King Lear
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2022-2023 Season Sponsored by
The Otto M. Budig Family Foundation and The Carol Ann and Ralph V. Haile Jr. Foundation

Brian Isaac Phillips, Producing Artistic Director Presents:

Directed by Brian Isaac Phillips
September 9 - October 1

 

Cast

Kent: Matt Davies*
Fool: Jeremy Dubin*
King of France/Oswald: Charles Gidney
Cordelia: Candice Handy*
Gloucester: Dathan Hooper*
King Lear: Jim Hopkins*
Edmund: Ren Jackson*
Duke of Cornwall: Justin McCombs*
Regan: Miranda McGee*
Goneril: Kelly Mengelkoch*
Duke of Burgundy/Old Man/Ensemble: Demetria Thomas*
Duke of Albany: Adam Tran*
Edgar: Brent Vimtrup*

 

Creative Team

Scenic Design: Justen N. Locke
Costume Design: Rainy Edwards
Lighting Design: Andrew J. Hungerford+
Sound & Projections Design: Doug Borntrager
Properties Design: Kara Eble Trusty
Fight Director: Gina Cerimele-Mechley
Dance Choreography: Darnell Pierre Benjamin

 

Production Staff

Production Manager: Kate Bindus
Production Associate: Arran Bowen
Stitcher: Savannah Brooks
Stitcher: Miranda Cotman
Stitcher: Erin Donnelly
Co-Technical Director: Chris Holloway
General Technician: Andrew Homan
Costume Shop Manager: Abbi Howson
Scenic Associate: Justen N. Locke
Charge Artist: Samantha Reno
Production Stage Manager: Jason Stewart*
Co-Technical Director: Robert Carlton Stimmel
Assistant Stage Manager: Cole Sweasy*
Properties Supervisor: Kara Eble Trusty
Wardrobe Supervisor: Emily Kemmerer

 

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*Appearing through an Agreement between this theatre, the Cincinnati Shakespeare Company, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States

Jim Hopkins*
King lear

Jim Hopkins* (he/him) (16 Seasons) is originally from Nebraska and spent many years performing in the Dallas area, but calls Cincinnati home thanks to CSC. Among Jim’s many CSC roles, he has been LBJ in All the Way, Big Daddy in Cat on a Hot Tin Roof, Mr. Van Daan in The Diary of Anne Frank, Julius Caesar in Julius Caesar, Lennie in Of Mice and Men, Henry IV in Henry IV Parts 1 and 2, Bolingbroke in Richard II, Lord Capulet in Romeo and Juliet, and Lady Bracknell in The Importance of Being Earnest. Other past appearances include The Liar and School for Wives at The Shakespeare Theatre of New Jersey, The Manbeast at The Know Theater, Romeo and Juliet at The Human Race Theatre; Hands on a Hardbody at Ensemble Theatre, and  Jerry Springer: The Opera for Playhouse on the Square in Memphis. In 2017, Jim wrote and performed White Privilege for the Cincinnati Fringe Festival. Jim holds an MFA from the University of Nebraska, Lincoln.

Matt Davies
Kent

Matthew Radford Davies (he/him) (debut) is delighted to perform in his debut season at Cincy Shakes. Recent performance credits include Henry IV, Part 1 and Richard II (Prague Shakespeare); Othello and Twelfth Night (American Shakespeare Center); The Seagull (Austin Shakespeare); Curious Incident of the Dog in the Nighttime and Shakespeare in Love (Virginia Rep); The Tempest (James Madison); King Lear and Merchant of Venice (Quill Theatre); Antony and Cleopatra (Chesapeake Shakespeare and Virginia Shakespeare Company). Recent directing credits include 1 Henry IV (Prague Shakespeare); How To Live On Earth (UVA, Charlottesville); Romeo and Juliet (Starling Shakespeare); Love’s Labour’s Lost (ASC); Tuna Does Vegas (Heritage Theater); Twelfth Night (Radford University). Matt is Associate Professor and co-Director of the Shakespeare and Performance graduate program at Mary Baldwin University in Staunton, Virginia.

Jeremy Dubin*
Fool

Jeremy Dubin (he/him) (22 Seasons) originally from Milwaukee, Wisconsin, holds degrees from the University of Evansville and Ohio State University. For over twenty years, he has had the privilege of making and teaching theatre in Cincinnati and beyond. Some favorite CSC projects include Much Ado About Nothing (Benedick), Noises Off (Garry), Cyrano de Bergerac (Cyrano), The Hound of the Baskervilles (Sherlock Holmes), The Diary of Anne Frank (Director), Titus Andronicus (Director), A Midsummer Night’s Dream (Director), and Every Christmas Story Ever Told (Director). Jeremy is also the co-founder of The Puzzle Crawl, a super-nerdy Cincinnati bar crawl for nerds. He would like to thank his family for their unabashed enthusiasm and Kelly for being the greatest.

Charles Gidney
King of France/Oswald

Charles (2 Seasons) is excited to return to Cincy Shakes. He graduated from CCM with a BFA in acting. He was last seen as Antipholus of Ephesus in Comedy of Errors and is looking forward to working on one of Shakespeare’s tragedies.

Candice Handy*
Cordelia

Candice Handy (she/her) (6 Seasons) is the new Director of Education at Cincinnati Shakespeare Company, where she has been a Resident Ensemble Member for five seasons. Some of her favorite roles on CSC’s main stage include Fannie Lou Hammer/Coretta Scott King (All the Way), Malcolm (Macbeth), and Bianca (Othello). Ms. Handy is a native of Birmingham, AL. She received her Bachelor of Arts and Sciences from Alabama State University and her Master of Fine Arts in Theatre Performance with a focus on the African American theatre experience from the University of Louisville.
Ms. Handy is a member of the Actors Equity Association and has played on local and regional stages, including Cincinnati Playhouse in the Park (A Christmas Carol), The Human Race Theatre (The Cake), Theatre at Monmouth (Pirates of Penzance), Island Shakespeare Festival (A Winter’s Tale, A Midsummer Night’s Dream), Know Theatre of Cincinnati (Marian: Or The True Tale of Robin Hood, Cincy Fringe Festivals 2017-20) and Notre Dame Shakespeare Festival (Pericles, The Tempest). Candice thanks God, her family, and friends for their unrelenting support.

Dathan Hooper*
Gloucester

Dathan Hooper (debut) is very excited about joining CSC in the role of Glaucester. His previous credits include roles in Othello, Much ado about Nothing, Macbeth, Julius Caesar, The Kentucky Cycle, Once on this Island, Jockey Jim, The Greeks, Dreamgirls, Fences and Gem of the Ocean. Arkansas Repertory Theatre, Shakespeare Center LA, The Odyssey Theatre, Will & Company, Actors Theatre of Louisville, Kentucky Shakespeare and The Falcon Theatre are some of the places he has called home.

Ren Jackson*
Edmund

Warren Jackson (2 Seasons) is long an admirer of CSC’s work and is ecstatic to be back after making his CSC debut in the '20 season's ALL THE WAY. Some Regional credits include: Off-Broadway debut MIDSUMMER, Masterworks Theater Co; PECONG, Harlem Shakespeare Festival;  TITUS ANDRONICUS, NYSX.; HENRY V, Classical Theater of Harlem. Other Regional: B'VILLE SONG: B-SIDE FOR TRE, THE EXONERATED, Florida Studio Theater; CORIOLANUS, Indianapolis Shakespeare Theater; IN DARFUR, WAM Theater; ANTONY& CLEOPATRA, Nashville Shakespeare Festival; FENCES, Clarence Brown Theater, Gloucester Stage, Palmbeach Dramaworks.  NEA National Tours: MACBETH, AL Shakespeare Festival; ROMEO &JULIET, Chicago Shakespeare Theater. Received nominations for his work from the BTA of Chicago for Best Featured Actor, in Victory Garden's SHOES, by Gloria Bond Clunie, and, nominated by the Midwest regional Emmy board for the children's television show, GREEN SCREEN ADVENTURES. MFA, University of AZ.

Miranda McGee*
Regan

Miranda McGee* (she/her) (14 Seasons) is celebrating over a decade with her beloved CSC family! Originally from Australia, she attended Trinity University in Texas and worked regionally with The Howmet Playhouse, PMD Productions, Essential Theatre, Long Wharf Theatre and The Shakespeare Theatre of New Jersey. Locally, she has worked with Know Theatre, The Carnegie, The Covedale, Clifton Performance Theatre, Madcap Puppets, OTRImprov, and as adjunct faculty at Xavier University. Some of her favorite CSC roles include Emilia (Othello), Lucy (Dracula), Beatrice (Much Ado), The Gaoler's Daughter (Two Noble Kinsmen) and her teaching roles with Project38 and Groundlings Junior. This past season, she made her mainstage directorial debut with her favorite of Will's plays, Macbeth. Thanks always to the ensemble and staff at CSC, her incredibly supportive family and the awesome people of Cincinnati.

Kelly Mengelkoch*
Goneril

Kelly Mengelkoch (she/her) (18 Seasons) is overjoyed to return to the stage this season.  Making Cincinnati her home for almost two decades, she has had the pleasure of not only being a member of CSC's Resident Ensemble, but also having the opportunity to work with Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati, Know Theatre of Cincinnati, The Human Race Theatre Company, and New Stage Collective.  Film credits include DARK WATERS, OLD MAN AND THE GUN, PERCEPTION, A KIND OF MURDER, and C.S.A.: THE CONFEDERATE STATES OF AMERICA.  Sending special love to Jeremy, her scene partner for life.

Demetria Thomas*
Duke of Burgundy/Old Man/Ensemble

Demetria Thomas (she/her) (debut) earned a BA at Grand Valley State University, and her MFA from the University of Houston Professional Actor Training Program. Chicago credits include Tawanda in Live Bait's Love Child, Cass in Stage Left's Burying the Bones, and Erica in MPAACT's The Divine Order of Becoming. Regional credits include Eunice in A Streetcar Named Desire at American Players Theatre, Doubt at New Stage Theater, Mistress Page in Merry Wives of Windsor at Michigan Shakespeare Festival, and Beatrice in Much Ado about Nothing and Gertrude in Hamlet at Houston Shakespeare Festival. Television credits include guest appearances on Chicago Fire (NBC Universal) and as a series regular on APB (Fox TV).

Adam Tran*
Duke of Albany

Adam Tran (he/him) (debut) is humbled, honored, and excited to be making his CSC debut!  He is based in Indianapolis, where he’s been seen on the stages of Actors Theatre of Indiana, Summit Performance Indianapolis, Indy Shakes and Indiana Repertory Theatre. But he’s definitely found a second creative home here in Cincinnati. You may have seen him over at the Know Theatre of Cincinnati in a myriad of productions, including his original one man show, Mongrel! He is so thrilled to be working with this company, in this unbelievably beautiful space, with this equally unbelievably beautiful creative team. Special thanks to friends and family for all of the support, and to Kelsey Leigh who continues to evolve and inspire. And the first of many thanks to “Bunny” (the placeholder title for the little human who will be born in the Year of the Rabbit) for being gracious with your father’s time and creative space.

Brent Vimtrup*
Edgar

Brent Vimtrup (10 Seasons) is happy to back to work with the Cincinnati Shakespeare Company.  Selected credits at CSC include: title roles in Hamlet (2014) and Richard II, Brutus (Julius Caesar), Algernon (The Importance of Being Earnest), and John Proctor in The Crucible.  Brent has been seen around town at both ETC and The Know Theater; regionally with the likes of Syracuse Stage, Milwaukee Rep, The Monomy Theater, and Riverside Theater; and back in NYC with InProximity Theater where he was nominated for a 2011 New York Innovate Theatre Award for Best Supporting Actor.  Thanks, as always, to Eileen, Adah, Eamon and CeCe for their love, help, and patience in making this possible!

Justin McCombs*
Duke of Cornwall

Justin McCombs* (he/him) (16 Seasons) is proud to call CSC his artistic home for another season. A company member of over 100 productions for CSC, audiences may remember him from Every Christmas Story Ever Told!, 1984, Macbeth, Othello, Noises Off, Henry V, Rosencrantz and Guildenstern are Dead, The 39 Steps, The Great Gatsby, and The Grapes of Wrath. Justin has appeared on Ensemble Theatre Cincinnati’s and Know Theatre of Cincinnati’s stages as well as in the Netflix film Extremely Wicked, Shockingly Evil, and Vile opposite Zac Efron. He is the proud husband of local actress and playwright Maggie Lou Rader, to whom he dedicates his season. They live in Cincinnati with three charming, hilarious pets.

Brian Isaac Phillips*
Director
Justen N. Locke
Scenic Design

Justen N. Locke (he/him) (6 Seasons) is excited to be returning for his 5th season at Cincinnati Shakespeare Company. He has had the great pleasure of working at CSC and collaborating on many great productions such as Macbeth, The Diary of Anne Frank, 1984, Othello, Every Christmas Story Ever Told, The Elephant Man, and most recently, All the Way.  Justen is excited to be back and looks forward to seeing all the shows that CSC will produce this season and beyond and collaborating on them with such a fantastic artistic team.

Rainy Edwards
Costume Design

Rainy Edwards (she/her) (4 Seasons) is from Llano, Texas, and received her MFA in Costume Design at Florida State University. She has been with the company since 2018. Rainy has had the pleasure of designing many shows here including, The Winter’s Tale, Titus Andronicus, The Merry Wives of Windsor, and All The Way, to name a few. Her work has been seen at Utah Shakespeare Festival, The Arts Center of Coastal Carolina, Triad Stage, and Lexington Children’s Theatre. Rainey is excited to be back and making art with her colleagues and friends. She is forever thankful for the support of Chris and their dog Obi.

Andrew J. Hungerford
Lighting Design

Andrew J. Hungerford (he/him) (9 seasons) is thrilled to return to CSC for his forty-sixth show with the company. Just down 12th Street, Andrew is in his ninth season as Artistic Director of Know Theatre where he has also been resident scenic and lighting designer for fifteen seasons. His 200+ design credits also include: New York Theatre Workshop; La Jolla Playhouse; Shakespeare Theatre of New Jersey; Portland Stage Company; Performance Network; The Flea; Boston Court Pasadena; Edinburgh Fringe; Stanford Summer Theatre; Cincinnati Playhouse; and The Children’s Theatre of Cincinnati. Andrew holds degrees in theatre and astrophysics from Michigan State University and an MFA in lighting design from the University of Cincinnati College-Conservatory of Music. Andrew is a proud member of United Scenic Artists Local 829.

Doug Borntrager
Sound & Projections Design

Douglas Borntrager (he/him/his) is a theatrical sound and video designer, composer, and projection artist.  Having received a B.A. from Ohio Wesleyan and worked at such theatres as Vineyard Theatre, CATCO, Oak Park Shakespeare Festival, and others, Borntrager found his artistic home in Cincinnati, designing shows with the Know Theatre of Cincinnati since 2002 and Cincinnati Shakespeare Company since 2011.  He has received numerous accolades for his designs over the years, including two Cincinnati Entertainment Awards for Outstanding Lighting, Sound, or Special Effects for Hamlet and Eurydice, a LCT award for Sound Design for When the Rain Stops Falling, and a LCT award for Video Design for Gruesome Playground Injuries.  When the pandemic lockdown went into effect, Borntrager, in conjunction with Wave Pool, created Projection Connections, a mobile light-based experience, projecting onto the lawns and houses, businesses and apartments of numerous Cincinnati neighborhoods.  Collaborating with local, national, and international artists, Projection Connections offered illuminated art to nearly 15,000 residents and online viewers of 15 neighborhoods during the height of isolation.

Kara Eble Trusty
Properties Design

Kara Eble Trusty (she/her) (3 Seasons) is delighted to be returning to make art with CSC for a second season. A Cincinnati native, she saw her first CSC production at 12 and is amazed that she gets to collaborate with some of the same people that inspired her love of theatre and art at a young age. Kara has worked locally with the Know Theatre of Cincinnati, The Carnegie, and the Clarence Brown Theatre in Knoxville, Tennessee. She would like to thank her friends and family, especially her parents Bob and Sue, for their love, support, and encouragement as she continues down this incredible and irrational artistic path.

Gina Cerimele-Mechley
Fight Director

Gina Cerimele-Mechley (she/her) (27 Seasons) a Cincinnati native, Gina has been involved with CSC since its inception as Fahrenheit Theatre Company. She played the Nurse in their very first production of Romeo and Juliet in 1996. Getting cast in the role again specifically with CSC is a dream come true.  Gina is a 30 year member and one of the few female Certified Teachers with the Society of American Fight Directors. Gina runs the nationally recognized Cincinnati Actor’s Studio & Academy, and she was the first recipient of the CAA’s Arts Educator Award.  Some of her favorite regional credits outside of Cincinnati include Alabama Shakespeare Festival, Denver Center Theatre Company, and Opera Theatre St. Louis.

Darnell Pierre Benjamin
Dance Choreography

Darnell Pierre Benjamin (he/him) (12 Seasons) sits in gratitude as he returns to CSC, having worked in the company as an actor, choreographer, and director—favorites include Titus Andronicus, A Raisin in the Sun, and Fences. Regionally, Darnell has performed with Ensemble Theatre, Know Theatre, and Kentucky Shakespeare Festival, to name a few. He serves as a professor at Northern Kentucky University and College-Conservatory of Music. Darnell is on the boards of Treehouse Cinci, Pones, Stop the Stigma Productions, and Caracole. As a producer, Darnell collaborates with local LGBTQAI+ and allied artists in Queen City Pride Cabaret, supporting education efforts in LGBTQAI+ orgs. In 2020, Darnell premiered his film “13th & Republic”, which can be viewed at 13thandrepublic.com

Brian Isaac Phillips*
Producing Artistic Director

Brian Isaac Phillips* (he/him) (22 Seasons) has been leading the Cincinnati Shakespeare Company since 2003.  During his tenure, Mr. Phillips has guided the organization to artistic and financial success, including the opening of The Otto M. Budig Theater, a $17.5MM world-class facility at the corner of 12th and Elm Streets in OTR, as well as the completion of Shakespeare's 38 play canon, making Cincinnati Shakespeare Company one of the first five theatres in the United States to accomplish this milestone.

Mr. Phillips, originally from Pittsburgh, PA, is a graduate of Morehead State University and has been a resident of Cincinnati for over two decades.  In that time he has collaborated with virtually every arts organization in the region.  He is a proud member of Actor’s Equity Association and the Stage Director’s and Choreographer’s Society.

In 2020, Mr. Phillips was awarded the international Shakespeare Theatre Association's prestigious Sidney Berger Award for excellence in artistic direction and was also named as one of Cincinnati Magazine's 300 Most Powerful Business Leaders. Mr. Phillips was nominated in 2019 and 2016 for the SDCF Zelda Fichandler Award for outstanding artistic contribution to our region. Mr. Phillips was recognized by both Mayor John Cranley and Mayor Mark Mallory for service at CSC and to the city of Cincinnati. He was also selected for the 2014 Class of Forty Under Forty and a has been nominated for the Ohio Governors’ Arts Awards. In 2016, Mr. Phillips graduated from Cincinnati USA Chamber’s 39th Class of Leadership Cincinnati and is now happy to serve on one of the steering committees.  Also in 2016, Mr. Phillips was selected as a finalist for the Business Courier’s 2016 C-Suite Awards for Chief Executive Officer.

Most recent CSC directing credits include All the Way, The Merry Wives of Windsor, August: Osage County, 1984, A Funny Thing Happened on the Way to the Forum, Dracula, A Midsummer Night’s Dream, The Tempest (Co-Director), The Elephant Man, Antony and Cleopatra, Death of a Salesman, Cyrano de Bergerac, One Man, Two Guvnors, Waiting for Godot, The Birds, and The Great Gatsby.

Brian is the lucky husband of one of the most amazing actors in town and the proud father of Holden and Annabel.

King Lear Synopsis

Our story begins with the Earl of Kent and the Earl of Gloucester discussing how King Lear is about to divide his kingdom amongst his three daughters. Gloucester then introduces Kent to his two sons, his rightful son Edgar and his bastard son Edmund, who, although he lays no claim to Gloucester's title, is loved dearly by his father.

In King Lear's castle, we see him preparing to bestow his kingdom onto his daughters. First, he asks them to prove who loves him the most and says he will reward that daughter with the largest share of the kingdom. His two eldest daughters, Goneril and Regan, fawn over him and say they love him more than anything in the world. Lear's youngest and favorite daughter Cordelia refuses to answer the question. Lear insists, and when Cordelia finally answers, she says she loves her father as much as a daughter should love a father, and when she has a husband, half of her love will go to her father and half to her husband. “That lord whose hand must take my plight shall carry half my love with him, half my care and duty.”(Act 1, Scene 1). Enraged by this response, King Lear disowns Cordelia, strips her of her dowry, and gives her section of the kingdom to Goneril and Regan. Cordelia's two suitors are told of her disinheritance, and the Duke of Burgundy withdraws his proposal, but the King of France still wants to marry her. So the two of them leave for France to get married. Once they are alone, Goneril and Regan plot to undermine their father and remove any authority he may still have over the kingdom.

Gloucester's bastard son Edmund laments how bastards are mistreated, and he concocts a plan to take his legitimate brother Edgar down. Edmund writes a letter pretending to be Edgar plotting their father's death. “Fine word, “legitimate!”—Well, my legitimate, if this letter speed and my invention thrive, Edmund the base shall top th' legitimate.” (Act 1, Scene 2). Gloucester enters to find Edmund with the letter and demands to read it; he believes it is really from his son Edgar and becomes distraught.

Goneril becomes irritated by her father's large entourage and demands that Lear cut his entourage from 100 to 50. Lear curses Goneril for her disobedience and decides to go live with Regan. Goneril writes to Regan, warning her of their father's recklessness.

Edmund convinces Edgar he's in danger. “O sir, fly this place .Intelligence is given where you are hid. You have now the good advantage of the night.”(Act 2, Scene 1). Terrified, Edgar flees the castle. But, believing Edgar still wants to kill him, Gloucester exiles Edgar for this treason.

Lear arrives and soon learns Regan is no kinder to him than Goneril. Regan is now demanding that Lear cut his entourage from 100 to 25. Goneril arrives at the castle, and the sisters discuss how Lear may, in fact, need no entourage at all. “What need you five and twenty, ten, or five to follow in a house where twice so many have a command to tend you?” “What need one?” (Act 2, Scene 4). Furious with this proposition, Lear flees the castle into an oncoming storm.

Gloucester receives a letter with sensitive information about an impending French invasion. In confidence, he tells his son Edmund about the letter and his plans to help Lear. Edmund goes to tell The Duke of Cornwall all of this.  

Out in the storm, Lear is taking shelter with his fool and with "Poor Tom," who is actually Edgar in disguise. Gloucester finds them and informs Lear that his daughters are planning to kill him and that he will be safe if he goes to Dover.

When Cornwall, Regan, and Goneril hear of Gloucester's treason, Goneril returns home to tell her husband, the Duke of Albany, about the French invasion. Regan and Cornwall interrogate Gloucester and remove his eyes. While being interrogated, Gloucester realizes that Edmund betrayed him and that Edgar was innocent the whole time. “O my follies! Then Edgar was abused. Kind gods, forgive me that, and prosper him!” (Act 3, Scene 7). During the assault, one of Gloucester's servants kills Cornwall. Regan throws Gloucester out of his castle, and his servants bring him to safety. Edgar, who is still disguised as "Poor Tom," finds his blinded father and realizes he has seen the errors of his ways. Gloucester asks "Poor Tom" to lead him to the cliffs of Dover so he can commit suicide.

When The Duke of Albany learns of everything his wife and her sister have done, he is horrified and vows to seek revenge on them.

Both Goneril and Regan are in love with Edmund. They argue over him when Regan intercepts a passionate letter from Goneril to Edmund.

Edgar brings his father to a field and pretends they are on the cliffside. Gloucester prays and repents for his wrongdoings; he goes to jump off the "cliff" and passes out. Edgar wakes Gloucester and tells him that he has survived the fall and that the gods must want him to live. “Therefore, thou happy father, think that the clearest gods, who make them honors of men’s impossibilities, have preserved thee.” (Act 4, Scene 6). Oswald confronts Edgar for helping the traitor Gloucester, and Egar kills Oswald. In Oswald's belongings, Edgar finds the letter Gonerill wrote to Edmund asking him to kill her husband Albany and marry her.

Cordelia learns of her father's state and wants to help. She nurses Lear back to health, and Lear begs her to kill him as punishment, but she refuses. “If you have poison for me, I will drink it. I know you do not love me, for your sisters have, as I do remember, done me wrong. You have some cause; they have not.” (Act 4, Scene 7).

While preparing for war against France, Edgar gives Albany the letter implicating Goneril and Edmund. Once alone, Edmund reveals his plan to sentence Lear and Cordelia to death. After the battle, Regan has fallen ill but insists that she will marry Edmund, which Goneril vehemently opposes. “Witness the world that I create thee here my lord and master.” (Act 5, Scene 3). Albany arrests Edmund and Goneril on charges of treason. A disguised Edgar arrives to challenge Edmund to a duel. Edgar wins the duel but leaves Edmund alive for questioning. Albany confronts Goneril about her love for Edmund, then she flees. Edmund admits to his wrongdoings, and Edgar reveals his true identity. A messenger reports that Goneril has poisoned Regan and stabbed herself. Edmund admits that he has already sentenced Lear and Cordelia to death, so they must hurry to save them. But it is too late; Lear enters, holding Cordelia's corps. “Had I your tongues and eyes, I’d use them so that heaven’s vault should crack. She’s gone forever.” (Act 5, Scene 3). A messenger comes in and reports Edmund is dead. Lear, grief-stricken, dies as well. Albany asks The Earl of Kent and Edgar to rule England with him, but loyal Kent refuses, saying he will follow Lear to his death. The rule of England falls to Albany and Edgar.

 

Who's Who?

Glossary

Bastard – A child born from unmarried parents. They have no claim to their parent’s political title or their land. Edmund specifically was also conceived as a result of adultery.

Dowry – Money or land given from the parents of a bride to her husband, monetary incentive to marry someone.

Treason – One of the worst crimes of the time period. Going against any of the royalties express wishes. Plotting to undermine the royalty in any way. Gloucester assisting France in their invasion and helping Lear when Goneril and Regan have forbid it.

 

Written by: Colleen Dougherty

Setting

This production of King Lear is set in a contemporary city landscape. The setting encompasses everything from the dirty city streets to a corporate office's sleek, upscale boardrooms. Bringing Shakespeare's works to modern settings is a common way to give his stories a new life and perspective. Shakespeare's works have withstood the test of time as we are still performing, studying, and debating his works hundreds of years after he wrote them. This is partly because of how universal the stories are; we can still resonate with the character's emotions today. Setting one of his plays in modern day can be an effective way to highlight those parallels between our world and theirs. The betrayal, lust, and despair don't change, even if we speak differently now. It is worth noting that a modern lens can change the way we view certain interactions and plot points. For example, our contemporary views on marriage duties are very different from the expectations of Shakespeare's time. Stripping Cordelia of her dowry holds an extreme level of significance that may be hard for modern audiences to relate to. But if we frame it as Cordelia being written out of the will or losing her share of a family business, it resonates with us the way it would have back then.

 

Historical Context

Shakespeare took much of his inspiration for King Lear from The True Chronicle History of King Leir, a play from the 1590s. So most of Shakespeare's audience would have been familiar with this story. One significant difference between the story of King Leir and Shakespeare's King Lear is that Cordelia has a happy ending in King Leir. She wins her battles with the French and restores the crown to her father. When audiences were first watching King Lear, it is possible they were expecting this happy ending. So when both Cordelia and King Lear died, it would have been a huge plot twist.

It's believed Shakespeare wrote this play around 1605 between two devastating outbreaks of the plague. Significant plague outbreaks in Shakespeare's life were in 1582, 1592-93, 1603-04, 1606, and 1608-09. So this play was influenced by a world that had just spent two years in a pandemic and was about to enter another. Possibly relatable to today's audience. Austin Tichenor of the Folder Shakespeare Library said that these plague outbreaks could have influenced Shakespeare to use Lear "as a vehicle for fears about how all that is achieved can easily be lost, and how a fractured societal structure can lead to madness."

 

The Rule of King James

In 1603 Queen Elizabeth died with no direct heir to take the English throne. So the kingdom went to King James of Scotland. James was the son of Queen Mary of Scotts and took over the Scottish thrown at one year old. He is also the great-great-grandson of Henry VII, making him eligible for the English throne, so when it was clear Elizabeth would never have an heir, he was the logical choice to take the throne. However, she never formally named him as her heir, which caused a lot of political anxiety for the British people. England and Scotland were not always on the best terms, so many Englishmen were unhappy being ruled by a Scotsman. Although England and Scotland became legally unified when King James took both thrones, he officially unified England and Scotland in 1604, creating Great Britain.

We see reflections of these political shifts in King Lear. The unification of Great Britain is a direct parallel to the disunification of Lear's kingdom. The shifting gender roles of a country long ruled by a Queen and now returning to a King is shown in reverse in King Lear. These debates of who's fit to rule that we have in King Lear were likely the very same debates that the British people were having.

 

References

Tichenor, Austin. “Speaking What We Feel: Shakespeare's Plague Plays.” Shakespeare & Beyond, 27 Aug. 2021, https://shakespeareandbeyond.folger.edu/2021/08/27/speaking-what-we-feel-shakespeares-plague-plays/.

 

Written by: Colleen Dougherty

Friends of Cincinnati Shakespeare Company

We wish to thank the following individuals for their support of the 2022-2023 Season. We are forever grateful. This list reflects gifts received July 1, 2022 – August 31, 2022.

We endeavor to recognize correctly all of our supporters. If you see a problem with this list, please accept our apologies and email sara.clark@cincyshakes.com to correct. Thank you.

 

Lisa Allgood

Mr. Jose Alvarez

Jeffrey and Karen Anderson

Anonymous (59)

Nancy and Rick Arnest

John and Georgina Bain, in honor of Guadalupe Parsons

Tim and Lisa Beckelhimer

Suz Berger, in honor of Jerry Suhrheinrich

Melissa Boggess

Ms. Anne Brack

Gina Bridgeo

Mr. Otto Budig

Kathleen Cail

Kathy Cay

Mary Carson

Arianna Carter

Beth Chaddon

Nancy and Chris Christensen

Jon and Katie Clark

Sara Clark Rose

Stuart Clemens

Heather Cole

Kathleen Collins

Mr. Willard H Connor Jr

Hideo and Sherri Core

Donald and Victoria Daiker

Jennifer and Vito Damiano

Mr. Mark Dauner

Kevin Davis

Jason Douglas, in honor of Keisha Kemper

Dale Due

Marilyn and Rance Duke

Dr. and Mrs. Stewart Dunsker

Christine Dye

Kyle Eberlein and Tricia Hofacker

Susan Esler and Steven Skibo

Jackie Fiore

Allyson Fleischer

Cathy Giles

Scott Goebel and Emily Detmer-Goebel

Eli Gonzalez, in honor of Zach Stinson

Liz Gottmer

Brendan Green

Kathleen Greiner, in honor of Spencer Ledyard

Richard L. Gruber

Laura Leigh Hahn, in honor of Annabelle Magruder

Mindy and Eric Hammer

Jacob Hesseling

Hickerson House

Haleigh Hopkins

Abby Huggenberger

Brett and Amy Johnson

Perez Johnson

Andrea Johnson

Margaret Jones

Cristine G Jordan

Mark and Marcy Kanter

Robert Kelly, in honor of Giles Davies

Emily S. Kennedy

Sagar Khushalani

Charles Kichler and Nicole Bramesco

Micheline Kidwell

Ms. Linda Klump

The Knuth Family

Cheryl Coey Krummen

Virginia Kuertz

Alex Kuhl

Stan and Janice Kummer

Robert and Ellie Lamb

Melissa and Eric Larson

Jaime Madden

William Magato

Ms. Sophia McAllister

John McFerran

Kari E. McLean, in honor of Emily, Scott, and Ella Goebel

Tom McMackin

Colleen and Mike McSwiggin

Lauren Milliken

Gregory Molloy

Bridee Morris

Thomas Mueller

Christine and Jason Mulvin

TJ Murphy

Chris Nare and Lori Rappold

Ben Ohlander

Stephen Olenick

Whitney Owens

Susan Pace

Sue Ann and Judge Mark Painter

Ryan J. Poole

Debbie Psihountas

Kathy and Mike Rademacher

Stacy Recker and Ringo ?

Julie Reed

Ms. Angela Rehfuss

Elizabeth Rinehart

Catherine R.

James W Roberts

Barbara Norris

Patty Rosely

Dr. and Mrs. Eric Ruby

Randi Salyer

Robin Sargent

Jennifer Sauvey

Lauren Sawhook

Suzanne M. Schindler

Rosemary and Mark Schlachter

Jeffrey D Schneider

Dr. Catherine Shackson

Emma and Patrick Shoemaker

Simmons Family

Susan E. Smith

Paul Spearman

George and Suzanne Bens

Dr. William Spohn and Dr. Margaret Dunn

Cynthea Stafford

Mary Stewart

Kyra Stacy

Lisa Stocks

William and Diana Taggart

Georgana Taggart

Don and Linda Tecklenburg

Rich and Angie Theil

Matthew Townsley

Bob and Sue Trusty

James Vachon

Rosalie P. van Nuis

Levy-Wall Family Fund

Richard and Debbie Westheimer

Christine Whittaker

Cara Williams

Ashley Witters

Juliann Zimmer

 

Board of Trustees

As of July 1, 2022

Rosemary Schlachter, 25th Hour – President
Otto M. Budig Jr., Budco Group – Vice President
Scott Bischoff, Johnson Investment Counsel – Treasurer
Patrick Points, Ignite Philanthropy – Secretary

Maureen Bickley, Frost Brown Todd
Jennifer Damiano, PNC
Kelley Downing, Bartlett Wealth Management
Marilyn Duke, National Education Association (Ret)
Rick Eder, Ceco Concrete Construction, LLC
Susan Esler, Ashland (Ret)
Dan Fales, Clark Schaefer Hackett
Angie Fischer, Lightborne
Sarah Graber, Wood Herron & Evans LLP
Haleigh Hopkins, NBC
Myron Hughes, BlueRose Supply, LLC
Steve Kane, EY
Mark Kanter, Rookwood Properties (Ret)
Marcene Kinney, GBBN
Jean Lauterbach, Vistage
Neha Matta, Frost Brown Todd
Travis McElroy, McElroy Family Media
Isabel Mendez, Procter & Gamble
Maggie A. Muething, Taft
Christopher Nare, Secure Transfusion Solutions
David Nevers, Western & Southern Financial Group
Niamh O’Leary, Xavier University
Whitney Owens, Cincinnati Museum Center
Judge Mark Painter, Helmer, Martins, Rice and Popham Co. LPA, Emeritus
Vicky Reynolds, UC (Ret), Emeritus
Marc Rubin, Cohen, Todd, Kite & Stanford (Ret), Emeritus
Rich Schultz, Messer Construction
Stephanie A. Smith, Fifth Third Bank
Don Tecklenburg, Ohio Wesleyan (Ret), Emeritus
Dick Westheimer, Westheimer Enterprises, Emeritus
Jay Woffington, Chameleon Investments
George Yund, Frost Brown Todd, Emeritus

King Lear
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2022-2023 Season Sponsored by
The Otto M. Budig Family Foundation and The Carol Ann and Ralph V. Haile Jr. Foundation

Brian Isaac Phillips, Producing Artistic Director Presents:

Directed by Brian Isaac Phillips
September 9 - October 1

 

Cast

Kent: Matt Davies*
Fool: Jeremy Dubin*
King of France/Oswald: Charles Gidney
Cordelia: Candice Handy*
Gloucester: Dathan Hooper*
King Lear: Jim Hopkins*
Edmund: Ren Jackson*
Duke of Cornwall: Justin McCombs*
Regan: Miranda McGee*
Goneril: Kelly Mengelkoch*
Duke of Burgundy/Old Man/Ensemble: Demetria Thomas*
Duke of Albany: Adam Tran*
Edgar: Brent Vimtrup*

 

Creative Team

Scenic Design: Justen N. Locke
Costume Design: Rainy Edwards
Lighting Design: Andrew J. Hungerford+
Sound & Projections Design: Doug Borntrager
Properties Design: Kara Eble Trusty
Fight Director: Gina Cerimele-Mechley
Dance Choreography: Darnell Pierre Benjamin

 

Production Staff

Production Manager: Kate Bindus
Production Associate: Arran Bowen
Stitcher: Savannah Brooks
Stitcher: Miranda Cotman
Stitcher: Erin Donnelly
Co-Technical Director: Chris Holloway
General Technician: Andrew Homan
Costume Shop Manager: Abbi Howson
Scenic Associate: Justen N. Locke
Charge Artist: Samantha Reno
Production Stage Manager: Jason Stewart*
Co-Technical Director: Robert Carlton Stimmel
Assistant Stage Manager: Cole Sweasy*
Properties Supervisor: Kara Eble Trusty
Wardrobe Supervisor: Emily Kemmerer

 

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*Appearing through an Agreement between this theatre, the Cincinnati Shakespeare Company, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States

Jim Hopkins*
King lear

Jim Hopkins* (he/him) (16 Seasons) is originally from Nebraska and spent many years performing in the Dallas area, but calls Cincinnati home thanks to CSC. Among Jim’s many CSC roles, he has been LBJ in All the Way, Big Daddy in Cat on a Hot Tin Roof, Mr. Van Daan in The Diary of Anne Frank, Julius Caesar in Julius Caesar, Lennie in Of Mice and Men, Henry IV in Henry IV Parts 1 and 2, Bolingbroke in Richard II, Lord Capulet in Romeo and Juliet, and Lady Bracknell in The Importance of Being Earnest. Other past appearances include The Liar and School for Wives at The Shakespeare Theatre of New Jersey, The Manbeast at The Know Theater, Romeo and Juliet at The Human Race Theatre; Hands on a Hardbody at Ensemble Theatre, and  Jerry Springer: The Opera for Playhouse on the Square in Memphis. In 2017, Jim wrote and performed White Privilege for the Cincinnati Fringe Festival. Jim holds an MFA from the University of Nebraska, Lincoln.

Matt Davies
Kent

Matthew Radford Davies (he/him) (debut) is delighted to perform in his debut season at Cincy Shakes. Recent performance credits include Henry IV, Part 1 and Richard II (Prague Shakespeare); Othello and Twelfth Night (American Shakespeare Center); The Seagull (Austin Shakespeare); Curious Incident of the Dog in the Nighttime and Shakespeare in Love (Virginia Rep); The Tempest (James Madison); King Lear and Merchant of Venice (Quill Theatre); Antony and Cleopatra (Chesapeake Shakespeare and Virginia Shakespeare Company). Recent directing credits include 1 Henry IV (Prague Shakespeare); How To Live On Earth (UVA, Charlottesville); Romeo and Juliet (Starling Shakespeare); Love’s Labour’s Lost (ASC); Tuna Does Vegas (Heritage Theater); Twelfth Night (Radford University). Matt is Associate Professor and co-Director of the Shakespeare and Performance graduate program at Mary Baldwin University in Staunton, Virginia.

Jeremy Dubin*
Fool

Jeremy Dubin (he/him) (22 Seasons) originally from Milwaukee, Wisconsin, holds degrees from the University of Evansville and Ohio State University. For over twenty years, he has had the privilege of making and teaching theatre in Cincinnati and beyond. Some favorite CSC projects include Much Ado About Nothing (Benedick), Noises Off (Garry), Cyrano de Bergerac (Cyrano), The Hound of the Baskervilles (Sherlock Holmes), The Diary of Anne Frank (Director), Titus Andronicus (Director), A Midsummer Night’s Dream (Director), and Every Christmas Story Ever Told (Director). Jeremy is also the co-founder of The Puzzle Crawl, a super-nerdy Cincinnati bar crawl for nerds. He would like to thank his family for their unabashed enthusiasm and Kelly for being the greatest.

Charles Gidney
King of France/Oswald

Charles (2 Seasons) is excited to return to Cincy Shakes. He graduated from CCM with a BFA in acting. He was last seen as Antipholus of Ephesus in Comedy of Errors and is looking forward to working on one of Shakespeare’s tragedies.

Candice Handy*
Cordelia

Candice Handy (she/her) (6 Seasons) is the new Director of Education at Cincinnati Shakespeare Company, where she has been a Resident Ensemble Member for five seasons. Some of her favorite roles on CSC’s main stage include Fannie Lou Hammer/Coretta Scott King (All the Way), Malcolm (Macbeth), and Bianca (Othello). Ms. Handy is a native of Birmingham, AL. She received her Bachelor of Arts and Sciences from Alabama State University and her Master of Fine Arts in Theatre Performance with a focus on the African American theatre experience from the University of Louisville.
Ms. Handy is a member of the Actors Equity Association and has played on local and regional stages, including Cincinnati Playhouse in the Park (A Christmas Carol), The Human Race Theatre (The Cake), Theatre at Monmouth (Pirates of Penzance), Island Shakespeare Festival (A Winter’s Tale, A Midsummer Night’s Dream), Know Theatre of Cincinnati (Marian: Or The True Tale of Robin Hood, Cincy Fringe Festivals 2017-20) and Notre Dame Shakespeare Festival (Pericles, The Tempest). Candice thanks God, her family, and friends for their unrelenting support.

Dathan Hooper*
Gloucester

Dathan Hooper (debut) is very excited about joining CSC in the role of Glaucester. His previous credits include roles in Othello, Much ado about Nothing, Macbeth, Julius Caesar, The Kentucky Cycle, Once on this Island, Jockey Jim, The Greeks, Dreamgirls, Fences and Gem of the Ocean. Arkansas Repertory Theatre, Shakespeare Center LA, The Odyssey Theatre, Will & Company, Actors Theatre of Louisville, Kentucky Shakespeare and The Falcon Theatre are some of the places he has called home.

Ren Jackson*
Edmund

Warren Jackson (2 Seasons) is long an admirer of CSC’s work and is ecstatic to be back after making his CSC debut in the '20 season's ALL THE WAY. Some Regional credits include: Off-Broadway debut MIDSUMMER, Masterworks Theater Co; PECONG, Harlem Shakespeare Festival;  TITUS ANDRONICUS, NYSX.; HENRY V, Classical Theater of Harlem. Other Regional: B'VILLE SONG: B-SIDE FOR TRE, THE EXONERATED, Florida Studio Theater; CORIOLANUS, Indianapolis Shakespeare Theater; IN DARFUR, WAM Theater; ANTONY& CLEOPATRA, Nashville Shakespeare Festival; FENCES, Clarence Brown Theater, Gloucester Stage, Palmbeach Dramaworks.  NEA National Tours: MACBETH, AL Shakespeare Festival; ROMEO &JULIET, Chicago Shakespeare Theater. Received nominations for his work from the BTA of Chicago for Best Featured Actor, in Victory Garden's SHOES, by Gloria Bond Clunie, and, nominated by the Midwest regional Emmy board for the children's television show, GREEN SCREEN ADVENTURES. MFA, University of AZ.

Miranda McGee*
Regan

Miranda McGee* (she/her) (14 Seasons) is celebrating over a decade with her beloved CSC family! Originally from Australia, she attended Trinity University in Texas and worked regionally with The Howmet Playhouse, PMD Productions, Essential Theatre, Long Wharf Theatre and The Shakespeare Theatre of New Jersey. Locally, she has worked with Know Theatre, The Carnegie, The Covedale, Clifton Performance Theatre, Madcap Puppets, OTRImprov, and as adjunct faculty at Xavier University. Some of her favorite CSC roles include Emilia (Othello), Lucy (Dracula), Beatrice (Much Ado), The Gaoler's Daughter (Two Noble Kinsmen) and her teaching roles with Project38 and Groundlings Junior. This past season, she made her mainstage directorial debut with her favorite of Will's plays, Macbeth. Thanks always to the ensemble and staff at CSC, her incredibly supportive family and the awesome people of Cincinnati.

Kelly Mengelkoch*
Goneril

Kelly Mengelkoch (she/her) (18 Seasons) is overjoyed to return to the stage this season.  Making Cincinnati her home for almost two decades, she has had the pleasure of not only being a member of CSC's Resident Ensemble, but also having the opportunity to work with Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati, Know Theatre of Cincinnati, The Human Race Theatre Company, and New Stage Collective.  Film credits include DARK WATERS, OLD MAN AND THE GUN, PERCEPTION, A KIND OF MURDER, and C.S.A.: THE CONFEDERATE STATES OF AMERICA.  Sending special love to Jeremy, her scene partner for life.

Demetria Thomas*
Duke of Burgundy/Old Man/Ensemble

Demetria Thomas (she/her) (debut) earned a BA at Grand Valley State University, and her MFA from the University of Houston Professional Actor Training Program. Chicago credits include Tawanda in Live Bait's Love Child, Cass in Stage Left's Burying the Bones, and Erica in MPAACT's The Divine Order of Becoming. Regional credits include Eunice in A Streetcar Named Desire at American Players Theatre, Doubt at New Stage Theater, Mistress Page in Merry Wives of Windsor at Michigan Shakespeare Festival, and Beatrice in Much Ado about Nothing and Gertrude in Hamlet at Houston Shakespeare Festival. Television credits include guest appearances on Chicago Fire (NBC Universal) and as a series regular on APB (Fox TV).

Adam Tran*
Duke of Albany

Adam Tran (he/him) (debut) is humbled, honored, and excited to be making his CSC debut!  He is based in Indianapolis, where he’s been seen on the stages of Actors Theatre of Indiana, Summit Performance Indianapolis, Indy Shakes and Indiana Repertory Theatre. But he’s definitely found a second creative home here in Cincinnati. You may have seen him over at the Know Theatre of Cincinnati in a myriad of productions, including his original one man show, Mongrel! He is so thrilled to be working with this company, in this unbelievably beautiful space, with this equally unbelievably beautiful creative team. Special thanks to friends and family for all of the support, and to Kelsey Leigh who continues to evolve and inspire. And the first of many thanks to “Bunny” (the placeholder title for the little human who will be born in the Year of the Rabbit) for being gracious with your father’s time and creative space.

Brent Vimtrup*
Edgar

Brent Vimtrup (10 Seasons) is happy to back to work with the Cincinnati Shakespeare Company.  Selected credits at CSC include: title roles in Hamlet (2014) and Richard II, Brutus (Julius Caesar), Algernon (The Importance of Being Earnest), and John Proctor in The Crucible.  Brent has been seen around town at both ETC and The Know Theater; regionally with the likes of Syracuse Stage, Milwaukee Rep, The Monomy Theater, and Riverside Theater; and back in NYC with InProximity Theater where he was nominated for a 2011 New York Innovate Theatre Award for Best Supporting Actor.  Thanks, as always, to Eileen, Adah, Eamon and CeCe for their love, help, and patience in making this possible!

Justin McCombs*
Duke of Cornwall

Justin McCombs* (he/him) (16 Seasons) is proud to call CSC his artistic home for another season. A company member of over 100 productions for CSC, audiences may remember him from Every Christmas Story Ever Told!, 1984, Macbeth, Othello, Noises Off, Henry V, Rosencrantz and Guildenstern are Dead, The 39 Steps, The Great Gatsby, and The Grapes of Wrath. Justin has appeared on Ensemble Theatre Cincinnati’s and Know Theatre of Cincinnati’s stages as well as in the Netflix film Extremely Wicked, Shockingly Evil, and Vile opposite Zac Efron. He is the proud husband of local actress and playwright Maggie Lou Rader, to whom he dedicates his season. They live in Cincinnati with three charming, hilarious pets.

Brian Isaac Phillips*
Director
Justen N. Locke
Scenic Design

Justen N. Locke (he/him) (6 Seasons) is excited to be returning for his 5th season at Cincinnati Shakespeare Company. He has had the great pleasure of working at CSC and collaborating on many great productions such as Macbeth, The Diary of Anne Frank, 1984, Othello, Every Christmas Story Ever Told, The Elephant Man, and most recently, All the Way.  Justen is excited to be back and looks forward to seeing all the shows that CSC will produce this season and beyond and collaborating on them with such a fantastic artistic team.

Rainy Edwards
Costume Design

Rainy Edwards (she/her) (4 Seasons) is from Llano, Texas, and received her MFA in Costume Design at Florida State University. She has been with the company since 2018. Rainy has had the pleasure of designing many shows here including, The Winter’s Tale, Titus Andronicus, The Merry Wives of Windsor, and All The Way, to name a few. Her work has been seen at Utah Shakespeare Festival, The Arts Center of Coastal Carolina, Triad Stage, and Lexington Children’s Theatre. Rainey is excited to be back and making art with her colleagues and friends. She is forever thankful for the support of Chris and their dog Obi.

Andrew J. Hungerford
Lighting Design

Andrew J. Hungerford (he/him) (9 seasons) is thrilled to return to CSC for his forty-sixth show with the company. Just down 12th Street, Andrew is in his ninth season as Artistic Director of Know Theatre where he has also been resident scenic and lighting designer for fifteen seasons. His 200+ design credits also include: New York Theatre Workshop; La Jolla Playhouse; Shakespeare Theatre of New Jersey; Portland Stage Company; Performance Network; The Flea; Boston Court Pasadena; Edinburgh Fringe; Stanford Summer Theatre; Cincinnati Playhouse; and The Children’s Theatre of Cincinnati. Andrew holds degrees in theatre and astrophysics from Michigan State University and an MFA in lighting design from the University of Cincinnati College-Conservatory of Music. Andrew is a proud member of United Scenic Artists Local 829.

Doug Borntrager
Sound & Projections Design

Douglas Borntrager (he/him/his) is a theatrical sound and video designer, composer, and projection artist.  Having received a B.A. from Ohio Wesleyan and worked at such theatres as Vineyard Theatre, CATCO, Oak Park Shakespeare Festival, and others, Borntrager found his artistic home in Cincinnati, designing shows with the Know Theatre of Cincinnati since 2002 and Cincinnati Shakespeare Company since 2011.  He has received numerous accolades for his designs over the years, including two Cincinnati Entertainment Awards for Outstanding Lighting, Sound, or Special Effects for Hamlet and Eurydice, a LCT award for Sound Design for When the Rain Stops Falling, and a LCT award for Video Design for Gruesome Playground Injuries.  When the pandemic lockdown went into effect, Borntrager, in conjunction with Wave Pool, created Projection Connections, a mobile light-based experience, projecting onto the lawns and houses, businesses and apartments of numerous Cincinnati neighborhoods.  Collaborating with local, national, and international artists, Projection Connections offered illuminated art to nearly 15,000 residents and online viewers of 15 neighborhoods during the height of isolation.

Kara Eble Trusty
Properties Design

Kara Eble Trusty (she/her) (3 Seasons) is delighted to be returning to make art with CSC for a second season. A Cincinnati native, she saw her first CSC production at 12 and is amazed that she gets to collaborate with some of the same people that inspired her love of theatre and art at a young age. Kara has worked locally with the Know Theatre of Cincinnati, The Carnegie, and the Clarence Brown Theatre in Knoxville, Tennessee. She would like to thank her friends and family, especially her parents Bob and Sue, for their love, support, and encouragement as she continues down this incredible and irrational artistic path.

Gina Cerimele-Mechley
Fight Director

Gina Cerimele-Mechley (she/her) (27 Seasons) a Cincinnati native, Gina has been involved with CSC since its inception as Fahrenheit Theatre Company. She played the Nurse in their very first production of Romeo and Juliet in 1996. Getting cast in the role again specifically with CSC is a dream come true.  Gina is a 30 year member and one of the few female Certified Teachers with the Society of American Fight Directors. Gina runs the nationally recognized Cincinnati Actor’s Studio & Academy, and she was the first recipient of the CAA’s Arts Educator Award.  Some of her favorite regional credits outside of Cincinnati include Alabama Shakespeare Festival, Denver Center Theatre Company, and Opera Theatre St. Louis.

Darnell Pierre Benjamin
Dance Choreography

Darnell Pierre Benjamin (he/him) (12 Seasons) sits in gratitude as he returns to CSC, having worked in the company as an actor, choreographer, and director—favorites include Titus Andronicus, A Raisin in the Sun, and Fences. Regionally, Darnell has performed with Ensemble Theatre, Know Theatre, and Kentucky Shakespeare Festival, to name a few. He serves as a professor at Northern Kentucky University and College-Conservatory of Music. Darnell is on the boards of Treehouse Cinci, Pones, Stop the Stigma Productions, and Caracole. As a producer, Darnell collaborates with local LGBTQAI+ and allied artists in Queen City Pride Cabaret, supporting education efforts in LGBTQAI+ orgs. In 2020, Darnell premiered his film “13th & Republic”, which can be viewed at 13thandrepublic.com

Brian Isaac Phillips*
Producing Artistic Director

Brian Isaac Phillips* (he/him) (22 Seasons) has been leading the Cincinnati Shakespeare Company since 2003.  During his tenure, Mr. Phillips has guided the organization to artistic and financial success, including the opening of The Otto M. Budig Theater, a $17.5MM world-class facility at the corner of 12th and Elm Streets in OTR, as well as the completion of Shakespeare's 38 play canon, making Cincinnati Shakespeare Company one of the first five theatres in the United States to accomplish this milestone.

Mr. Phillips, originally from Pittsburgh, PA, is a graduate of Morehead State University and has been a resident of Cincinnati for over two decades.  In that time he has collaborated with virtually every arts organization in the region.  He is a proud member of Actor’s Equity Association and the Stage Director’s and Choreographer’s Society.

In 2020, Mr. Phillips was awarded the international Shakespeare Theatre Association's prestigious Sidney Berger Award for excellence in artistic direction and was also named as one of Cincinnati Magazine's 300 Most Powerful Business Leaders. Mr. Phillips was nominated in 2019 and 2016 for the SDCF Zelda Fichandler Award for outstanding artistic contribution to our region. Mr. Phillips was recognized by both Mayor John Cranley and Mayor Mark Mallory for service at CSC and to the city of Cincinnati. He was also selected for the 2014 Class of Forty Under Forty and a has been nominated for the Ohio Governors’ Arts Awards. In 2016, Mr. Phillips graduated from Cincinnati USA Chamber’s 39th Class of Leadership Cincinnati and is now happy to serve on one of the steering committees.  Also in 2016, Mr. Phillips was selected as a finalist for the Business Courier’s 2016 C-Suite Awards for Chief Executive Officer.

Most recent CSC directing credits include All the Way, The Merry Wives of Windsor, August: Osage County, 1984, A Funny Thing Happened on the Way to the Forum, Dracula, A Midsummer Night’s Dream, The Tempest (Co-Director), The Elephant Man, Antony and Cleopatra, Death of a Salesman, Cyrano de Bergerac, One Man, Two Guvnors, Waiting for Godot, The Birds, and The Great Gatsby.

Brian is the lucky husband of one of the most amazing actors in town and the proud father of Holden and Annabel.

King Lear Synopsis

Our story begins with the Earl of Kent and the Earl of Gloucester discussing how King Lear is about to divide his kingdom amongst his three daughters. Gloucester then introduces Kent to his two sons, his rightful son Edgar and his bastard son Edmund, who, although he lays no claim to Gloucester's title, is loved dearly by his father.

In King Lear's castle, we see him preparing to bestow his kingdom onto his daughters. First, he asks them to prove who loves him the most and says he will reward that daughter with the largest share of the kingdom. His two eldest daughters, Goneril and Regan, fawn over him and say they love him more than anything in the world. Lear's youngest and favorite daughter Cordelia refuses to answer the question. Lear insists, and when Cordelia finally answers, she says she loves her father as much as a daughter should love a father, and when she has a husband, half of her love will go to her father and half to her husband. “That lord whose hand must take my plight shall carry half my love with him, half my care and duty.”(Act 1, Scene 1). Enraged by this response, King Lear disowns Cordelia, strips her of her dowry, and gives her section of the kingdom to Goneril and Regan. Cordelia's two suitors are told of her disinheritance, and the Duke of Burgundy withdraws his proposal, but the King of France still wants to marry her. So the two of them leave for France to get married. Once they are alone, Goneril and Regan plot to undermine their father and remove any authority he may still have over the kingdom.

Gloucester's bastard son Edmund laments how bastards are mistreated, and he concocts a plan to take his legitimate brother Edgar down. Edmund writes a letter pretending to be Edgar plotting their father's death. “Fine word, “legitimate!”—Well, my legitimate, if this letter speed and my invention thrive, Edmund the base shall top th' legitimate.” (Act 1, Scene 2). Gloucester enters to find Edmund with the letter and demands to read it; he believes it is really from his son Edgar and becomes distraught.

Goneril becomes irritated by her father's large entourage and demands that Lear cut his entourage from 100 to 50. Lear curses Goneril for her disobedience and decides to go live with Regan. Goneril writes to Regan, warning her of their father's recklessness.

Edmund convinces Edgar he's in danger. “O sir, fly this place .Intelligence is given where you are hid. You have now the good advantage of the night.”(Act 2, Scene 1). Terrified, Edgar flees the castle. But, believing Edgar still wants to kill him, Gloucester exiles Edgar for this treason.

Lear arrives and soon learns Regan is no kinder to him than Goneril. Regan is now demanding that Lear cut his entourage from 100 to 25. Goneril arrives at the castle, and the sisters discuss how Lear may, in fact, need no entourage at all. “What need you five and twenty, ten, or five to follow in a house where twice so many have a command to tend you?” “What need one?” (Act 2, Scene 4). Furious with this proposition, Lear flees the castle into an oncoming storm.

Gloucester receives a letter with sensitive information about an impending French invasion. In confidence, he tells his son Edmund about the letter and his plans to help Lear. Edmund goes to tell The Duke of Cornwall all of this.  

Out in the storm, Lear is taking shelter with his fool and with "Poor Tom," who is actually Edgar in disguise. Gloucester finds them and informs Lear that his daughters are planning to kill him and that he will be safe if he goes to Dover.

When Cornwall, Regan, and Goneril hear of Gloucester's treason, Goneril returns home to tell her husband, the Duke of Albany, about the French invasion. Regan and Cornwall interrogate Gloucester and remove his eyes. While being interrogated, Gloucester realizes that Edmund betrayed him and that Edgar was innocent the whole time. “O my follies! Then Edgar was abused. Kind gods, forgive me that, and prosper him!” (Act 3, Scene 7). During the assault, one of Gloucester's servants kills Cornwall. Regan throws Gloucester out of his castle, and his servants bring him to safety. Edgar, who is still disguised as "Poor Tom," finds his blinded father and realizes he has seen the errors of his ways. Gloucester asks "Poor Tom" to lead him to the cliffs of Dover so he can commit suicide.

When The Duke of Albany learns of everything his wife and her sister have done, he is horrified and vows to seek revenge on them.

Both Goneril and Regan are in love with Edmund. They argue over him when Regan intercepts a passionate letter from Goneril to Edmund.

Edgar brings his father to a field and pretends they are on the cliffside. Gloucester prays and repents for his wrongdoings; he goes to jump off the "cliff" and passes out. Edgar wakes Gloucester and tells him that he has survived the fall and that the gods must want him to live. “Therefore, thou happy father, think that the clearest gods, who make them honors of men’s impossibilities, have preserved thee.” (Act 4, Scene 6). Oswald confronts Edgar for helping the traitor Gloucester, and Egar kills Oswald. In Oswald's belongings, Edgar finds the letter Gonerill wrote to Edmund asking him to kill her husband Albany and marry her.

Cordelia learns of her father's state and wants to help. She nurses Lear back to health, and Lear begs her to kill him as punishment, but she refuses. “If you have poison for me, I will drink it. I know you do not love me, for your sisters have, as I do remember, done me wrong. You have some cause; they have not.” (Act 4, Scene 7).

While preparing for war against France, Edgar gives Albany the letter implicating Goneril and Edmund. Once alone, Edmund reveals his plan to sentence Lear and Cordelia to death. After the battle, Regan has fallen ill but insists that she will marry Edmund, which Goneril vehemently opposes. “Witness the world that I create thee here my lord and master.” (Act 5, Scene 3). Albany arrests Edmund and Goneril on charges of treason. A disguised Edgar arrives to challenge Edmund to a duel. Edgar wins the duel but leaves Edmund alive for questioning. Albany confronts Goneril about her love for Edmund, then she flees. Edmund admits to his wrongdoings, and Edgar reveals his true identity. A messenger reports that Goneril has poisoned Regan and stabbed herself. Edmund admits that he has already sentenced Lear and Cordelia to death, so they must hurry to save them. But it is too late; Lear enters, holding Cordelia's corps. “Had I your tongues and eyes, I’d use them so that heaven’s vault should crack. She’s gone forever.” (Act 5, Scene 3). A messenger comes in and reports Edmund is dead. Lear, grief-stricken, dies as well. Albany asks The Earl of Kent and Edgar to rule England with him, but loyal Kent refuses, saying he will follow Lear to his death. The rule of England falls to Albany and Edgar.

 

Who's Who?

Glossary

Bastard – A child born from unmarried parents. They have no claim to their parent’s political title or their land. Edmund specifically was also conceived as a result of adultery.

Dowry – Money or land given from the parents of a bride to her husband, monetary incentive to marry someone.

Treason – One of the worst crimes of the time period. Going against any of the royalties express wishes. Plotting to undermine the royalty in any way. Gloucester assisting France in their invasion and helping Lear when Goneril and Regan have forbid it.

 

Written by: Colleen Dougherty

Setting

This production of King Lear is set in a contemporary city landscape. The setting encompasses everything from the dirty city streets to a corporate office's sleek, upscale boardrooms. Bringing Shakespeare's works to modern settings is a common way to give his stories a new life and perspective. Shakespeare's works have withstood the test of time as we are still performing, studying, and debating his works hundreds of years after he wrote them. This is partly because of how universal the stories are; we can still resonate with the character's emotions today. Setting one of his plays in modern day can be an effective way to highlight those parallels between our world and theirs. The betrayal, lust, and despair don't change, even if we speak differently now. It is worth noting that a modern lens can change the way we view certain interactions and plot points. For example, our contemporary views on marriage duties are very different from the expectations of Shakespeare's time. Stripping Cordelia of her dowry holds an extreme level of significance that may be hard for modern audiences to relate to. But if we frame it as Cordelia being written out of the will or losing her share of a family business, it resonates with us the way it would have back then.

 

Historical Context

Shakespeare took much of his inspiration for King Lear from The True Chronicle History of King Leir, a play from the 1590s. So most of Shakespeare's audience would have been familiar with this story. One significant difference between the story of King Leir and Shakespeare's King Lear is that Cordelia has a happy ending in King Leir. She wins her battles with the French and restores the crown to her father. When audiences were first watching King Lear, it is possible they were expecting this happy ending. So when both Cordelia and King Lear died, it would have been a huge plot twist.

It's believed Shakespeare wrote this play around 1605 between two devastating outbreaks of the plague. Significant plague outbreaks in Shakespeare's life were in 1582, 1592-93, 1603-04, 1606, and 1608-09. So this play was influenced by a world that had just spent two years in a pandemic and was about to enter another. Possibly relatable to today's audience. Austin Tichenor of the Folder Shakespeare Library said that these plague outbreaks could have influenced Shakespeare to use Lear "as a vehicle for fears about how all that is achieved can easily be lost, and how a fractured societal structure can lead to madness."

 

The Rule of King James

In 1603 Queen Elizabeth died with no direct heir to take the English throne. So the kingdom went to King James of Scotland. James was the son of Queen Mary of Scotts and took over the Scottish thrown at one year old. He is also the great-great-grandson of Henry VII, making him eligible for the English throne, so when it was clear Elizabeth would never have an heir, he was the logical choice to take the throne. However, she never formally named him as her heir, which caused a lot of political anxiety for the British people. England and Scotland were not always on the best terms, so many Englishmen were unhappy being ruled by a Scotsman. Although England and Scotland became legally unified when King James took both thrones, he officially unified England and Scotland in 1604, creating Great Britain.

We see reflections of these political shifts in King Lear. The unification of Great Britain is a direct parallel to the disunification of Lear's kingdom. The shifting gender roles of a country long ruled by a Queen and now returning to a King is shown in reverse in King Lear. These debates of who's fit to rule that we have in King Lear were likely the very same debates that the British people were having.

 

References

Tichenor, Austin. “Speaking What We Feel: Shakespeare's Plague Plays.” Shakespeare & Beyond, 27 Aug. 2021, https://shakespeareandbeyond.folger.edu/2021/08/27/speaking-what-we-feel-shakespeares-plague-plays/.

 

Written by: Colleen Dougherty

Friends of Cincinnati Shakespeare Company

We wish to thank the following individuals for their support of the 2022-2023 Season. We are forever grateful. This list reflects gifts received July 1, 2022 – August 31, 2022.

We endeavor to recognize correctly all of our supporters. If you see a problem with this list, please accept our apologies and email sara.clark@cincyshakes.com to correct. Thank you.

 

Lisa Allgood

Mr. Jose Alvarez

Jeffrey and Karen Anderson

Anonymous (59)

Nancy and Rick Arnest

John and Georgina Bain, in honor of Guadalupe Parsons

Tim and Lisa Beckelhimer

Suz Berger, in honor of Jerry Suhrheinrich

Melissa Boggess

Ms. Anne Brack

Gina Bridgeo

Mr. Otto Budig

Kathleen Cail

Kathy Cay

Mary Carson

Arianna Carter

Beth Chaddon

Nancy and Chris Christensen

Jon and Katie Clark

Sara Clark Rose

Stuart Clemens

Heather Cole

Kathleen Collins

Mr. Willard H Connor Jr

Hideo and Sherri Core

Donald and Victoria Daiker

Jennifer and Vito Damiano

Mr. Mark Dauner

Kevin Davis

Jason Douglas, in honor of Keisha Kemper

Dale Due

Marilyn and Rance Duke

Dr. and Mrs. Stewart Dunsker

Christine Dye

Kyle Eberlein and Tricia Hofacker

Susan Esler and Steven Skibo

Jackie Fiore

Allyson Fleischer

Cathy Giles

Scott Goebel and Emily Detmer-Goebel

Eli Gonzalez, in honor of Zach Stinson

Liz Gottmer

Brendan Green

Kathleen Greiner, in honor of Spencer Ledyard

Richard L. Gruber

Laura Leigh Hahn, in honor of Annabelle Magruder

Mindy and Eric Hammer

Jacob Hesseling

Hickerson House

Haleigh Hopkins

Abby Huggenberger

Brett and Amy Johnson

Perez Johnson

Andrea Johnson

Margaret Jones

Cristine G Jordan

Mark and Marcy Kanter

Robert Kelly, in honor of Giles Davies

Emily S. Kennedy

Sagar Khushalani

Charles Kichler and Nicole Bramesco

Micheline Kidwell

Ms. Linda Klump

The Knuth Family

Cheryl Coey Krummen

Virginia Kuertz

Alex Kuhl

Stan and Janice Kummer

Robert and Ellie Lamb

Melissa and Eric Larson

Jaime Madden

William Magato

Ms. Sophia McAllister

John McFerran

Kari E. McLean, in honor of Emily, Scott, and Ella Goebel

Tom McMackin

Colleen and Mike McSwiggin

Lauren Milliken

Gregory Molloy

Bridee Morris

Thomas Mueller

Christine and Jason Mulvin

TJ Murphy

Chris Nare and Lori Rappold

Ben Ohlander

Stephen Olenick

Whitney Owens

Susan Pace

Sue Ann and Judge Mark Painter

Ryan J. Poole

Debbie Psihountas

Kathy and Mike Rademacher

Stacy Recker and Ringo ?

Julie Reed

Ms. Angela Rehfuss

Elizabeth Rinehart

Catherine R.

James W Roberts

Barbara Norris

Patty Rosely

Dr. and Mrs. Eric Ruby

Randi Salyer

Robin Sargent

Jennifer Sauvey

Lauren Sawhook

Suzanne M. Schindler

Rosemary and Mark Schlachter

Jeffrey D Schneider

Dr. Catherine Shackson

Emma and Patrick Shoemaker

Simmons Family

Susan E. Smith

Paul Spearman

George and Suzanne Bens

Dr. William Spohn and Dr. Margaret Dunn

Cynthea Stafford

Mary Stewart

Kyra Stacy

Lisa Stocks

William and Diana Taggart

Georgana Taggart

Don and Linda Tecklenburg

Rich and Angie Theil

Matthew Townsley

Bob and Sue Trusty

James Vachon

Rosalie P. van Nuis

Levy-Wall Family Fund

Richard and Debbie Westheimer

Christine Whittaker

Cara Williams

Ashley Witters

Juliann Zimmer

 

Board of Trustees

As of July 1, 2022

Rosemary Schlachter, 25th Hour – President
Otto M. Budig Jr., Budco Group – Vice President
Scott Bischoff, Johnson Investment Counsel – Treasurer
Patrick Points, Ignite Philanthropy – Secretary

Maureen Bickley, Frost Brown Todd
Jennifer Damiano, PNC
Kelley Downing, Bartlett Wealth Management
Marilyn Duke, National Education Association (Ret)
Rick Eder, Ceco Concrete Construction, LLC
Susan Esler, Ashland (Ret)
Dan Fales, Clark Schaefer Hackett
Angie Fischer, Lightborne
Sarah Graber, Wood Herron & Evans LLP
Haleigh Hopkins, NBC
Myron Hughes, BlueRose Supply, LLC
Steve Kane, EY
Mark Kanter, Rookwood Properties (Ret)
Marcene Kinney, GBBN
Jean Lauterbach, Vistage
Neha Matta, Frost Brown Todd
Travis McElroy, McElroy Family Media
Isabel Mendez, Procter & Gamble
Maggie A. Muething, Taft
Christopher Nare, Secure Transfusion Solutions
David Nevers, Western & Southern Financial Group
Niamh O’Leary, Xavier University
Whitney Owens, Cincinnati Museum Center
Judge Mark Painter, Helmer, Martins, Rice and Popham Co. LPA, Emeritus
Vicky Reynolds, UC (Ret), Emeritus
Marc Rubin, Cohen, Todd, Kite & Stanford (Ret), Emeritus
Rich Schultz, Messer Construction
Stephanie A. Smith, Fifth Third Bank
Don Tecklenburg, Ohio Wesleyan (Ret), Emeritus
Dick Westheimer, Westheimer Enterprises, Emeritus
Jay Woffington, Chameleon Investments
George Yund, Frost Brown Todd, Emeritus