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2022-2023 Season Sponsored by
The Otto M. Budig Family Foundation and The Carol Ann and Ralph V. Haile Jr. Foundation
Brian Isaac Phillips, Producing Artistic Director Presents:
EVERY CHRISTMAS STORY EVER TOLD (AND THEN SOME!)
By John K. Alvarez, Michael Carleton, and James Fitzgerald
Produced by special arrangement with Playscripts, Inc. (www.playscripts.com)
The video and/or audio recording of this performance by any means whatsoever is strictly prohibited
This performance will have one 15 minute intermission
Directed by Jeremy Dubin
Costume Coordinator: Rainy Edwards
Scenic and Lighting Designer: Justen N. Locke
Sound Coordinator: Robert Carlton Stimmel
Cast
Geoff: Geoffrey Warren Barnes II*
Candice: Candice Handy*
Justin: Justin McCombs*
Santa: Colleen Dougherty*
Production Staff
Production Manager: Kate Bindus
Production Stage Manager: Brenna Bishop*
Assistant Stage Manager: Arran Bowen
Technical Director: Chris Holloway
General Technician: Drew Homan
Wardrobe Supervisor: Emily Kemmerer
Scenic Associate & Master Electrician: Justen N. Locke
Charge Artist: Samantha Reno
Technical Director: Robert Carlton Stimmel
Properties Supervisor: Kara Eble Trusty
*Appearing through an Agreement between this theatre, the Cincinnati Shakespeare Company, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States
Geoffrey Warren Barnes II* (he/him) (8 Seasons) is overjoyed to return to CSC for his 7th season. Finally, at last! Credits include The Drunk Santa Xmas Spectacular (video), All the Way, Fences, Macbeth, Twelfth Night with Cincinnati Shakespeare Company, After AIDA (joint project with Ensemble Theatre Cincinnati and Cincinnati Opera), Hands on a Hardbody (Ronald McCowan) at ETC, and Marian: or the True Tale of Robin Hood at Know Theatre of Cincinnati. Geoffrey holds a BFA in Musical Theater from Webster University in St. Louis and an MFA in acting from the University of Texas at Austin. He is an alumnus of the Cincinnati School for the Creative and Performing Arts. Thank you to his family, friends, and Katie for their love and encouragement. Be well, stay safe, and get vaccinated!
Candice Handy (she/her) (6 Seasons), CSC’s Education Director, is a local and regional actor, director, and teaching artist. She is filled with gratitude for the opportunity to play on the Cincy Shakes stage again! Ms. Handy was last seen in CSC’s King Lear, Every Christmas Story Ever Told, Romeo and Juliet, and All the Way. She has also played at Cincinnati Playhouse in the Park (A Christmas Carol), Human Race Theatre (The Cake), the Island Shakespeare Festival (A Midsummer Night’s Dream, The Winter’s Tale), StageOne Family Theatre (Frankenstein) and Theatre Monmouth (The Pirates of Penzance). Ms. Handy recently directed CSC’s Ma Rainey’s Black Bottom and the Know Theatre’s The Twunny Fo’. She was the Creative Director for the Educational Theatre Association project, Finding Voice- New Works for Young Theatre Artists of Color and is the founder of Cincinnati Black Theatre Artist Collective. Candice thanks God, her family, and friends for their unwavering support throughout the course of her career.
Justin McCombs (he/him) (16 Seasons) is proud to call CSC his artistic home for another season. A company member of over 100 productions for CSC, audiences may remember him from Every Christmas Story Ever Told!, 1984, Macbeth, Othello, Noises Off, Henry V, Rosencrantz and Guildenstern are Dead, The 39 Steps, The Great Gatsby, and The Grapes of Wrath. Justin has appeared on Ensemble Theatre Cincinnati’s and Know Theatre of Cincinnati’s stages as well as in the Netflix film Extremely Wicked, Shockingly Evil, and Vile opposite Zac Efron. He is the proud husband of local actress and playwright Maggie Lou Rader, to whom he dedicates his season. They live in Cincinnati with three charming, hilarious pets.
Colleen Dougherty (she/her) (3 Seasons) is so thrilled to be back at CSC for another great season! Recent credits at CSC: Comedy of Errors (Luciana), Romeo and Juliet (Peter/ Gregory), Hamlet (Bernardo/ Player), and Pride and Prejudice (Lydia u/s). She has also been seen at The Repertory Theater of St Louis. She received her BFA in musical theater from the Sargent Conservatory of Theatre Arts at Webster University. She would like to thank her Mom and Dad for their constant love and support! colleenmdougherty.com
John K. Alvarez is the ninth out of ten children and he was raised by two parents who encouraged him to write. Coming from a large family, it was not hard for Mr. Alvarez to know practically every Christmas story, since he has heard them many times over the years. Besides Every Christmas Story Ever Told (And Then Some!), Mr. Alvarez has collaborated with other writers on other plays, such as The Trial of Blackbeard, the Pirate (with The Shaky Pudding Players) and Cape May on Fire (with Eric Hissom and Michael Laird) as well as writing plays all by himself, such as A Voice in the Mist, Uncle John's Christmas Story, and Losing Myself (in palaces of sand). Mr. Alvarez wishes to dedicate his contribution to this play to his parents, for teaching him that the best way to enjoy the holidays is with humor.
Michael Carleton is the Producing Artistic Director of the Baltimore Shakespeare Festival. He directs frequently at regional theatres around the United States. As a playwright his plays include Michelangelo's Ladder, Anais Nin: An Unprofessional Study, Every Christmas Story Ever Told (And Then Some!), and Hyde, in the Shadows. He is a lifetime member of the Actors Studio in New York.
James FitzGerald, a Chicago-based actor, has earned two Joseph Jefferson Awards for Best Supporting Actor, a Jeff Citation for Best Actor, and has appeared for 16 seasons with Chicago Shakespeare Theater as well as many other theaters in the Chicagoland area. Mr. FitzGerald is also co-author of ...Two for the Show..., a rollicking musical vaudeville and winner of the 2006 After Dark Award for Best New Work. He is currently working on a new play; Flatfoots.
Check out our current selections available in the lobby at Bob's Bar:
Save time and skip the line by pre-ordering your drink and snacks before the show to have it waiting for you at intermission!
You may take drinks and snacks into the theater with you during the show.
Hot Chocolate Bar
Nice ($5): A classic hot chocolate with traditional toppings
Naughty ($10): Add Bailey's, whiskey, or peppermint schnapps
Santa's Coal List ($13): A combo of 2 add-on's
Specialty Cocktail
The Cranberry Kringle
We love our Christmas spirits, so we added some cheer to your vodka cranberry with a ginger-infused simple syrup. And don't forget the mistle-toast!
Beer & Cider | $7
Wine | $8
Montecastrillo Tinto Tempranillo (presented 1215 Wine Bar & Coffee Lab)
Hayes Chardonnay
Hayes Sauvignon Blanc
Hayes Cabernet Sauvignon
Hayes Pinot Noir
Liquor | $9
Jim Beam
Maker’s Mark
Tanqueray Gin
Tito’s Vodka
Sauza Tequila
Cruzan Rum
Jameson
Premium Selections
Johnnie Walker Black - $12
Laphroaig 10yr - $14
Non Alcoholic Beverages | $3
Pepsi
Diet Pepsi
Sierra Mist
Sunkist
Canada Dry
Water
San Pellegrino
Coffee
Tea
Treats | $3
Chocolate Malts
Gummy Bears
Chocolate Covered Pretzels
Published 178 years ago, Charles Dickens’ A Christmas Carol was an instant bestseller, and has inspired countless print, stage, and screen adaptations, adapted by everyone from the Muppets to the Flintstones. For millions of people throughout history, reading or watching A Christmas Carol is a sacred tradition. I know it is in my family!
However timeless A Christmas Carol seems today, it was very much the product of a particular moment in history, and Dickens used this story to weigh in on specific issues of his day. Originally envisioned as a pamphlet, which he planned on calling, “An Appeal to the People on England on behalf of the Poor Man’s Child,” Dickens quickly realized he would reach a wider audience if he disguised his message within a short story.
Dickens was first inspired to write the story that would become A Christmas Carol in the Spring of 1843, having just read government report on child labor in the United Kingdom. Children in the report spoke of working 16 hours a day, 6 days a week – not unlike Martha Cratchit. The harsh reality of child labor was the result of revolutionary changes in British society. The population of England had grown 64% between Dickens’ birth in 1812 and 1843 when the report was published. To meet increased consumer demand, employers treated their workers as tools as interchangeable as any cog in a machine. They took advantage of those who were neediest. In fact, wages were so low the 1840s earned the nickname “The Hungry ‘40s.” And who worked for the lowest wages? Children.
So, what Dickens proposes in A Christmas Carol was really quite radical, in that it rejected England’s “modern” ideas about work and the economy. Through his beloved story, Dickens expressed a belief that employers are responsible for the well-being of their employees. The value of workers extends beyond what they are able to create for the cheapest possible labor cost. Rather, workers have value simply as a fellow human being. Employers should treat their employees as human beings, and certainly no worse than they would treat themselves. In other words, Dickens reminded his 19th Century readers, and countless others since, not to mistake their good fortune of landing in a high place for their worth.
A charitable Christmas lesson, indeed.
Austria and Germany: Krampus
Across Europe, Jolly Old St. Nicholas has an evil counterpart with one task: to punish bad children before Christmas. Instead of a red suit and white beard, picture a red devil with cloven hooves, horns, and a long tongue. Instead of a sleigh full of toys, Krampus travels with chains and a basket for abducting especially bad children. That’s plenty of incentive to stay off the naughty list.
Japan: Kentucky Fried Chicken
It’s finger lickin’ festive! Believe it or not, traditional Christmas dinner for millions of Japanese people is not turkey or ham, but a bucket of the Colonel’s own KFC. This quirky custom is the legacy of a 40-year-old marketing campaign wherein the fast-food chain successfully convinced Japanese customers that fried chicken is the traditional American yuletide feast. In the weeks leading up to Christmas, Colonel Sanders appears dressed as Santa and chicken is served in special holiday packaging.
Italy: La Befana
Italian children are taught that their Christmas gifts are delivered not by Santa Claus, but by an old witch named La Befana who uses her broom to clean untidy bedrooms. This story can be traced back to Strenia, the Roman Goddess of strength and endurance – and the distributor of gifts!
North America: The Christmas Pickle
A lesser-known but cherished American tradition is the pickle ornament. How does it work? In the days leading up to December 25, a glass pickle ornament is hidden within the branches of a Christmas tree. Then, the first person to find the pickle on Christmas morning gets a special prize — or they get to open the first gift. The origins of this unexpected Christmas decoration, with origin stories ranging from the German tradition of Weihnachtsgurke, to tales of Civil War soldiers longing for a pickle on Christmas morning, to a cannibalistic butcher who killed children and kept them in pickle barrels (yes, really). No one can definitively say where this tradition got started but Old World Christmas, the premier glass ornament maker in America, says that the pickle ornament has been their top selling ornament for the past 37 years.
Figgy Pudding
“Oh, bring us some…” Wait, what exactly is figgy pudding?
Figgy Pudding – sometimes called plum pudding or Christmas pudding – originated in 14th Century England as a way to preserve food in preparation for the holiday season. Beef and mutton were mixed with raisins, prunes, wines, and spices. In the Early 15th Century, the dish had morphed into a hearty entrée called “plum pottage” – a mix of meats, grains, vegetables, fats, spices, and fruits. The mixture was then stuffed into sausage casings and eaten throughout the winter when fruits and vegetables were scarce. By the end of the 1500s, fruits were becoming more common in England and “figgy pudding” went from being savory to sweet. The Christmas carol “We Wish You A Merry Christmas” also dates back to the late 16th Century, forever linking “figgy pudding” with Christmas cheer.
Modern-day figgy pudding resembles a bread pudding or sticky toffy cake, with lots of brown sugar, dates, raisins, or currants. Ironically, figs have never actually been an official ingredient, but they are included from time to time, inspiring the well-known name along the way.
Fruitcake
Love it or hate it, you’ve likely had fruitcake. Did you know, the modern fruitcake can be traced back to the Middle Ages as dried fruits became more widely available and fruited breads entered Western European cuisine? Variations on the fruitcake can be seen around the world, from the panforte in Italy, the stollen in Germany, and black cake in the Caribbean with fruit soaked in rum for up to a year.
Thanks to its high sugar content and common addition of alcohol, the fruitcake is remarkably shelf stable, making it the ideal dessert before the invention of refrigeration. In the 18th and 19th Centuries, the fruitcake was an indulgence – you were lucky to have access to the ingredients needed to make one. Fruitcake got an assist from mass production in the 1900s, and factory-produced, mail order fruitcakes quickly fell from grace becoming the punchline of many jokes… and holiday plays at a certain Shakespeare theater!
For a more modern take on the oft-reviled fruitcake, check out this one using apricots, cherries, raisins, and of course, rum.
Rum Tum Pumple Tarts
Let’s be honest, no one knows what a Rum Tum Pumple Tart is. And I’m certain Mary Berry has never even said the word “Pumple.” But, I did find an excellent recipe for a Sugar Plum Tart that captures the spirit of the holiday.
Ingredients:
- Pate Sablee
- Almond Frangipane
- 1 lb. 2 oz. of small plums, halved and pitted
- 3 tbs. of raw sugar
- Powdered sugar for dusting
To Prepare:
- Press dough into a 10-inch round tart pan with a removable bottom. Refrigerate 10 minutes. Trim dough flush with top edge of pan. Refrigerate until cold, about 30 minutes.
- Preheat oven to 350 degrees. Line tart shell with parchment and fill with pie weights or dried beans. Bake until edges are golden, about 10 minutes. Remove parchment and weights; continue baking until surface is golden, about 10 minutes. Let cool on a wire rack.
- Spread frangipane in shell. Arrange plums, cut sides up, on top in concentric circles, pressing gently. Sprinkle with turbinado sugar. Bake until golden, 45 to 50 minutes. Let cool on a wire rack. Just before serving, dust tart with confectioners' sugar.
Trading Santa’s Sleigh for a Norelco Razor!
In the 1960s and ‘70s, Santa traded in his sleigh for a Norelco Razor! Often credited as one of the most successful commercials in advertising history, these beloved ads featured Santa on a razor-like toboggan, bringing the perfect razor or vanity item for every person on your holiday shopping list. These ads were among the most advanced pieces of animation anywhere, not just on tv commercials. If you love the Coca-Cola polar bears or Campbell’s Soup Snowman, you can thank the Norelco Razor for setting the standard of holiday ads and encouraging other brands to follow suit.
Noëlco… Even their name says “Merry Christmas!”
You can watch a few vintage ads here!
Trim your Tree with CSC!
When you make a donation of $100 or more to any CSC Fund throughout the run of “Every Christmas Story Ever Told,” you will receive a commemorative ornament as our gift to you, designed by Resident Costume Designer, Rainy Edwards. Celebrate the season of “Together Again” and support Cincinnati Shakespeare Company this December.
Making a gift in someone’s honor? This ornament makes a thoughtful donation even more special.
Make a donation and pick up your ornament tonight in the Box Office or by going online here.
PLAYWRIGHT SPOTLIGHT
Meet the playwrights behind two world premieres at CSC
Join us for two immersive discussions with Isaiah Reaves and Alice Scovell, the voices behind The Living Dead and forthcoming The Rewards of Being Frank.
INCLUDING a flash writing class hosted by WordPlay Cincy!
RESERVE YOUR SEATS TO THESE FREE EVENTS
Sun, January 8 5:30-7PM and Sat, January 28 5:30-7PM
Scroll down for more information on the playwrights
ISAIAH REAVES
Sunday, January 8 | 5:30-7PM
Learn more here
Reserve your seat
ALICE SCOVELL
Saturday, January 28 | 5:30-7PM
Learn more here
Reserve your seat
Extend your theatric experience by seeing the performance of The Rewards of Being Frank following the event!
Playwright Spotlight is a free event open to the public; tickets must be purchased to watch the performance of The Rewards of Being Frank following the event.
RESERVE YOUR SEATS TO THESE FREE EVENTS
Sun, January 8 5:30-7PM and Sat, January 28 5:30-7PM
INCLUDING a flash writing class with WordPlay Cincy
About WordPlay Cincy
WordPlay sparks storytelling through writing, performance, and visual arts in collaboration with Cincinnati’s young people by celebrating their strengths, cultivating belonging, and fueling social impact.
Cincinnati Shakespeare Company’s first five new play commissions are made possible by a gift from The McElroy Family. We are forever grateful for their support.
CSC's Playwright Spotlight is generously sponsored by the National Endowment for the Arts and Arts Midwest.
Friends of Cincinnati Shakespeare Company
We wish to thank the following individuals for their support of the 2022-2023 Season. We are forever grateful. CSC recognizes donors $100 and above in the Donor Roll. This list reflects gifts received July 1, 2022 – December 6, 2022.
We endeavor to recognize correctly all of our supporters. If you see a problem with this list, please accept our apologies and email sara.clark@cincyshakes.com to correct. Thank you.
Diane Adamec
Stuart and Sarah Aitken
Frank Albi
Dr. Bruce Allen
Lisa Allgoodd
Americana Arts Foundation
Jeffrey and Karen Anderson
Anonymous (5)
Trish and Joe Baker
Mary Baskett
John Batchelor
Dr. Rubin Battino
Tim and Lisa Beckelhimer
Chase and Karen Bramwell
Derek D Brancheau
M.C. and Tom Brennan
Vikki Brown
Jubilee Brown
Mr. Otto Budig
Kathleen Cail
Elishia Chamberlain, in memory of Christian Ashlee Morris
Larry and Julie Chandler
Nancy Cisneros
Hon. James Cissel
Lee and Lisa Clapp
Carol C. Cole
Heather Cole
Kathleen Collins
Mr. Willard H Connor Jr
Cindy Crilley
Donald and Victoria Daiker
Marjorie E. Davis
Scott Goebel and Emily Detmer-Goebel
David and Kelley Downing
Drunk Santa's Dad
Nikki Drye
Thomas and Dale Due
Marilyn and Rance Duke
Dr. and Mrs. Stewart Dunsker
Christine Dye
Rick and Melissa Eder
Elizabeth End
Steven Skibo and Susan Esler
Sarah Faulkner
Allyson Fleischer
Michelle Getz
Maria Gomez and Rich Hill
Kim Good
Elizabeth and John Grover
Laura Leigh Hahn, in honor of Annabelle Magruder
Stew and Linda Hall
Catherine Hamilton Hicks
Daniel J. Hoffheimer
Chris Holloway
Haleigh Hopkins
Keith and Farrah Jackson
Brett and Amy Johnson
Steve Kane
Mark and Marcy Kanter
Dr. Robert Keith and Kathleen Thornton
Emily S. Kennedy
Charles Kichler and Nicole Bramesco
Beverly Kinney
Gail and Eric Kirchner
Ms. Linda Klump
The Knuth Family
Bruce and Elizabeth Krone
Chris and Julie Kuhnhein
Stan Ladrick
Robert and Ellie Lamb
Jean and Charles Lauterbach
Mr. David Lazarus
Chandra Linn
John-Peter Lund
Ms Sophia McAllister
JoAnn McCaughan
John McFerran
Karen McKim
Darcy McMahon
Julia Meister and Michael Schroeder
Patrick and Melissa Melugin
Ted Molinari
Bridee Morris
Kim Morrow
Jack and Ruta Mueller
Christine and Jason Mulvin
TJ Murphy
Chris Nare and Lori Rappold
Drs. Nick Newman and Leila Saxena
Fred and Barbara Norton
Whitney Owens
Sue Ann and Judge Mark Painter
Ms. Taina Pankiewicz
Graham and Karen Paxton
Rick Pender and Joan Kaup
Janet and Tim Peter
Patrick Points and Wijdan Jreisat
Kathy and Mike Rademacher
Mitchell and Karen Rashkin
Kelly Read
Maddie Regan and Brian Lloyd
Vicky and Rick Reynolds
Mr. Dan Reynolds
Joyce Rich
Catherine R.
James W Roberts
Barbara Norris
Patty Rosely
Mr. Louis Ross
Dr and Mrs Eric Ruby
Jessica Ruebusch
Kimberly Saliba
Jennifer Sauvey
Susan Schapiro
Suzanne M. Schindler
Rosemary and Mark Schlachter
Rich Schultz
Alice Scovell
Dr. Catherine Shackson
Saira Shahani and Rick Warm
McCready-Shore Family Fund
David Smith
Carol and Annie Sostok
Dr William Spohn and Dr Margaret Dunn
Ms. Mary Stier
Pete and Ginger Strange
Steve Sullivan
Don and Linda Tecklenburg
Robert and Sue Trusty
James Vachon
Rosalie P. van Nuis
Levy-Wall Family Fund
Carrie Walsh
William Watts
Ms. Donna Welch
Christine Whittaker and Thane Thompson
Ms. Jo Ann Wieghaus
Dr. H. James Williams and Carole Campbell Williams
Beverly Williams
Leo Yakutis
George and Nancy Yund
Justin and Marie Zimmerman
Design Sponsor:
Fruitcake Sponsor:
Wine Experience Partner:
1215 Wine and Coffee Lab
Bob’s Bar taps activated by Rhinegeist.