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Image for Vivaldi’s Four Seasons Rediscovered
Vivaldi’s Four Seasons Rediscovered
Oct. 30, 11:30 am & 7:30 pm | Nov. 1, 5:30 pm | Nov. 2, 2 pm
About the Concert

Thursday, October 30, 2025, 11 a.m.  
Thursday, October 30, 2025, 7:30 p.m.**    
Saturday, November 1, 2025, 5:30 p.m. 
Sunday, November 2, 2025, 2 p.m. 

Hilbert Circle Theatre

Celebrating 300 years of Vivaldi’s Four Seasons, conductor/harpsichordist Jeannette Sorrell and violinist Francisco Fullana dig deep into this timeless work. Each movement captures the essence of nature’s cycle with vibrancy and virtuosity. Mo. Sorrell brings these beloved seasonal portraits to life with a historical approach to performance with a multi-media presentation and commentary. Explore baroque treasures with Marais’ Suite from Alcyone and Sorrell’s own spirited arrangement of Uccellini’s La Bergamasca.  
 
**The October 30 performance will be offered at the Palladium Allied Solutions Center for the Performing Arts. 

Program

Jeannette Sorrell, conductor
Francisco Fullana, violin
Anna O'Connell, baroque harp
William Simms, lute/theorbo


October 30 Coffee Concert

Marco Uccellini (arr. Sorrell)  |  (1603–1680)
La Bergamasca

Antonio Vivaldi  |  (1678–1748)
Le quattro stagioni (The Four Seasons) for Violin and Orchestra
• “La primavera” (“Spring”)

• “L’estate” (“Summer”)
• “L’autunno” (“Autumn”)
• “L’inverno” (“Winter”)  

Length of performance is approximately 90 minutes long. There is no intermission.


October 30 Evening Concert & Nov. 1-2

Marco Uccellini (arr. Sorrell)  |  (1603–1680)
La Bergamasca 

Marin Marais  |  (1656–1728)
Suite from Alcyone (Chaconne - Tempest - Marche)  

Antonio Vivaldi  |  (1678–1748)
Le quattro stagioni (The Four Seasons) for Violin and Orchestra
     “La primavera” (“Spring”)
     “L’estate” (“Summer”) 

 20-Minute Intermission

     “L’autunno” (“Autumn”)
     “L’inverno” (“Winter”) 


Antonio Vivaldi (arr. Sorrell)  |  (1678–1748)
La Folia ("Madness")


Length of evening performance is approximately one hour and forty minutes long.


The November 1 and 2 performances are endowed by Marianne Williams Tobias.