pooh, Tortoise and the Hare, Ballad of Wriggly Buttonhole (Center for Puppetry Arts); Free Parking, Theatre Sports, Puppet Slam (Dad's Garage). Alumnus of Virginia Commonwealth University (MFA) Morehead State University (BA).
(he/him) 10th Season
Cincinnati: The Play That Goes Wrong, The Tempest, Macbeth, Fences, All the Way, Merry Wives of Windsor, Much Ado About Nothing, Midsummer Night's Dream, Romeo & Juliet (Favorite CSC). Regional: Faust (Aimee Rose - Frankfurt, Germany), Death of a Salesman, Comedy of Errors (American Players Theatre), Superior Donut's (Birmingham Equity Theatre). Education: Alumnus of Purdue University (MFA), Berea College (BA)
10th Season
Cincinnati: Diary of Anne Frank, Guess Who’s Coming To Dinner, August: Osage County (Favorite CSC); Dial M For Murder, Treasure Island, To Kill A Mockingbird (Cincinnati Playhouse); Tribes, Bloomsday (Ensemble Theatre Cincinnati). Regional: Freud’s Last Session (St. Louis Rep); Minor Demons (Long Wharf); Belmont Avenue Social Club (Capitol Rep); Moon For The Misbegotten (Merrimack Rep); The Caretaker, I Hate Hamlet (Clarence Brown Theatre); Three Sisters (Intiman Theatre); Devil‘s Disciple (Oregon Shakespeare Festival). New York: Ghost Sonata, Balloon, Wild Oats (Classic Stage Company); Life In the Trees (West Bank). Film/TV: Dark Waters, The A-Frame, A Kind of Murder, Surviving Compton. Website: barrymulholland.com
(he/him) 11th Season
Cincinnati: A Midsummer Night’s Dream, Little Women, Macbeth, Mrs. Dalloway, Much Ado About Nothing, Titus Andronicus, Twelfth Night (Favorite CSC); Tick… Tick, Boom (The Carnegie); Hands on a Hardbody, Luna Gale, Fly By Night Bloomsday (Ensemble Theatre); Mercury (Know Theatre). Regional: This is Tom Jones!, Around the World in 80 Days (Human Race Theatre Co.). Education: Xavier University (BA) and St. Xavier HS. Website:PatrickEPhillips.com
(he/him) 11th Season
Cincinnati: Richard III, Hamlet, Julius Ceasar, King Lear, Measure for Measure, Macbeth, Henry IV-VI, All the Way, Waiting for Godot, The Importance of Being Earnest, The Elephant Man, The Grapes of Wrath, The Crucible (Favorite CSC); Luna Gale and Red Velvet (Ensemble Theatre); Harry and the Thief (Know Theatre). Regional: The Voysey Inheritance (Milwaukee Rep); The Lieutenant of Inishmore (Syracuse Stage); King Lear (Riverside Theatre). New York: Sight Unseen (InProximity Theatre); Third Man (Godlight Theatre); Macbeth, Romeo and Juliet (National Shakespeare Company). TV/Film: Miles Ahead (Sony Pictures), Donnybrook (IFC Films). Education: Alumnus of Ohio University (PATP, MFA) and Syracuse University (BFA).
(he/him) 27th Season
Cincinnati: The Play That Goes Wrong, Twelfth Night (co-produced with Prague Shakespeare Company), Mary Shelley’s Frankenstein (co-produced with Merrimack Repertory Theatre), Kindred Spirits (World Premiere), Julius Caesar, The Importance of Being Earnest, The Living Dead (World Premiere), King Lear (Recent CSC), The Sound Inside, Red Velvet (Ensemble Theatre Cincinnati), Let The Right One In (CCM), The Lion, The Witch, and the Wardrobe (Cincinnati Playhouse in the Park), The Handmaid’s Tale, When the Rain Stops Falling, Angels in America Part One: Millennium Approaches (Know Theatre). Education: Morehead State University
(he/him) 2nd Season
Cincinnati: Macbeth (CSC). Regional: Actors Shakespeare Project, New Rep Theatre, Huntington Theatre, Front Porch Arts Collective, Central Square Theatre, Commonwealth Shakespeare, Olney Theatre Center, Walnut Street Theatre, ACT Theatre, Bay Street Theatre. New York: Bucks County Playhouse. International: Prague Shakespeare Company, Verona Shakespeare Fringe Festival. TV/Film: Max, HBO, Discovery Channel and Normandy Films.
(she/her) Debut Season
Regional: Pericles (Santa Cruz Shakespeare); Sweeney Todd, Much Ado About Nothing, Lear, Pride & Prejudice (Texas Shakespeare Festival); Madwoman of Chaillot, Alias Grace, Peter and the Starcatcher, This is Our Youth (Clarence Brown Theater); Full 2023-2024 and 2024-2025 Academic Seasons (University of Wyoming Department of Theatre and Dance); Macbeth (Gainesville Theatre Alliance); Two Wolves and a Lamb (Triad Stage); The Unusual Tale of Mary and Joseph’s Baby, Constellations, The Burn Vote, In the Other Room (River & Rail Theatre Company). Education: University of Tennessee (MFA), Sargent Conservatory of Theatre Arts at Webster University (BFA). Website: ereedcostumedesign.com
(he/him) Debut Season
Regional: The SpongeBob Musical, Silent Sky, Les Fleurs du Mal (Bowling Green State University); Macbeth (Gainesville Theatre Alliance, Gainesville, GA); Entropics (Full Steam Ahead Productions, Chicago, IL); Michigan Youth Dance Festival 2023 (Michigan Dance Council, Ann Arbor, MI); Everybody (Purdue University); The Music Man (Wagon Wheel Professional Theatre, Warsaw, IN) Mr. Confidential (Actors Theatre of Indiana, Carmel, IN); On The Exhale, Agent 355, How The Light Gets In (Chautauqua Theatre Company, Chautauqua, NY). Education: MFA – Theatre: Lighting Design and Technology – Purdue University. BA – Peace and Conflict Studies – Bowling Green State University. Website: baxterchambers.com
(he/him) 5th Season
Cincinnati: Mrs. Dalloway, Macbeth, Mary Shelley’s Frankenstein, Julius Caesar, Wrecking Ball, As You Like It, The Living Dead, The Comedy of Errors (CSC). Regional: Hedwig and the Angry Inch (Actors Express); The Little Prince, SWEAT (River & Rail Theatre); A Christmas Carol [Asst] (Guthrie); True West (Seattle Rep); New York: Thoughts of a Colored Man [Asst]
Education: Purdue University (MFA), University of Tennessee (BA). Website: Zack Bennett.com
(she/her) Debut Season
Cincinnati: The Play That Goes Wrong, A Midsummer Night's Dream, Dogberry & Verges are Scared, Experiential installations for Cincinnati Pride, Cincinnati Music Festival, Flying Pig Marathon, and Wellness Festival (Agar); sculptural fabrication for Jellystone Parks (3DX Scenic); sculptural fabrication for Casting Arts & Technologies. Regional: Sculptural fabrication with Studio Romo (Oakland, CA); sculptural fabrication for Sesame Place at SeaWorld (San Diego, CA). Artist Collaborations: Mars-1, SF Museum of Modern Art, Dan Romo, Bruce Beasley, Emily Sites. Education: University of Cincinnati – College of DAAP (BFA, Multimedia Sculpture & Bronze Casting).
(she/her) Debut Season
Cincinnati: What the Constitution Means to Me (regional premiere); Fiona: The Musical (world premiere); How I Learned What I Learned (regional premiere); The Match Game (world premiere); Hands on a Hardbody; Where the Lost Children Play (world premiere) (Ensemble Theatre). Regional: Ms. Holmes & Ms. Watson - APT 2B (Human Race Theatre Company); A Frosty Night (world premiere - Human Race Theatre Company); A Distinct Society (regional premiere - Human Race Theatre Company). Volunteer Coordinator of the Cincinnati Fringe Festival since 2022. Education: University of Kentucky (BA). Website: danitzapiper.com
(she/her) Debut Season
Cincinnati: Fiddler on the Roof (Cincinnati Opera). Regional: Henry V; Winterdance: ‘Tis the Season; Something Rotten; Little Women (Western Kentucky University MainStage); The Magic Treehouse: A Ghost Tale for Mr. Dickens, JR. (BG OnStage). Education: Western Kentucky University (BFA).
Henrik Ibsen was born on March 20, 1828, in Skien, Norway, a small town about seventy miles south-west of Oslo on the west coast of the Oslo Fjord. After his father’s bankruptcy, Ibsen’s family descended into poverty. At age 15 he left his home to work as an apprentice to an apothecary. Between work and studying for university exams, Ibsen began writing his first play Catiline which began his career as a playwright and director.
Often called “the father of prose drama,” Henrik Ibsen helped shape the foundation of modern theater. In an era when European drama was expected to uphold strict ideals of family and decorum, Ibsen’s plays were seen as scandalous. His work pulled back the curtain on social facades, confronting uncomfortable truths with a sharp critical eye and a fearless approach to morality and everyday life
First published in 1882, Henrik Ibsen’s An Enemy of the People remains strikingly relevant more than 140 years later. One in a series of sharp critiques of society, the play expands Ibsen’s lens from the private sphere of the household to the broader dynamics of a community. An Enemy of the People provokes powerful questions for us to consider about our duty to one another, the responsibility of the press, the role of the individual in society, and the pressure to conform in the face of inconvenient but undeniable truths.
Amy Herzog is an acclaimed American playwright and writer known for her impactful, intimate works that often draw from her personal life and family history. Her notable plays include After the Revolution, which earned her multiple awards and explores political divisions within a family, and its sequel, 4,000 Miles, which reflects on intergenerational connections and personal journeys.
In 2023, Herzog entered the world of adaptations and quickly gained a reputation as a contemporary “Ibsen whisperer” after her adaptation of A Doll’s House earned six Tony Award nominations on Broadway. An Enemy of the People marks her second foray into Ibsen’s work. Nearly 150 years after it was written, the play remains strikingly relevant for its environmental themes.
The 2024 revival starred Jeremy Strong and was directed by Herzog’s husband, Sam Gold. The production had a 16-week run on Broadway. While maintaining the original late-1800s time period, Herzog’s adaptation streamlines the language and alters elements of the plot to create a version distinct from Ibsen’s original. In an interview with The New York Times, Herzog explained, “On A Doll’s House, I was mostly trying to channel him, and on this I felt like I was trying to channel him, but also having an argument with him… I felt like, you haven’t given me what I need here, so I’m going to have to make some things up.”
Ibsen’s work has long influenced Herzog’s, and through her adaptations, she has found a way to both honor and reshape his plays, making them uniquely her own.
The printing and letterpress artifacts featured in this production of “An Enemy of the People” are on loan from the Cincinnati Type & Print Museum, a working museum located in Lower Price Hill. The Museum preserves Cincinnati’s rich printing history while also training individuals in valuable life and job skills. Visitors can experience hands-on printing, explore fully functional historic equipment, and see how the Museum continues to advance the printing industry—combining preservation, education, and opportunity for the Greater Cincinnati community.
The Cincinnati Type & Print Museum is free to visit and open by appointment on Monday, Tuesday, and Friday at 10:00 am, 11:00 am, 12:00 pm, or 1:00 pm, and on Saturday at 10:00 am or 11:00 am.
FRIENDS OF THE COMPANY
“With one ‘we thank you,’ many millions more…”
The Winter’s Tale, Act I, Scene ii
Cincinnati Shakespeare Company extends thanks to the following individuals and organizations for their generous support. The following gifts were received by Cincinnati Shakespeare Company July 1, 2024 – June 30, 2025 or pledged to the 2024 – 2025 Season. Giving Levels are exclusive of Capital Campaign donations. Every effort has been made to ensure accuracy. If you see an error, please accept our sincere apology and contact Sara Clark at 513-381-2273, ext. 3208.
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Cincinnati Shakespeare Company relies on the sustained commitment of a strong community of supporters to fuel our mission of bringing Shakespeare and the Classics to life for all. We send special thanks to our Monthly Giving Circle for their ongoing support of Cincinnati Shakespeare Company now and for seasons to come.
Rebecca and John Bromels
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In-Kind Donors
Cincinnati Shakespeare Company sends special thanks to the following individuals and organizations for their in-kind contributions.
American Legacy Tours
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Cincinnati Shakespeare Company is grateful to the generous donors who have remembered CSC in their estates, or have expressed their commitment to a future planned gift. If you have considered including Cincinnati Shakespeare Company in your estate plans and want to learn more, please reach out to Sara Clark, Director of Development, at Sara.Clark@cincyshakes.com.
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Cincinnati Shakespeare Company acknowledges the following partner companies, foundations and their employees who generously participate in the annual ArtsWave Campaign at the $100,000+ level. Thank you!
$2 million +
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$1 million to $1,999,999
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$500,000 to $999,999
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$100,000 – $249,999
altafiber
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Dinsmore & Shohl LLP
The E.W. Scripps Company and Scripps Howard Foundation
The Enquirer│Cincinnati.com
Great American Insurance Group
Greater Cincinnati Foundation
The Kroger Co.
Messer Construction Co.
PNC