Thursday, October 27, 2022 at 7:30 pm
The Rebecca Cohn Auditorium, Halifax
Presented by Nice Moves, Jules Chamberlain – Red Door Realty and The Coast
Featuring Holly Mathieson, conductor
Robert Uchida, violin
Joseph Johnson, cello
Symphony Nova Scotia
Jessie Montgomery (b. 1981) Starburst |
4' |
R. Murray Schafer (1933-2021) ? In Memoriam Alberto Guerrero |
7' |
Judith Weir (b. 1954) Still, Glowing |
4' |
Ralph Vaughan Williams (1872-1958) Fantasia on a Theme by Thomas Tallis |
15' |
Intermission | |
Johannes Brahms (1833-1897) Concerto for Violin and Violoncello in A Minor, “Double Concerto” I. Allegro II. Andante III. Vivace non troppo |
32' |
Additional players: Anna Genest and Alsu Kamalieva, violin; Suzanne Lemieux, oboe; Mimisu Lee and Randal Ulmer, horn; Trevor Brandenburg, timpani; D'Arcy Gray, percussion.
When you have string stars like Robert Uchida and Joseph Johnson coming to play a double concerto in the second half, you really need to pull out every stop in the balance of the programme. In this case, the first half of this concert features four of my favourite pieces of string music to conduct. Jessie Montgomery’s Starburst is utter joy and positivity – virtuosic writing that nearly blows the roof off any concert hall, it’s a work that has taken audiences of the world by storm since she wrote it in 2012. I really wanted to play something by internationally-revered Canadian composer R. Murray Schafer, who passed away last season, and this piece that he wrote in memoriam of his own beloved piano teacher is both elegiac and beautiful – vast, enigmatic monoliths of sound emerge from the mist. We’re going to follow it with a piece by Scottish composer Judith Weir. Taken from one of her operas, it’s an oasis of calm in the midst of an epic, mythological tale. It depicts a mother and her new born baby – quiet, content, and alone – in a work of unspeakable beauty and intimacy. Finally, Ralph Vaughan Williams’ Fantasia is a celebration of the string orchestra tradition, depicting the lush, green English countryside with a wistful nod to the 16th century origin of the original theme. I always feel like the double string orchestra and distanced solo quartet evoke the sounds of a village church congregation singing a hymn in the distance on a summer Sunday morning.
Learn some fun and interesting facts about the composers featured in this concert, as well as the music that will be on the program.