Producing Artistic Director, Brian Isaac Phillips
Directed by Darnell Pierre Benjamin
CAST
Juliet: Courtney Lucien*
Romeo: Crystian Wiltshire*
Friar Lawrence: Kelly Mengelkoch*
Nurse: Gina Cerimele-Mechley
Lord Capulet: Jeremy Dubin*
Lady Capulet: Sara Mackie*
Mercutio/Second Watch: Geoffrey Warren Barnes II*
Tybalt/Third Watch: Marcus Anthony
Benvolio: Angelique Archer
Prince: Candice Handy*
Paris/Samson: Patrick Earl Phillips*
Lady Montague: Torie Wiggins*
Abraham's Crew/ Balthasar: Arrianna Chai
Abraham/Friar John/First Watch: Tyren Duncan
Gregory/Peter/Paris’ Page: Colleen Dougherty
Chorus/Apothecary: Brianna Miller
DESIGNERS
Scenic Designer: Samantha Reno
Costume Designer: Rainy Edwards
Lighting Designer: Justen N. Locke
Sound Designer: Jason Sebastian
Intimacy Director: Samantha Kaufman
Fight Director: Gina Cerimele-Mechley
Dance Choreographer: Darnell Pierre Benjamin
Dramaturg: Elaine M. Cox
PRODUCTION STAFF
Production Manager: Kate Bindus
Carpenter: Henry Bateman
Carpenter: Josh Carandang
Sticher: Miranda Cotman
Resident Costume Designer: Rainy Edwards
Technical Director: Chris Holloway
Costume Shop Manager: Abbi Howson
Resident Lighting Designer & Scenic Associate: Justen N. Locke
Assistant Stage Manager: Katie Mitchell*
Carpenter: Cuyler Perry
Resident Scenic Designer & Charge Artist: Samantha Reno
Resident Stage Manager: Jason Stewart*
Assistant Technical Director: Robert Carlton Stimmel
Production Associate: Cole Sweasy
Properties Designer: Kara Eble Trusty
Carpenter & Scenic Artist: Sam Walker
Wardrobe Supervisor: Amanda Winters
*Appearing through an Agreement between this theatre, the Cincinnati Shakespeare Company, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States
Courtney Lucien (she/her) (8 Seasons) is honored to be a part of the grand re-opening with her Cincy Shakes family. Recent CSC credits include Pride & Prejudice (Jane/Miss De Bourgh), Macbeth (Witch 2), The Winter’s Tale (Perdita), A Funny Thing Happened…(Philia), and Othello (Desdemona). She has also worked at Shakespeare Dallas, Theatre at the Center, Towle Theatre, and she recently returned to Cardinal Stage Company for The Great Gatsby (Daisy). She holds a BA in Theatre and Drama from Indiana University and is a proud member of the Actors’ Equity Association. A fun fact: she started learning violin at the beginning of the COVID shutdown and loves the challenging instrument! This season, she sends love to those at CSC who worked tirelessly to keep the theatre running and serving its mission during the pandemic. She also sends love to her Grandpa Ron Lucien, who turned 90 this year! CourtneyLucien.com.
Crystian Wiltshire (he/him) (6 Seasons) is CSC's Associate Artistic Director and he is so excited to bring indoor theatre back to its rightful home in The Otto. Recent credits include: The Tempest (Ferdinand), Fences (Cory), and The Winter’s Tale (Florizel) with Cincinnati Shakespeare Company. Kill Move Paradise (Tiny) with Know Theatre of Cincinnati. Ghost (Castle) with StageOne Family Theatre. Dracula (Harker) with Actors Theatre of Louisville. As You Like It (Silvius), Much Ado About Nothing (Claudio), Romeo and Juliet (Romeo), Henry IV Part II (Poins), and Twelfth Night (Fabian) with the Kentucky Shakespeare Festival. And In This Corner... Cassius Clay and Hamlet in Kentucky Shakespeare’s co-production with StageOne Family Theatre.
Marcus Anthony (he/him) (2 Seasons) is a Texas native with a BA in theatre and dance performance from Texas A&M University Corpus Christi. In 2019, he spent his summer at North Dakota Shakespeare portraying the roles of Don John in Much Ado About Nothing and Malcolm in Macbeth. Before arriving to Cincy Shakes he co-directed, and performed in a production of Topdog/Underdog by Suzan Lori-Parks.
Angelique Archer (she/her) (2 Seasons) is delighted to be a part of Cincinnati Shakespeare Company’s grand reopening after a truly unforgettable year. Originally from Miami, Florida, she moved to Cincinnati during the pandemic to be a part of CSC’s 2020-2021 Touring Company and signed on for another year in May. Angelique has loved playing a variety of roles in the touring company ranging from Macbeth to Snug the Joiner, and is so excited for the year to come! Regional credits include: Love’s Labour’s Lost (Princess of France) with the Great River Shakespeare Festival and As You Like It (Phoebe) with the Saratoga Shakespeare Company. Special thanks to her family for their continued love and support.
Geoffrey Warren Barnes II (he/him) (7 Seasons) is overjoyed to be returning to CSC for his 7th season. Finally, at last! Credits include: The Drunk Santa Xmas Spectacular (video), All the Way, Fences, Macbeth, Twelfth Night with the Cincinnati Shakespeare Company, After AIDA (joint project with Ensemble Theatre Cincinnati and Cincinnati Opera), Hands on a Hardbody (Ronald McCowan) at ETC, and Marian: or the true tale of Robin Hood at Know Theatre of Cincinnati. Geoffrey holds a BFA in Musical Theater from Webster University in St. Louis as well as an MFA in acting from the University of Texas at Austin. He is an alumnus of the Cincinnati School for the Creative and Performing Arts. Thank you to my family, friends and Katie for your love and encouragement. Be well, stay safe and get vaccinated!
Gina Cerimele-Mechley (she/her) (26 Seasons) a Cincinnati native, Gina has been involved with CSC since its inception as Fahrenheit Theatre Company. She played the Nurse in their very first production of Romeo and Juliet in 1996. Getting cast in the role again specifically with CSC is a dream come true. Gina is a 30 year member and one of the few female Certified Teachers with the Society of American Fight Directors. Gina runs the nationally recognized Cincinnati Actor’s Studio & Academy, and she was the first recipient of the CAA’s Arts Educator Award. Some of her favorite regional credits outside of Cincinnati include Alabama Shakespeare Festival, Denver Center Theatre Company, and Opera Theatre St. Louis.
Arrianna Chai (she/her) (2 Seasons) is excited to be a part of her first mainstage production at CSC as Balthasar in Romeo and Juliet. She is truly grateful to be returning to the stage! Arrianna is also currently in the midst of her second year as a Touring Company Member with CSC. She spent this past summer performing Shakespeare throughout the tristate area in various parks. She has very much enjoyed working alongside her talented and inspiring cast mates. Arrianna sends lots of love back home to her family in New Orleans!
Colleen Dougherty (she/her) (2 Seasons) is so thrilled to be making her CSC mainstage debut! She has been in the CSC’s Touring Company for the last year, where she has played Hermia/Titania/Snout (A Midsummer Night’s Dream), Nurse/Paris/Prince (Romeo and Juliet), Seaton/Witch 2/Lady Macduff (Macbeth), and Cassius (Julius Caesar). Other favorite credits include #8 (The Wolves) at the Repertory Theater of St. Louis. She received her BFA in Musical Theater from the Conservatory of Theater Arts at Webster University. She would like to thank her Mom and Dad; she couldn’t be here without their love and support! Follow Colleen on the CSC TikTok @cincyshakes!
Jeremy Dubin (he/him) (21 Seasons) originally from Milwaukee, Wisconsin, holds degrees from the University of Evansville and Ohio State University. For over twenty years, he has had the privilege of making and teaching theatre in Cincinnati and beyond. Some favorite CSC projects include Much Ado About Nothing (Benedick), Noises Off (Garry), Cyrano de Bergerac (Cyrano), The Hound of the Baskervilles (Sherlock Holmes), The Diary of Anne Frank (Director) ,Titus Andronicus (Director), A Midsummer Night’s Dream (Director), and Every Christmas Story Ever Told (Director). Jeremy is also the co-founder of The Puzzle Crawl, a super-nerdy Cincinnati bar crawl for nerds. He would like to thank his family for their unabashed enthusiasm and Kelly for being the greatest.
Tyren Duncan (he/him) (Debut) is excited to act amongst the CSC family this year. Originally from Houston, he's worked with Peak Creative, Heaven Arts Theatre Company, and recently created an artistic platform for himself, as well as young POC artists, called FACES. Last year, he graduated from Texas A&M Corpus Christi with a Bachelors degree in Performance Art. With a lot of theatrical memories to be thankful for, some of his favorites at CSC are the ones he's shared with his ensemble. Of course, he's most thankful for his wonderful parents Michelle & Terrance Duncan. With their support and love he's been able to accomplish a lot of impressive feats.
Candice Handy (she/her) (5 Seasons) is the new Director of Education at the Cincinnati Shakespeare Company, where she has been a Resident Ensemble Member for four seasons. Some of her favorite roles on CSC’s mainstage include Fannie Lou Hammer/Coretta Scott King (All the Way), Malcolm (Macbeth) and Bianca (Othello). Ms. Handy is a native of Birmingham, AL. She received her Bachelor of Arts and Sciences from Alabama State University and her Master of Fine Arts in Theatre Performance, with a focus in the African American theatre experience from the University of Louisville. Ms. Handy is a member of the Actors Equity Association and has played on local and regional stages including Cincinnati Playhouse in the Park (A Christmas Carol), The Human Race Theatre (The Cake), Theatre at Monmouth (Pirates of Penzance), Island Shakespeare Festival (A Winter’s Tale, A Midsummer Night’s Dream), Know Theatre of Cincinnati (Marian: Or The True Tale of Robin Hood, Cincy Fringe Festivals 2017-20) and Notre Dame Shakespeare Festival (Pericles, The Tempest). Candice thanks God, her family, and friends for their unrelenting support.
Sara Mackie (she/her) (2 Seasons) is a proud Equity and SAG/AFTRA member. Selected Cincy Area Credits: Pride and Prejudice (CSC); Fun Home, Hands on a Hardbody, Wonderettes, Rabbit Hole (ETC); An Act of God, Family Ties, Twelfth Night (HRTC); Pump Boys and Dinettes (Carnegie); and Frankie and Johnny in the Claire de Lune (NET). You can also catch her briefly in the feature films THE PUBLIC and DARK WATERS. Coming up for Mz. Mackie this 21-22 season is Cinderella at ETC and a one night only original concert at The Carnegie, Cov. – being created as you read this – Cheaper Than Therapy. Be sure to catch the return of Pride and Prejudice! Welcome back, Cincy Theatre. Missed you. www.saramackie.com
Kelly Mengelkoch (she/her) (17 Seasons) is overjoyed to return to the stage this season. Making Cincinnati her home for almost two decades, she has had the pleasure of not only being a member of CSC's Resident Ensemble, but also having the opportunity to work with Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati, Know Theatre of Cincinnati, The Human Race Theatre Company, and New Stage Collective. Film credits include DARK WATERS, OLD MAN AND THE GUN, PERCEPTION, A KIND OF MURDER, and C.S.A.: THE CONFEDERATE STATES OF AMERICA. Sending special love to Jeremy, her scene partner for life.
Brianna Miller (she/her) (Debut) is so excited to be a part of this wonderful cast. She made her professional debut earlier this year in CSC’s Shakespeare in the Park productions of A Midsummer Night’s Dream (Helena, Quince, Hippolyta, Moth), Romeo and Juliet (Mercutio, Lady Capulet, Lady Montague), and Macbeth (Lady Macbeth, First Witch, Young Siward). She is grateful for the support of her friends and family, the chance to work with so many talented artists, and--of course--the air conditioning.
Patrick Phillips (he/him) (6 Seasons) is heartened to be back doing what he loves on the CSC stage with his fellow ensemble after our unfortunate absence. His recent CSC credits include Titus Andronicus (Demetrius) and Twelfth Night (Sebastian). A proud member of AEA, Mr. Phillips' other credits include productions with Ensemble Theatre Cincinnati, Know Theatre of Cincinnati, Human Race Theatre Co. and Arrow Rock Lyceum Theatre. He would love to thank his friends, family and you for your support and doing what you can to help bring theatre back onto our local stages.
Torie Wiggins (she/her) (6 Seasons) is overjoyed to be back at CSC for another season! Her Cincinnati theatre credits include Bloody Bloody Andrew Jackson and Harry and the Thief at Know Theatre of Cincinnati; The Mountaintop, Violet and His Eye is on The Sparrow at Ensemble Theatre Cincinnati; Mame, Crowns and The Revolutionists at Human Race Theatre Co.; To Kill a Mockingbird at Cincinnati Playhouse in the Park, Twilight: Los Angeles 1992 by Anna Deveare Smith and Your Negro Tour Guide. Here at CSC, she’s had the pleasure of performing in To Kill a Mockingbird, Oliver Twist, A Raisin in the Sun and Fences. Her greatest role is that of loving wife to her amazing husband, Aaron, who always supports her.
Director and Dance Choreographer: Darnell Pierre Benjamin
Darnell Pierre Benjamin (he/him) (11 Seasons) sits in gratitude as he returns to CSC, having worked in the company as an actor, choreographer, and director—favorites include Titus Andronicus, A Raisin in the Sun, and Fences. Regionally, Darnell has performed with Ensemble Theatre, Know Theatre, and Kentucky Shakespeare Festival, to name a few. He serves as a professor at Northern Kentucky University and College-Conservatory of Music. Darnell is on the boards of Treehouse Cinci, Pones, Stop the Stigma Productions, and Caracole. As a producer, Darnell collaborates with local LGBTQAI+ and allied artists in Queen City Pride Cabaret, supporting education efforts in LGBTQAI+ orgs. In 2020, Darnell premiered his film “13th & Republic”, which can be viewed at https://13thandrepublic.com/
Scenic Designer/ Resident Scenic Designer & Charge Artist: Samantha Reno
Samantha Reno (Debut) is happy to be working her first season with her new CSC family! Although from Cincinnati, she has recently returned from Sacramento, California, where she was the resident scenic designer for nine years at B Street Theatre and designed around 80 productions, including A Doll's House, Part 2, Ironbound, and The Forever Question. No stranger to Cincinnati theatre, one may occasionally spy her design work at the Children's Theatre of Cincinnati (Superman the Musical), Northern Kentucky University (Noises Off!), and Town Hall Theatre in Centerville (Mr. Popper's Penguins). Eternally grateful to her husband and two children for their love, support, and keeping her inner child well rested!
Costume Designer/ Resident Costume Designer: Rainy Edwards
Rainy Edwards (she/her) (3 Seasons) is a Costume Designer from Llano, Texas; receiving her MFA in Costume Design at Florida State University. She has been with the company since 2018 and has had the pleasure of designing many shows here including The Winter’s Tale, Titus Andronicus, The Merry Wives of Windsor, and All The Way to name a few. Her work has been seen at Utah Shakespeare Festival, The Arts Center of Coastal Carolina, Triad Stage and Lexington Children’s Theatre. She is excited to be back and making art with her colleagues and friends. She is forever thankful for the support of Chris and their dog Obi.
Lighting Designer/ Resident Lighting Designer & Scenic Associate: Justen N. Locke
Justen Locke (he/him) (5 Seasons) is excited to be returning for his 5th season at CSC. He has had the great pleasure of working at CSC and collaborating on many great productions such as Macbeth, The Diary of Anne Frank, 1984, Othello, Every Christmas Story Ever Told, The Elephant Man, and most recently All the Way. Justen is excited to be back and looks forward to seeing all the shows that CSC will produce this season and is beyond excited to collaborate on them with such a fantastic artistic team.
Sound Designer: Jason Sebastian
Jason Sebastian (he/him) (Debut) has been working freelance in live performance for over 20 years in various capacities. He lived in New York for 10 years after graduating from CCM and worked in venues such as St. Ann’s Warehouse, P.S. 122, Dance Theater Workshop (NYLA) and The Chocolate Factory. He is currently the sound engineer for theater company Elevator Repair Service, working on The Select (The Sun Also Rises), Gatz, Arguendo, Measure for Measure, and Baldwin and Buckley at Cambridge. Locally, Jason has worked with Miami University and was an adjunct for CCM's Sound Design program and designed 2018’s Guys and Dolls. He was also the sound designer on Murder for Two at the Cincinnati Playhouse earlier that year. He currently resides in Cincinnati but still occasionally gets (got) to travel the world with friends and collaborators. This is his first show with Cincinnati Shakespeare Company
Intimacy Director: Samantha Kaufman
Samantha Kaufman (she/her) (Debut) is thrilled to be working with CSC for the first time. She is based in the Midwest region and travels to perform in and fight/intimacy/movement direct productions across the nation. Samantha is a Certified Intimacy Director with Intimacy Directors and Coordinators. Regionally, she has worked with theatres such as Milwaukee Repertory Theatre, The Repertory Theatre of St. Louis, Lookingglass Theatre, Ohio Shakespeare Festival, and Cleveland Play House, among others. She is fiercely passionate about advocacy for artists and spreading consent practices through theatre communities. She couldn’t be prouder of the opportunities to empower artists with this work. Please check out SamanthaJKaufman.com for more information about Samantha.
Fight Director: Gina Cerimele-Mechley
Gina Cerimele-Mechley (she/her) (26 Seasons) a Cincinnati native, has been involved with CSC since its inception as Fahrenheit Theatre Company. She played the Nurse in their very first production of Romeo and Juliet in 1996. Getting cast in the role again specifically with CSC is a dream come true. Gina is a 30 year member and one of the few female Certified Teachers with the Society of American Fight Directors. Gina runs the nationally recognized Cincinnati Actor’s Studio & Academy, and she was the first recipient of the CAA’s Arts Educator Award. Some of her favorite regional credits outside of Cincinnati include Alabama Shakespeare Festival, Denver Center Theatre Company, and Opera Theatre St. Louis.
Dramaturg/ Associate Director of Development: Elaine M. Cox
Elaine M. Cox (she/her) (2 Seasons) is the Associate Director of Development at Cincinnati Shakespeare Company, and thrilled to add the title of Dramaturg for the 2021-2022 Mainstage Season. She has worked most recently as the dramaturg at Amphibian Stage (Marie Antionette and naked) in Fort Worth, TX, and Berkshire Theatre Group (Nina Simone Four Women) in Pittsfield, MA. Many thanks to Brian Isaac Philips for making this dream a reality!
Production Manager: Kate Bindus
Kate Bindus (she/her) (4 Seasons) is delighted to be returning to CSC as the Production Manager. Having previously served as the Associate Production Manager and Assistant Stage Manager, Kate is ecstatic to be able to serve CSC in her new leadership role. Kate has worked on many shows at CSC but some of her past favorites include Fences, Macbeth, and Pride & Prejudice. She is very grateful for her wonderful friends, family, and mentors that have supported her throughout her professional journey. Kate is a Cleveland native that enjoys coffee, the outdoors, and crafting in her free time. She looks forward to producing world-class theatre for all here at the Cincinnati Shakespeare Company!
Technical Director: Chris Holloway
Chris Holloway (he/him) (Debut) is excited to become a part of the Cincinnati Shakespeare company in his first season as Technical Director. He is also ecstatic to be back to building scenery for live theatre. Before joining Cincy Shakes, Chris was the Assistant Technical Director at Ensemble Theatre Cincinnati, and a Scenic Carpenter at The Arts Center of Coastal Carolina in Hilton Head S.C. He received his education at the University of South Carolina Aiken.
Costume Shop Manager: Abbi Howson
Abbi Howson (she/her) (9 Seasons) is so grateful to be back in the Costume Shop making more costumes than masks this season! She holds a BFA from the University of Cincinnati's College-Conservatory of Music. Favorite designs of hers in her time at CSC include The Elephant Man (2016), The Tempest (2017), and Cat on a Hot Tin Roof (2018). When she's not at the theater, you can most likely find Abbi on her bike around town in search of craft beer. Thanks to Cam for an incredible last 15 years - that's all.
Assistant Stage Manager: Katie Mitchell*
Katie Mitchell (she/her)(2 Seasons) is excited to be working as the Assistant Stage Manager for Romeo and Juliet. A Cincinnati-based actor, Katie worked her first season with CSC as a member of the Touring Company from 2018-2019. Recent favorite projects include Proof at The Carnegie and The Wolves at Ensemble Theatre Cincinnati. Preceding her time with CSC, she was also a member of the Professional Acting Apprentice Company at Ensemble Theatre Cincinnati during their 2017-2018 season. She is thankful to be a part of the theatrical return of Cincinnati Shakespeare Company.
Resident Stage Manager: Jason Stewart*
Jason Stewart (they/them) (4 Seasons) is excited to get to play with their CSC family once again. They have held multiple positions at CSC from Stage Management Intern to Properties Manager and wildly thankful to make their debut as the Resident Stage Manager. Locally they have also worked with The Human Race Theatre Company, Cincinnati Playhouse in the Park and Ensemble Theatre Cincinnati. Some of their CSC favorites include: Macbeth, A Midsummer Night's Dream, and Fences. Jason would like to give a special shout out to their family for all of the love and support.
Assistant Technical Director: Robert Carlton Stimmel
Robert Carlton Stimmel (he/him) (3 Seasons) is thrilled to be returning to Cincinnati Shakespeare Company! He is a Cincinnati area native, hailing from Fairfield, Ohio. After receiving his BA in Theatre at Miami University, he has worked with various theatre including Cincinnati Playhouse in the Park, Alliance Theatre, Short North Stage, and Tantrum Theatre. In addition to his technician and design work, he is also a performer and producer and is always looking to expand his artistic abilities! Robert is the Artistic Director of Impaired Vision Productions, a local theatre organization that produces new works. He would like to thank his wife Kayla for her constant support of his artistic aspirations and her unconditional love.
Production Associate: Cole Sweasy
Cole Sweasy (they/them)(Debut) is thrilled to make their debut at Cincinnati Shakespeare Company as the Production Assistant and COVID Safety Manager for Romeo and Juliet! Cole has been a part of stage management teams for many events throughout the last four years, such as anime conventions, pride festivals, and other professional theatre. Cole has BAs in Theatre, Communication Studies, and English, all from Western Kentucky University. They can also make a killer drink on the side since they have managed a bar as well as the stage.
Properties Supervisor: Kara Eble Trusty
Kara EBle Trusty (she/her) (2 Seasons) is delighted to be returning to make art with CSC for a second season. A Cincinnati native, she saw her first CSC production at the age of 12, and is constantly amazed that she gets to collaborate with some of the same people that inspired her love of theatre and art at a young age. Kara has worked locally with the Know Theatre of Cincinnati and The Carnegie, as well as with the Clarence Brown Theatre in Knoxville, Tennessee. She would like to thank her friends and family, especially her parents Bob and Sue, for their love, support, and encouragement as she continues down this incredible and irrational artistic path.
Wardrobe Supervisor: Amanda Winters
Amanda Winters (she/her) (3 Seasons) is thrilled to be returning home to CSC as Wardrobe Supervisor. As a graduate of the Savannah College of Art and Design and licensed Cosmetologist, Amanda has had the opportunity to work in many aspects of theatrical costuming. She has had the honor of working at such companies as Cirque Du Soleil, Seattle Opera, Cincinnati Opera, and Cincinnati Ballet. She would like to send so much love and gratitude to her wonderful husband.
*Appearing through an Agreement between this theatre, the Cincinnati Shakespeare Company, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States
Producing Artistic Director, Brian Isaac Phillips
Brian Isaac Phillips* (he/him) (22 Seasons) has been leading the Cincinnati Shakespeare Company since 2003. During his tenure, Mr. Phillips has guided the organization to artistic and financial success, including the opening of The Otto M. Budig Theater, a $17.5MM world-class facility at the corner of 12th and Elm Streets in OTR, as well as the completion of Shakespeare's 38 play canon, making Cincinnati Shakespeare Company one of the first five theatres in the United States to accomplish this milestone.
Mr. Phillips, originally from Pittsburgh, PA, is a graduate of Morehead State University and has been a resident of Cincinnati for over two decades. In that time he has collaborated with virtually every arts organization in the region. He is a proud member of Actor’s Equity Association and the Stage Director’s and Choreographer’s Society.
In 2020, Mr. Phillips was awarded the international Shakespeare Theatre Association's prestigious Sidney Berger Award for excellence in artistic direction and was also named as one of Cincinnati Magazine's 300 Most Powerful Business Leaders. Mr. Phillips was nominated in 2019 and 2016 for the SDCF Zelda Fichandler Award for outstanding artistic contribution to our region. Mr. Phillips was recognized by both Mayor John Cranley and Mayor Mark Mallory for service at CSC and to the city of Cincinnati. He was also selected for the 2014 Class of Forty Under Forty and a has been nominated for the Ohio Governors’ Arts Awards. In 2016, Mr. Phillips graduated from Cincinnati USA Chamber’s 39th Class of Leadership Cincinnati and is now happy to serve on one of the steering committees. Also in 2016, Mr. Phillips was selected as a finalist for the Business Courier’s 2016 C-Suite Awards for Chief Executive Officer.
Most recent CSC directing credits include All the Way, The Merry Wives of Windsor, August: Osage County, 1984, A Funny Thing Happened on the Way to the Forum, Dracula, A Midsummer Night’s Dream, The Tempest (Co-Director), The Elephant Man, Antony and Cleopatra, Death of a Salesman, Cyrano de Bergerac, One Man, Two Guvnors, Waiting for Godot, The Birds, and The Great Gatsby.
Brian is the lucky husband of one of the most amazing actors in town and the proud father of Holden and Annabel.
Maddie Regan (she/her) (7 Seasons) has been serving as executive leadership of the Cincinnati Shakespeare Company since 2020. Prior to leading the business operations of CSC, Maddie was the Production Manager (2015-2018) and the Director of Operations and Production (2018-2020). During this time, Maddie facilitated the design, commissioning, and grand opening of The Otto M. Budig Theater, a $17.5MM world-class facility in Over the Rhine and the artistic home of the CSC.
Originally from Falls Church, Virginia, Maddie holds a Bachelor of Fine Arts from Carnegie Mellon University in Pittsburgh, Pennsylvania with concentrations in Production Technology and Management. Prior to her tenure at CSC, Maddie was the Director of Operations for one of the largest motorcycle rallies in the United States, served as an Associate Producer for an internationally touring musical, and traveled the world as a Production Manager for Royal Caribbean International. Notably, Maddie lived in Papenburg, Germany while the cruise liner Celebrity Reflection was being built at the Meyer Werft shipyard. Maddie oversaw the entertainment systems installation, mounted several mainstage productions, and lived onboard through the vessel’s sea trials and maiden voyage.
Maddie is a 2021 recipient of the Over the Rhine Chamber of Commerce Employee of the Year Made Award, a graduate of Cincinnati USA Region Chamber C-Change Class 15, an elected Precinct Executive in Hamilton County, the inaugural recipient of the Golden Quill Award with the Cincinnati Shakespeare Company, and a regular participant of multiple community organizations in Norwood, Ohio. Maddie regularly serves as a guest lecturer for the University of Cincinnati College Conservatory of Music, Carnegie Mellon University, and Miami University covering a wide variety topics including production budgeting, business planning, and arts administration.
Some of Maddie’s favorite productions at CSC include The Diary of Anne Frank (2016), Cat on a Hot Tin Roof (2018), Noises Off (2018), and Fences (2019). Institutionally, Maddie is proud of the long-term goals CSC has established in its Strategic and DEIA plans, the adaptability the team has demonstrated as it has navigated the operational and financial hurdles caused by the COVID-19 pandemic, and the immediate inclusion and trust she has received from the staff and Board as she has assumed her executive leadership role.
Maddie is grateful for the support of her partner, Brian, and the ever-present love of their rescue dogs, Monte and Shiloh.
This play was written in 1595-6 and is set in Verona, Italy, at a time when a long standing feud between two noble families - the Montagues and the Capulets - constantly breaks out into brawling on the streets. Prince Escalus, ruler of Verona, threatens terrible punishment on anyone who takes part in further violence.
YOUNG LOVE
Romeo Montague is hopelessly in love with the unattainable Rosaline and, in an attempt to cure his lovesick misery, his friends persuade him to go disguised to a party at the home of his family's sworn enemies, the Capulets. Romeo reluctantly agrees to go when he learns that Rosaline has been invited.
At the party, he meets Juliet, only daughter of the Capulets, and not even knowing each other's names, they fall instantly in love. Juliet's hot-headed cousin, Tybalt, has spotted Romeo and his friends but is prevented from challenging them by her father, Old Capulet. He does not wish to see his party disrupted, and speaks well of Romeo's reputation in Verona.
MARRIAGE PROPOSALS
During the preparations for the party, however, Juliet's mother has told her that Count Paris, a suitable young nobleman (who is also at the party) has asked her father for permission to marry her. Even though shocked by the discovery that their families are sworn enemies, both Romeo and Juliet are determined to marry, and choose go-betweens to help them arrange a secret wedding. Romeo asks his friend and mentor, Friar Laurence, to conduct the ceremony, while Juliet sends her elderly nurse to meet Romeo and learn the arrangements he has made.
Friar Lawrence is amazed by Romeo's sudden rejection of his love for Rosaline but reluctantly agrees to marry them, believing that such a marriage might bring an end to the ancient feud. As arranged, Romeo meets the Nurse, who is instructed to make sure that Juliet arrives at the Friar's the following morning ready to be married.
OLD FEUDS, NEW CASUALTIES
Now secretly married to Juliet, Romeo encounters her aggressive cousin, Tybalt, who challenges him to a duel. Romeo is unwilling to fight with him for Juliet's sake, but his closest friend, Mercutio takes up the challenge instead. When Romeo steps between them in an effort to stop the fight, Mercutio is stabbed to death. Romeo then kills Tybalt in a rage and is forced to fly the scene.
Angry that his laws have been broken, but accepting that Tybalt started the fight, Prince Escalus banishes Romeo to Mantua. Romeo is distraught and runs to the Friar for advice and help.
Alone in her room on her wedding night, Juliet, unaware of the death of her cousin or her new husband's banishment, eagerly awaits Romeo's arrival. When she learns what has happened, Juliet is so distraught that the Nurse promises to arrange one night together for the newly-weds before Romeo must leave Verona. The following morning at dawn, the couple part sadly, promising each other that they will find a way to be together forever and that their current problems will be solved.
Juliet's parents believe that her grief is caused by Tybalt's death so, in attempt to cheer her, they suggest she should marry Count Paris immediately. When she refuses, her father threatens to disown and abandon her, so she too seeks advice from the Friar, who has also been approached by Paris to marry him to Juliet.
Realising that she is so desperate that she might commit suicide (and perhaps fearful of the consequences for himself if he allows her to commit bigamy), the Friar advises her to go home and make peace with her parents. He then gives her a potion that is guaranteed to make it appear that she has died in her sleep. He explains that the effects will wear off within 42 hours, by which time she will be buried in her family's crypt.
He promises to send a letter to Romeo immediately, explaining the situation and asking him to return in time to be with Juliet when she awakes.
Juliet takes the potion and is discovered 'dead' when her nurse and mother try to wake her for her marriage to Paris. Her 'corpse' is then taken to the crypt where it is laid beside that of the dead Tybalt. The Friar's messenger leaves to find Romeo in Mantua.
THE ENDING
Stop reading now if you don't want to know how it ends...
The Friar's messenger is delayed on the way and, instead of learning of the Friar's plan, Romeo's servant, Balthasar, returns to Mantua from Verona bringing news of Juliet's supposed death. Devastated, Romeo purchases poison with which to kill himself and hurries back to Verona, planning to die by Juliet's side.
LOVE IN DEATH
Attempting to break into the crypt, he is interrupted by Paris and they fight. Romeo kills Paris and, reaching Juliet's body at last, embraces her and drinks the poison, kissing her as he dies.
Having learned that his messenger had not reached Romeo, the Friar runs to the crypt, discovers Paris's body and reaches Juliet's side just as she revives. Unable to persuade Juliet to leave her dead husband, and fearing for himself if he is discovered there, the Friar runs away, leaving Juliet alone with Romeo's body. Realising that all their plans have failed, she pulls his dagger, stabs herself in the chest and dies.
Once the bodies are discovered, the Friar confesses everything he knows and is pardoned by Prince Escalus. Knowing that their feud has brought about the deaths of their children, the warring families are reconciled and agree to build a monument to the young lovers.
Synopsis by The Royal Shakespeare Company.
The role of the Dramaturg is to provide the cast, director, production team, and audience with helpful knowledge, research, and context about the play so that they are – in turn – better equipped to do their jobs or enjoy the performance! CSC’s Dramaturg is Elaine Cox. Do you have a question about the show or an idea for future resource guides? Email Elaine.Cox@cincyshakes.com.
Check out all the “Closer Look” tabs for more information or access the entire dramaturgy guide online here.
Did you know that this is the seventh time CSC has staged Romeo and Juliet? And that of all Shakespeare’s plays, it is the second most-produced play world-wide? When William Shakespeare wrote Romeo and Juliet sometime 1591 and 1595, he staged a story that was likely already well-known to his Elizabethan audience through other sources for at least a generation. Yes, the most famous of all Shakespeare’s plays was not his own conception at all, but a variation on an Italian story dating back to the 1400s.
The oldest origin of the play can be traced to Italian author, Masuccio Salernitano (1410 - 1475). His book Il Novellino contains the story Mariotto and Giannoza, young lovers from Siena. The story contains all the main plot points you know and love: feuding families, forbidden romance, a sleeping potion, and terrible communication ending in the mutual death of star-crossed lovers.
In the 1530s, Luigi da Porta wrote a similar tale of Romeo Montechhi and Giulietta Cappelleti, moving the setting of their lives from Siena to Verona. The two were wed in secret, only to be torn apart by Romeo's killing of Giulietta's cousin, concluding with their tragic deaths—Romeo by Giulietta's sleeping potion, and Giulietta by… holding her breath so she could die with him.
Matteo Bandello (1480-1562), is most directly credited with influencing Shakespeare’s version. Bandello's version provides the surnames Montague and Capulet. He also added the element of the costume ball, where Romeo and Juliet first meet, and the shocking moment in which Juliet viciously kills herself with her lover's dagger.
The Bandello account is widely believed to have been closely followed by the French author Pierre Boaistuau, whose version was then translated into English by Arthur Brooke as a poem called The Tragicall Historye of Romeus and Juliet in 1562. Thirty years later, guess who brought it to life?
Shakespeare, of course.
Verona is located in Northeast Italy. In Shakespeare’s lifetime, it was part of the Venetian Republic, but until 1405 it had been an independent city-state. Romeo and Juliet’s Verona is independent and with its own prince – Escalus, played by CSC’s Candice Handy – who authorizes and enforces local laws. Taking that fact into account, the play should historically take place sometime during the fourteenth century. Verona was a trading town, earning money through the shipping industry and benefitting as the trading link between the East and the West.
Wealthy Veronians sold wood, spices, silks, salt, and fish, as well as participated in the slave trade. They used their money to create distinctive art, intricate sculptures, and remarkable architecture. It was not uncommon for homes to be three stories tall, with many balconies.
Romeo and Juliet is one of seven plays Shakespeare set in Late-Renaissance Italy, a setting he used to present a freer society than Elizabethan England. Italian social hierarchy was less rigid than England’s. By setting his plays in Italy, Shakespeare also gave himself the opportunity to criticize his society while seeming to criticize a foreign society. In Romeo and Juliet, the empowerment that the Montagues and Capulets felt to ignore the Prince’s orders reflects the complex political situation of an Italian city-state. At the same time, the play shows that this situation ends in disaster, which serves as a warning to those who might try to undermine the Queen’s power.
Shakespeare drew from stereotypes about Italy to create the world of Romeo and Juliet. Even in the 1500s, Italy was known as a country where romance was valued very highly. This “tragedy of love” was a theatrical genre created by Italian playwrights, and both of Shakespeare’s love tragedies, Romeo and Juliet and Othello, are set in Italy. Juliet’s openness about sex also reflects English stereotypes about Italians, who were believed to be less chaste than their English counterparts. The poison Romeo uses to kill himself is another example of local Italian color: Italians were believed to favor poison as a method of assassination – or at least the English thought so.
We all love. We all know what it’s like to fall in love.
And in this world that Shakespeare and CSC have created for you, love is all most of these characters have.
When you first imagine the world of the Capulets and Montagues, no one would blame you for picturing a world of opulence, a grandeur derived from the Italian Renaissance with sumptuous costumes and an over-the-top masquerade ball. But does “Alike in dignity” from the play’s opening lines inherently mean affluent? Dignity and a lower socioeconomic status are certainly not mutually exclusive.
This production imagines the Capulets and Montagues as underclass families in Verona and examines the overt presence of violence and discontent within their community. Romeo and Juliet is a love story, but also one of mental health and the driving forces of light and darkness.
By embracing the intersectionality of gender, race, class, sexuality, and physical appearance, this production of Romeo and Juliet, CSC will build a Verona where audience members from all backgrounds will see themselves and their relationships depicted onstage.
To learn even more about Director Darnell Benjamin’s vison of Verona, you can listen to an interview with him, Dramaturg Elaine Cox, and CSC Board Member Marcie Kinney.
Or, read a summary transcript here online here.
“With one ‘we thank you,’ many millions more…” -The Winter’s Tale, Act I, Scene ii
Cincinnati Shakespeare Company extends thanks to the following individuals and organizations for their generous support. The following gifts were received by Cincinnati Shakespeare Company October 1, 2020 – September 30, 2021). Giving Levels are exclusive of Capital Campaign donations. Every effort has been made to ensure accuracy. If you see a discrepancy, please accept our sincere apology and contact Elaine Cox at 513-381-2273 ext. 3200.
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